20 Actors We Want to See in the DCU
Superhero worlds ask for performers who bring proven action skills, strong character work, and franchise experience. The DCU keeps expanding with films and series that blend grounded drama and large-scale spectacle, which means casting choices benefit from track records that show range, reliability, and audience recognition across genres.
This list gathers actors with notable credits, physical preparation for action roles, and histories in ensemble storytelling. Each profile highlights concrete work that demonstrates fight training, stunt collaboration, voice or motion-capture experience, and awards or nominations that speak to consistency at a high professional level.
Rahul Kohli
Rahul Kohli built a wide genre footprint through television and streaming hits such as ‘iZombie’, ‘The Haunting of Bly Manor’, and ‘Midnight Mass’. His performances move between dry humor and tense character beats, and he has carried episodic arcs that balance procedural structure with serialized storytelling.
He works comfortably with horror, mystery, and action-adjacent material, and he has experience leading casts on fast television schedules. His background includes voice and game culture appearances at fan events, which supports audience engagement for franchise properties.
Ana de Armas
Ana de Armas demonstrated high-intensity stunt collaboration in ‘No Time to Die’ and extended action sequences in ‘The Gray Man’. Earlier dramatic turns in ‘Knives Out’ and ‘Blade Runner 2049’ show careful character construction inside ensemble casts and large productions.
She prepared for a lead role in ‘Ballerina’ with firearms practice and close-quarters choreography under specialized trainers. That preparation follows multi-month regimens common to franchise action work, and it adds to multilingual press capability for global rollouts.
Glen Powell
Glen Powell combined aviation training and practical cockpit work for ‘Top Gun: Maverick’, then continued military and flight-centric action in ‘Devotion’. He has also delivered tightly timed comedic and dialogue-driven performances in ‘Hit Man’ and ‘Anyone But You’, which supports tonal shifts inside big tent projects.
His collaboration history includes working with second-unit aerial teams and intensive safety protocols. He promotes films with behind-the-scenes content that highlights process and teamwork, which supports franchise marketing cycles.
Giancarlo Esposito
Giancarlo Esposito anchored complex antagonists and authority figures across ‘Breaking Bad’, ‘Better Call Saul’, ‘The Mandalorian’, and ‘The Boys’. His roles often involve restrained physicality, clear vocal control, and strategic scene pacing, which scale well to large ensemble stories.
He brings decades of work in film, television, and games, including voice performances that require precise line delivery. His awards recognition includes multiple nominations from major television academies, and his presence supports world-building through defined leadership or mentor archetypes.
Jodie Comer
Jodie Comer earned awards recognition for ‘Killing Eve’ and received critical acclaim on stage with ‘Prima Facie’. On film, she handled practical action and digital environments in ‘Free Guy’ and period combat choreography in ‘The Last Duel’.
Her training for stage and screen emphasizes accent work and rapid emotional turns, which helps with characters who shift identities or operate undercover. She has led international press tours and carries lead-role screen time across both limited series and features.
Henry Golding
Henry Golding moved from romantic lead work in ‘Crazy Rich Asians’ to crime ensemble material in ‘The Gentlemen’. He completed weapons and martial-arts preparation for ‘Snake Eyes’, which included sword work and hand-to-hand drills with stunt teams.
His travel and hosting background translates to global promotion, and his projects span Asia-Pacific and Western markets. He maintains on-camera comfort in both action and dialogue-heavy scenes, which supports crossover between film and streaming formats.
Steven Yeun
Steven Yeun combined dramatic leads in ‘Minari’ and ‘Beef’ with long-running genre storytelling in ‘The Walking Dead’. He also voices the title role in ‘Invincible’, which demonstrates performance control in the booth and collaboration with animation directors.
His filmography shows independent dramas alongside studio productions, and he has experience carrying character arcs over multi-season timelines. Awards recognition includes nominations from major academies and guilds, confirming consistent work across mediums.
Anya Taylor-Joy
Anya Taylor-Joy led action work in ‘Furiosa’ after breakout turns in ‘The Witch’ and ‘Split’. She anchored a global streaming phenomenon with ‘The Queen’s Gambit’, which required intensive technical preparation and sustained lead presence.
Her credits include franchise, horror, and prestige drama, and she has completed extensive location shoots with complex costumes and vehicles. She supports international marketing with multilingual press, and she handles stylized worlds that rely on precise physical storytelling.
Dev Patel
Dev Patel earned awards recognition for ‘Lion’ and delivered stylized fantasy in ‘The Green Knight’. He trained heavily for ‘Monkey Man’, which included designing fight scenes and directing large action units on a tight schedule.
He brings experience from acting, writing, and directing, which supports collaboration with stunt coordinators and editors. His body of work shows comfort with mythic frameworks and grounded emotional beats inside high-concept settings.
Regé-Jean Page
Regé-Jean Page rose to global attention with ‘Bridgerton’ and shifted into swordplay and ensemble action with ‘Dungeons & Dragons: Honor Among Thieves’. He added espionage and tactical set pieces in ‘The Gray Man’, working within large second-unit systems.
His stage and television background supports quick script revisions and high-volume press cycles. He has trained for period weapons and modern tactical movement, which translates to varied action styles in franchise storytelling.
Jenna Ortega
Jenna Ortega headlined ‘Wednesday’ with physical movement training for character-specific performance and musical timing. Her film work includes horror and thriller entries such as ‘Scream’, ‘X’, and ‘The Fallout’, which shows familiarity with suspense pacing and genre tone.
She has carried franchise promotion through social platforms and convention appearances. Her schedule includes television and feature films, which indicates availability for crossover series and event movies.
Wyatt Russell
Wyatt Russell portrayed a complex super-soldier in ‘The Falcon and the Winter Soldier’ and led creature-feature action in ‘Overlord’. He has also anchored character-driven television in ‘Lodge 49’ and large-scale genre work in ‘Monarch: Legacy of Monsters’.
His athletic background supports stunt cooperation and endurance during multi-week action shoots. He has experience with serialized arcs that explore military, moral, and psychological dimensions inside shared universes.
Sofia Boutella
Sofia Boutella brings a dance foundation that informs blade work, acrobatics, and rhythm-based fight scenes. Notable action titles include ‘Kingsman: The Secret Service’, ‘Star Trek Beyond’, and ‘The Mummy’, along with sci-fantasy world-building in ‘Rebel Moon’.
Her movement training supports distinctive silhouettes and readable action beats under heavy costuming or prosthetics. She has worked across practical sets and digital volumes, which helps with continuity in effects-heavy productions.
LaKeith Stanfield
LaKeith Stanfield’s range spans surreal comedy in ‘Atlanta’, social horror in ‘Get Out’, and biographical drama in ‘Judas and the Black Messiah’. He recently led a biblical epic with ‘The Book of Clarence’, which required period performance and large crowd sequences.
He has collaborated with acclaimed directors on independent and studio projects and maintains a music career that supports cross-media promotion. His filmography shows comfort with ensemble pieces and imaginative worlds that rely on precise tone management.
Dan Stevens
Dan Stevens delivered superpowered psychology and stylized action in ‘Legion’, then pivoted to lean genre thrills in ‘The Guest’. He has worked within blockbuster VFX environments in ‘Beauty and the Beast’ and kaiju spectacle in ‘Godzilla x Kong: The New Empire’.
His credits include voice and motion-capture adjacent performance that requires clean vocal modulation. He has filmed across North America, Europe, and Oceania, which aligns with global location shoots in franchise work.
Pom Klementieff
Pom Klementieff trained extensively for fight choreography in ‘Guardians of the Galaxy’ entries and expanded stunt skills in ‘Mission: Impossible – Dead Reckoning Part One’. Her work balances empathetic character beats with physical sequences under tight safety protocols.
She speaks multiple languages and maintains a strong presence at global fan events. Her experience with makeup-heavy characters and wire-assisted stunts supports complex set requirements for effects-driven projects.
Diego Luna
Diego Luna led espionage and rebellion storytelling in ‘Andor’ and co-led ‘Rogue One’, working inside massive practical sets and virtual production stages. His career includes crime drama in ‘Narcos: Mexico’ and international features dating back to ‘Y Tu Mamá También’.
He brings producing and directing experience, which improves collaboration across departments. His bilingual media profile supports outreach in key markets, and his schedule shows sustained work in serialized arcs and franchise films.
Florence Pugh
Florence Pugh earned an Academy Award nomination for ‘Little Women’ and delivered acclaimed horror in ‘Midsommar’. She has played elite spycraft and close-quarters combat in ‘Black Widow’ and continued character work in ensemble features like ‘Oppenheimer’ and ‘Dune: Part Two’.
Her training covers grappling, falls, and weapons basics, and she manages press tours that span multiple regions. She moves between independent dramas and large franchises, showing consistent performance under varied production scales.
John David Washington
John David Washington carried large practical action sequences in ‘Tenet’ and led a grounded sci-fi war narrative in ‘The Creator’. Earlier work in ‘BlacKkKlansman’ showed investigative drama across ensemble scenes and period detail.
His athletic background supports sprint work, fight exchanges, and repeated takes under demanding setups. He has collaborated with major directors on high-concept projects, which aligns with storylines that mix espionage, science fiction, and character drama.
John Boyega
John Boyega co-led a space opera trilogy with ‘Star Wars’ entries and handled urban sci-fi action in ‘Attack the Block’. He has also headlined large mechanical combat in ‘Pacific Rim: Uprising’ and social satire in ‘They Cloned Tyrone’.
His experience includes intensive wire work, stunt rehearsals, and green-screen acting with full VFX integration. He maintains strong ties to fan communities through conventions and charitable initiatives, which supports audience engagement for long-running franchises.
Share your thoughts on which performers you would prioritize for future DCU roles in the comments.
