15 Actresses Perfect for the Role of Dazzler in the MCU

Dazzler has a long history in Marvel comics as a mutant pop star who converts sound into light, appearing across X-Men titles and related series. The character’s depiction has ranged from club stages to team missions, with storylines that blend performance set pieces, concert imagery, and action sequences.

Bringing that combination to live action calls for a performer with screen experience in music-driven projects, choreography, or stylized genre storytelling alongside ensemble filmmaking. The following selections focus on filmographies, television roles, concert and stage backgrounds, and collaborations with directors and writers that demonstrate skills aligned with a character who lives at the intersection of sound, light, and superhero spectacle.

Taylor Swift

Taylor Swift’s screen credits include ensemble roles in ‘Valentine’s Day’ directed by Garry Marshall, the musical adaptation ‘Cats’ directed by Tom Hooper, and the period caper ‘Amsterdam’ directed by David O. Russell. She wrote and directed ‘All Too Well: The Short Film’, and she headlined the concert feature ‘Taylor Swift: The Eras Tour’, a large-scale production built around choreography, set transitions, and lighting design.

Her television and film appearances span music-centered performance, narrative shorts, and concert filmmaking that integrates live vocals with camera-aware stage movement. Additional work includes televised specials, longform tour productions coordinated with choreographers and musical directors, and collaborations with editors and cinematographers to synchronize sound cues with visual effects.

Anya Taylor-Joy

Anya Taylor-Joy’s breakthrough came with ‘The Witch’ directed by Robert Eggers, followed by ‘Split’ and ‘Glass’ directed by M. Night Shyamalan. She led the limited series ‘The Queen’s Gambit’, created by Scott Frank and Allan Scott, and starred in ‘Furiosa: A Mad Max Saga’ directed by George Miller, alongside roles in ‘Emma.’ directed by Autumn de Wilde and ‘The Menu’ directed by Mark Mylod.

Her projects feature stylized visuals, period costuming, and action choreography coordinated with stunt units and music-driven editing. Additional credits include ‘Last Night in Soho’ directed by Edgar Wright, a psychological thriller that uses curated soundtrack choices and choreographed camera movement to stage character transitions and set pieces.

Sydney Sweeney

Sydney Sweeney is known for ‘Euphoria’, created by Sam Levinson, and ‘The White Lotus’, created by Mike White. Film roles include ‘Anyone But You’ directed by Will Gluck, the psychological thriller ‘Immaculate’ directed by Michael Mohan, and the superhero thriller ‘Madame Web’ directed by S. J. Clarkson.

Her work spans studio features and limited series that incorporate prominent soundtrack cues, stylized lighting, and ensemble staging. Credits include collaboration with stunt coordinators for action-adjacent sequences and production teams that use editing and sound design to accent character beats within drama and thriller frameworks.

Elle Fanning

Elle Fanning led ‘The Great’, created by Tony McNamara, portraying Catherine in a satirical period narrative built around orchestral scoring and heightened production design. Film credits include ‘Maleficent’ directed by Robert Stromberg, ‘Maleficent: Mistress of Evil’ directed by Joachim Rønning, ‘Teen Spirit’ directed by Max Minghella, ’20th Century Women’ directed by Mike Mills, and ‘The Neon Demon’ directed by Nicolas Winding Refn.

In ‘The Roads Not Taken’, written and directed by Sally Potter, she appears opposite Javier Bardem in a story set over a single day in New York City as a father experiences visions of alternate life paths, with supporting roles for Laura Linney and Salma Hayek. Her filmography includes projects that coordinate music, choreography, and lighting to cue scene transitions and performance beats.

Chloë Grace Moretz

Chloë Grace Moretz’s roles include ‘Kick-Ass’ directed by Matthew Vaughn, ‘Let Me In’ directed by Matt Reeves, ‘Carrie’ directed by Kimberly Peirce, and ‘The 5th Wave’ directed by J Blakeson. She starred in the science fiction series ‘The Peripheral’, created by Scott B. Smith and based on William Gibson’s novel.

Her projects feature stunt coordination, wire work, and VFX integration alongside contemporary soundtrack selections. Additional credits such as ‘If I Stay’ directed by R. J. Cutler and ‘Shadow in the Cloud’ directed by Roseanne Liang pair character-focused drama with genre elements that emphasize timing, movement, and sound design.

Janelle Monáe

Janelle Monáe’s film credits include ‘Moonlight’ directed by Barry Jenkins, ‘Hidden Figures’ directed by Theodore Melfi, and ‘Glass Onion: A Knives Out Mystery’ directed by Rian Johnson. They led the thriller ‘Antebellum’ directed by Gerard Bush and Christopher Renz and have released concept albums accompanied by narrative videos and tour productions.

Their work in music and film combines choreography, costuming, and stagecraft with cinematography that aligns lighting and sound for performance sequences. Collaborations span editors, production designers, and musical directors, creating screen roles that incorporate live vocals, ensemble blocking, and storylines shaped by rhythm and visual motif.

Naomi Scott

Naomi Scott played Jasmine in ‘Aladdin’ directed by Guy Ritchie, performing original and adapted songs within staged musical numbers. Additional credits include ‘Power Rangers’ directed by Dean Israelite and ‘Charlie’s Angels’ directed by Elizabeth Banks, action projects that use fight choreography, ensemble dynamics, and needle-drop soundtracks.

Her background includes recording and live performance as a vocalist, with on-screen work that integrates dance rehearsal and studio sessions for soundtrack releases. Film and television roles have involved coordination with stunt teams, choreographers, and music departments to stage set pieces built around movement and sound.

Ana de Armas

Ana de Armas starred in ‘Knives Out’ directed by Rian Johnson, followed by ‘No Time to Die’ directed by Cary Joji Fukunaga and ‘The Gray Man’ directed by Anthony and Joe Russo. She portrayed Marilyn Monroe in ‘Blonde’ directed by Andrew Dominik, a fictionalized portrait structured around recreations of studio-era imagery.

Her action and thriller credits feature close-quarters choreography, rapid-take editing, and collaboration with stunt coordinators and fight trainers. Additional roles span genres that rely on score and sound design to punctuate character movement and scene pacing across both studio and independent productions.

Halston Sage

Halston Sage portrayed Dazzler in ‘Dark Phoenix’ directed by Simon Kinberg, appearing in a concert sequence that combines stage performance with mutant abilities. She co-starred in ‘The Orville’, created by Seth MacFarlane, a science fiction series with episodic storytelling and space-operatic production design, and appeared in ‘Paper Towns’ directed by Jake Schreier.

Her screen work includes comedy and science fiction projects that use soundstage builds, VFX, and ensemble blocking. Additional credits such as ‘Neighbors’ directed by Nicholas Stoller and ‘Before I Fall’ directed by Ry Russo-Young highlight contemporary settings that deploy soundtrack choices to underscore narrative turns.

Sabrina Carpenter

Sabrina Carpenter’s television credits include ‘Girl Meets World’, created by Michael Jacobs, and film roles in ‘Work It’ directed by Laura Terruso and ‘Emergency’ directed by Carey Williams. She appeared in ‘The Hate U Give’ directed by George Tillman Jr. and ‘Clouds’ directed by Justin Baldoni.

Her recording career features studio albums and tours structured around choreography, lighting design, and live vocal performance. On screen, her roles have involved rehearsal with choreographers, coordination with music supervisors for original tracks, and editing that frames dance and performance beats within youth-driven narratives.

Lady Gaga

Lady Gaga led ‘A Star Is Born’ directed by Bradley Cooper, performing original songs within concert and studio settings; the film’s soundtrack includes ‘Shallow’, which won the Academy Award for Best Original Song. She starred in ‘House of Gucci’ directed by Ridley Scott and appears in ‘Joker: Folie à Deux’ directed by Todd Phillips.

Her film and television work draws on arena-scale tour production, choreography, and costuming that integrates with cinematography and lighting for stage sequences. Collaborations with music producers, editors, and production designers have produced performance environments centered on live vocals and camera-aware movement.

Emma Stone

Emma Stone’s musical experience includes ‘La La Land’ directed by Damien Chazelle, a film built around rehearsed choreography, vocal performance, and jazz-inflected scoring. She portrayed Gwen Stacy in ‘The Amazing Spider-Man’ and its sequel directed by Marc Webb and starred in ‘Cruella’ directed by Craig Gillespie, a fashion-driven heist narrative with a prominent soundtrack.

Her collaborations include ‘The Favourite’ and ‘Poor Things’, both directed by Yorgos Lanthimos, projects that use period styling, ensemble staging, and distinctive sound design. Filmography highlights span comedy, drama, and genre hybrids that coordinate choreography, costuming, and music cues to structure character arcs and set pieces.

Hunter Schafer

Hunter Schafer appears in ‘Euphoria’, created by Sam Levinson, a series that uses stylized lighting, soundtrack cues, and camera movement to frame character narratives. Film work includes ‘The Hunger Games: The Ballad of Songbirds & Snakes’ directed by Francis Lawrence, a franchise prequel with large-scale production design and ensemble storytelling.

Their credits extend to fashion and editorial projects that involve choreographed movement, performance, and collaboration with makeup and costume departments. Screen roles have incorporated sets with complex lighting setups and sound design that align with character transitions and scene blocking.

Lily James

Lily James starred in ‘Cinderella’ directed by Kenneth Branagh, a studio fantasy anchored by ballroom choreography and orchestral scoring. She appeared in ‘Baby Driver’ directed by Edgar Wright, a heist film synchronized to curated music cues and precision editing, and in ‘Yesterday’ directed by Danny Boyle.

In the limited series ‘Pam & Tommy’, created by Robert Siegel with D. V. DeVincentis as co-showrunner, she portrays Pamela Anderson opposite Sebastian Stan as Tommy Lee, with early episodes directed by Craig Gillespie. Additional credits include ‘Rebecca’ directed by Ben Wheatley and ‘Mamma Mia! Here We Go Again’ directed by Ol Parker, projects that integrate musical performance, period styling, and ensemble staging.

Jodie Comer

Jodie Comer is known for ‘Killing Eve’, created by Phoebe Waller-Bridge, a series that features international locations, distinctive costuming, and an eclectic soundtrack. Film credits include ‘Free Guy’ directed by Shawn Levy and ‘The Last Duel’ directed by Ridley Scott, alongside the survival drama ‘The End We Start From’ directed by Mahalia Belo.

Her stage work includes ‘Prima Facie’ by Suzie Miller, a one-person play that requires precise blocking and vocal control. Screen roles have involved action choreography, multilingual dialogue, and collaboration with stunt coordinators and dialect coaches, with productions using music and sound design to guide tone and pacing.

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