‘Armand’ and Every Other Movie Coming To and Leaving Hulu This Week

Looking for what’s new—and what’s on the way out—on Hulu between Monday, November 17 and Sunday, November 23? Below you’ll find this week’s incoming movie premieres and the titles leaving the platform, each with quick, useful details on plots, key cast, directors, and writers. Dates refer to their arrival or departure windows this week so you can plan your watchlist accordingly.

‘Armand’ (2024)

Arrives Tuesday, November 18. This Norwegian psychological drama centers on a tense after-hours meeting at an elementary school, where the mother of a 6-year-old boy faces teachers and another child’s parents over an alleged assault; the story unfolds in real time inside the school corridors. Written and directed by Halfdan Ullmann Tøndel in his feature debut, it stars Renate Reinsveve as Elisabeth, with Ellen Dorrit Petersen, Endre Hellestveit, Thea Lambrechts Vaulen, Øystein Røger, and Vera Veljovic. The film premiered in Cannes’ Un Certain Regard and is noted for its claustrophobic, ambiguity-driven structure. Cinematography is by Pål Ulvik Rokseth, with music by Ella van der Woude.

‘The Last Rider’ (2023)

Arrives Thursday, November 20. This documentary chronicles American cyclist Greg LeMond’s near-fatal shooting and remarkable comeback to win the Tour de France, featuring interviews with LeMond and his wife Kathy, director sportif Cyrille Guimard, and rival champion Pedro Delgado, alongside archival material on Laurent Fignon. Directed by Alex Holmes, the film premiered at the Telluride Film Festival and later saw a theatrical release via Roadside Attractions. It focuses on the decisive late-1980s Tours and the personal resolve behind LeMond’s return to the top of the sport. The doc has earned strong critical notices, including a high approval score on aggregator sites.

‘Sebastian Maniscalco: It Ain’t Right’ (2025)

Arrives Friday, November 21. Filmed at a sold-out United Center in Chicago, this stand-up special features Sebastian Maniscalco’s observational sets on family life, aging, and everyday annoyances. The special is directed by Paul Dugdale, with Maniscalco serving as writer/performer and executive producer alongside David Jammy, Lana Maniscalco, Chris Convy, Lindsay Goldfarb, and Freddy Wexler. The material draws on bits from his extended 2024–2025 tour and showcases his signature physicality and timing. It’s positioned as the comedian’s latest long-form special following multiple prior releases.

‘Under Fire’ (2025)

Arrives Saturday, November 22. An action-comedy about two undercover agents—one FBI, one DEA—who discover they’re on the same cartel case and end up pinned down together by a sniper at a remote border meet-up. Directed by Steven C. Miller and written by Adrian Speckert and Cory Todd Hughes, the film stars Dylan Sprouse and Mason Gooding, with Odette Annable, Emilio Rivera, and Declan Michael Laird in supporting roles. The premise hinges on mistrust turning into reluctant teamwork under fire. Production and distribution were handled by Voltage Pictures and Vertical, respectively.

‘Consecration’ (2023)

Leaves Tuesday, November 18. A supernatural horror-thriller from director Christopher Smith, it follows a woman who travels to a remote Scottish convent on the Isle of Skye to investigate her priest brother’s death, uncovering dark secrets and a troubling past. The film stars Jena Malone, Danny Huston, and Janet Suzman, with a script by Smith and Laurie Cook. It emphasizes mystery and ecclesiastical dread, building toward revelations about faith, violence, and memory. The runtime is 91 minutes.

‘Black Ice’ (2023)

Leaves Tuesday, November 18. This Canadian documentary—directed by Oscar-nominated filmmaker Hubert Davis—explores the history of Black players in hockey, spotlighting the Coloured Hockey League of the Maritimes and confronting systemic racism in the sport through testimony and archival footage. Executive producers include Drake, LeBron James, and Maverick Carter. The film premiered at the Toronto International Film Festival, where it won the People’s Choice Award for Documentaries, and later appeared on TIFF’s Canada’s Top Ten list. It runs 97 minutes and combines modern accounts with historical context.

Tell us which of these you’re queuing up—or trying to catch before it’s gone—in the comments!