Amazon Prime Original Movies That Are So Good You Need to Watch Them Again

Amazon Prime Video has become a treasure trove for movie lovers, packed with original films that span genres and spark emotions. From gripping dramas to laugh-out-loud comedies, their lineup offers something for everyone, with stories that stick with you long after the credits roll.

We’ve rounded up Amazon Prime Original movies that are so captivating, you’ll want to watch them again. These films, all produced by Amazon Studios, showcase bold storytelling, stellar casts, and moments that demand a second viewing. Let’s dive into why these movies deserve a spot on your rewatch list.

The Big Sick (2017)

This heartfelt romantic comedy draws from the real-life love story of Kumail Nanjiani and Emily V. Gordon. Kumail, playing himself, navigates cultural clashes and a sudden medical crisis that tests his budding relationship with Emily, portrayed by Zoe Kazan.

The film’s charm lies in its blend of humor and raw emotion, with standout performances from Holly Hunter and Ray Romano as Emily’s parents. It’s a warm, funny, and deeply moving tale that feels fresh every time you watch.

Sound of Metal (2020)

Riz Ahmed delivers a powerhouse performance as Ruben, a drummer facing sudden hearing loss. This intense drama follows his journey through a deaf community rehab center, forcing him to confront his identity and future.

The film’s immersive sound design and Ahmed’s raw portrayal make it a gripping watch. Its exploration of acceptance and resilience hits hard, begging for a rewatch to catch every subtle detail.

The Report (2019)

Adam Driver stars as Daniel Jones, a Senate staffer uncovering the CIA’s controversial interrogation methods. This political thriller dives into the real-life investigation, blending tension with moral weight.

Driver’s focused performance, paired with Annette Bening’s sharp turn as Senator Dianne Feinstein, keeps you hooked. The film’s tight pacing and real-world relevance make it a must-revisit for fans of smart dramas.

Borat Subsequent Moviefilm (2020)

Sacha Baron Cohen returns as Borat, the Kazakh journalist, in this wild mockumentary. This time, he’s joined by his daughter Tutar, played by Maria Bakalova, as they stir up chaos across America.

The film’s bold humor and sharp social commentary land punch after punch. Bakalova’s breakout role and the absurd real-world encounters make it a hilarious rewatch that never gets old.

American Fiction (2023)

Jeffrey Wright shines as Monk, a frustrated novelist whose satirical book becomes an unexpected hit. This sharp comedy-drama tackles race, identity, and the publishing world with wit and heart.

The ensemble, including Tracee Ellis Ross and Sterling K. Brown, brings depth to every scene. Its clever script and layered characters make it a film you’ll want to unpack again.

The Lost City of Z (2017)

Charlie Hunnam stars as Percy Fawcett, a British explorer obsessed with finding a mythical Amazonian civilization. This sweeping adventure traces his perilous journeys in the early 20th century.

The lush visuals and Hunnam’s intense performance create an epic yet intimate story. It’s a film that rewards rewatching for its rich details and haunting sense of discovery.

Air (2023)

Ben Affleck directs and co-stars in this lively drama about Nike’s game-changing deal with Michael Jordan. Matt Damon leads as Sonny Vaccaro, the scout who bets big on the young basketball star.

The sharp dialogue and 80s nostalgia keep the energy high, while Viola Davis steals scenes as Jordan’s mother. It’s a fun, inspiring ride that’s even better the second time around.

The Burial (2023)

Jamie Foxx and Tommy Lee Jones team up in this courtroom drama based on a true story. Foxx plays a flashy lawyer helping a small-town funeral home owner fight a corporate giant.

The chemistry between the leads and the film’s mix of humor and heart make it a crowd-pleaser. Rewatch it for Foxx’s electric performance and the satisfying underdog story.

One Night in Miami… (2020)

Regina King’s directorial debut imagines a night in 1964 where Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke debate their roles in the civil rights movement. The stellar cast brings this fictional meeting to life.

The film’s powerful dialogue and emotional depth make it a standout. It’s a thought-provoking watch that reveals new layers with each viewing.

Red, White & Royal Blue (2023)

This bubbly rom-com follows Alex, the U.S. president’s son, and Henry, a British prince, as their rivalry turns into romance. Taylor Zakhar Perez and Nicholas Galitzine spark with chemistry.

The film’s lighthearted charm and heartfelt moments make it endlessly rewatchable. It’s a feel-good escape that delivers smiles every time.

The Idea of You (2024)

Anne Hathaway stars as Solène, a single mom who falls for a young pop star, played by Nicholas Galitzine, at Coachella. This steamy yet sweet romance explores love across age gaps.

The film’s emotional honesty and Hathaway’s radiant performance keep you invested. It’s a perfect rewatch for its dreamy vibe and catchy soundtrack.

The Tomorrow War (2021)

Chris Pratt leads this sci-fi action flick as a man drafted to fight an alien war in the future. The high-stakes plot follows his team’s mission to save humanity.

Packed with thrilling battles and surprising heart, the film’s fast pace keeps you glued. Rewatch it for the epic action and Pratt’s everyman charm.

Good Night Oppy (2022)

This touching documentary chronicles the Mars rover Opportunity’s 15-year mission, far exceeding its 90-day plan. Narrated by Angela Bassett, it’s a tribute to human ingenuity.

The stunning visuals and emotional storytelling make it a unique watch. You’ll want to revisit it for the rover’s inspiring journey and the team behind it.

Coming 2 America (2021)

Eddie Murphy returns as Prince Akeem in this comedy sequel, joined by Arsenio Hall and a vibrant cast. Akeem heads back to America to find his long-lost son.

The film’s humor, nostalgia, and new faces like Jermaine Fowler keep it fresh. It’s a fun rewatch for the laughs and colorful Zamunda vibes.

Brittany Runs a Marathon (2019)

Brittany is a fun-loving New Yorker in her late 20s, but her hard-partying lifestyle and underemployment have left her feeling unfulfilled and unhealthy. After a visit to the doctor reveals she needs to make a change, she decides to take up running. Initially, she can barely make it a block, but she slowly begins to build her stamina and confidence.

With the encouragement of her new running partners, Brittany sets an ambitious goal for herself: to run the New York City Marathon. The film follows her transformative journey of self-improvement and self-discovery. As she trains, she confronts her own self-doubt and re-evaluates her relationships and life choices.

Catherine Called Birdy (2022)

In medieval England, Lady Catherine, known as Birdy, is a spirited and clever 14-year-old girl. Her father, a financially struggling lord, sees her as a way out of his debts by marrying her off to a wealthy suitor. However, Birdy is determined to maintain her independence and finds increasingly creative ways to scare off any potential husbands.

As her father becomes more desperate, he arranges a match with a particularly repulsive and wealthy older man. Birdy must use all of her wit and defiance to try and escape her fate. The story is a coming-of-age tale about a young woman fighting for her own agency in a world that tries to control her.

Challengers (2024)

Tashi Duncan is a former tennis prodigy who had to retire after a career-ending injury. Now a coach, she is married to Art Donaldson, a tennis champion who is on a losing streak. To help him regain his confidence, she enters him into a low-level “Challenger” tournament, expecting an easy path to victory for him.

The plan takes an unexpected turn when Art’s opponent in the final match is Patrick Zweig, his former best friend and Tashi’s ex-boyfriend. The reunion of the three forces them to confront their shared past, which is filled with rivalry, friendship, and romance. The tension between them plays out both on and off the court.

Late Night (2019)

Katherine Newbury is a legendary late-night talk show host who has been on the air for decades. However, her show’s ratings have been declining, and she is in danger of being replaced. In an effort to freshen up the show and address diversity concerns, she hires Molly Patel, an enthusiastic but inexperienced chemical plant worker, as the first and only female writer on her staff.

Molly’s arrival disrupts the male-dominated writers’ room and challenges Katherine’s old-school approach to comedy. The two women, from different generations and cultural backgrounds, must learn to work together to save the show. The film is a comedy about the changing landscape of television and the workplace.

Manchester by the Sea (2016)

Lee Chandler is a quiet and withdrawn janitor living in Boston. After the sudden death of his older brother, Joe, he is shocked to learn that he has been named the sole guardian of his teenage nephew, Patrick. Lee reluctantly returns to his hometown of Manchester-by-the-Sea to care for the boy.

Being back in his hometown forces Lee to confront a tragic past that caused him to leave years earlier. He struggles with his new responsibilities as a guardian while dealing with his own profound grief and guilt. The film is a powerful story about family, loss, and the difficulty of moving forward.

Saltburn (2023)

Oliver Quick is a student at Oxford University who struggles to fit in with his wealthy and aristocratic classmates. He becomes infatuated with the charming and popular Felix Catton. When Felix invites Oliver to spend the summer at his family’s sprawling and eccentric estate, Saltburn, Oliver’s life takes a dramatic turn.

As Oliver becomes entangled with Felix’s eccentric family, a series of unsettling events begins to unfold. The summer at Saltburn becomes a story of obsession, privilege, and psychological manipulation. The film explores the dark side of desire and the lengths people will go to for what they want.

Thirteen Lives (2022)

In 2018, a junior soccer team and their coach become trapped deep inside the Tham Luang cave in northern Thailand after heavy rainfall floods the cave system. The film recounts the incredible true story of the global effort to rescue them. As the days pass and the water levels continue to rise, the situation becomes increasingly desperate.

An international team of expert cave divers is assembled to undertake the perilous rescue mission. They face immense challenges, including narrow passageways, strong currents, and dwindling oxygen supplies. The film highlights the bravery and ingenuity of the divers and the volunteers who worked together against all odds to save the thirteen lives.

Uncle Frank (2020)

In 1973, 18-year-old Beth Bledsoe leaves her rural Southern home to attend college in New York City. There, she reconnects with her beloved Uncle Frank, a literature professor she has always admired. She soon discovers that her uncle is gay and has been living with his partner, Walid, for many years, a fact he has kept hidden from his conservative family.

When Frank’s father unexpectedly passes away, he is forced to return home for the funeral with Beth by his side. The road trip back to South Carolina becomes a journey of confronting long-buried family secrets and personal trauma. The film explores themes of acceptance, forgiveness, and the courage to be oneself.

The Vast of Night (2020)

Set in a 1950s New Mexico town, a young switchboard operator and a night-shift radio DJ chase a mysterious audio frequency that crackles with otherworldly possibilities. The film unfolds in hushed phone calls, roaming long takes, and propulsive live-radio patter that pulls you into its late-night trance.

It’s a perfect “rewatch at midnight” movie: you catch new background cues, sly Twilight Zone nods, and conversational breadcrumbs you missed the first time. The sound design and single-location inventiveness reward a second (and third) listen as the puzzle quietly snaps into place.

Blow the Man Down (2019)

When two sisters in a windswept Maine fishing village cover up a violent encounter, they collide with the town’s formidable matriarchs and a net of long-kept secrets. It’s small-town noir with briny attitude—deadpan humor, crisp editing, and a chorus of sea shanties for seasoning.

On rewatch, the foreshadowing sings: glances across the fish counter, throwaway lines with double meanings, and props that reappear with new significance. It’s a lean mystery where every seemingly casual choice pays off later.

Honey Boy (2019)

A young actor ricochets between a chaotic childhood and turbulent early adulthood, trying to make peace with a complicated father. Told with diaristic intimacy, it blends therapy, memory, and performance into a raw coming-of-age portrait.

Rewatching highlights its mirrored scenes and emotional callbacks—the gestures, lines, and compositions that echo across timelines. The craft hums beneath the pain, and each pass through uncovers another thread of compassion.

Suspiria (2018)

A Berlin dance company becomes a nest of power, politics, and occult dread. This reimagining swaps jump scares for slow-burn witchcraft, entrancing choreography, and disquiet that seeps into every rehearsal room.

Its density begs a revisit: the factional histories, recurring motifs, and visual riddles bloom with context once you know where it’s headed. You’ll notice new symbols in the mirrors, and the final movement hits with deeper, stranger resonance.

You Were Never Really Here (2018)

A traumatized fixer searches for missing girls, only to stumble into a conspiracy that fractures his already splintered psyche. It’s terse, elliptical, and brutally tender—violence shown in aftermaths and fragments rather than spectacle.

Rewatching lets you sync with its rhythm: jump-cuts that mimic memory, quiet grace notes between hammer blows, and a score that maps his inner weather. The story’s minimalism becomes a mosaic when you know which shards to track.

The Aeronauts (2019)

A headstrong balloon pilot and an ambitious meteorologist push higher than anyone before in 1862, chasing science above the clouds. What begins as a Victorian adventure becomes a survival thriller against thin air and storm-tossed skies.

It’s a tactile spectacle worth revisiting for its set-pieces—spider-silk ropes, frosting rigging, and dizzying drops—and for the way small character choices early on pay off during the white-knuckle climbs. Spotting the period-detail flourishes is half the fun.

The Map of Tiny Perfect Things (2021)

Two teens stuck in a time loop start cataloging the little miracles hidden in an ordinary day, from a flying hat to a silent kindness. It’s a sweet, gently sci-fi romance that treats repetition as a chance to look closer, not check out.

A rewatch is baked into the premise: once you know the emotional center, each “tiny perfect thing” lands with added weight. You’ll catch quiet symmetries, background gags, and the way the film uses space to mark growth.

The Tender Bar (2021)

Growing up on Long Island, a fatherless kid finds unlikely mentorship in his bartender uncle and the regulars who turn a pub into a classroom. It’s a warm, anecdotal memoir of writers, readers, and the voices we carry forward.

The pleasures sneak up on repeat viewings: tossed-off barroom aphorisms that echo later, small rites of passage you recognize only in hindsight, and a heartfelt lead turn that deepens as the boy’s worldview widens.

Being the Ricardos (2021)

Across one fraught production week of I Love Lucy, Lucille Ball and Desi Arnaz juggle marriage, career, and a media firestorm. It’s a backstage drama of sharp arguments, crackling table reads, and the machinery behind America’s favorite sitcom.

Sorkin’s overlapping dialogue and flashback structure reward a second pass—you catch setup lines disguised as jokes, power shifts inside the writers’ room, and how a single creative choice ricochets through a whole enterprise.

All the Old Knives (2022)

Two former CIA lovers meet for a tense dinner in Carmel to revisit a disastrous hijacking from years earlier — and to determine whether one of them was the mole who caused it. What starts as a polite catch-up becomes a cat-and-mouse interrogation layered with flashbacks, coded reminiscing, and increasingly pointed questions.

It’s a perfect rewatch thriller: once you know the truth, every glance, line reading, and timeline cut plays differently. You’ll spot tells in the conversation, mirrored shots that foreshadow the reveal, and casual details — a phone call, a seating choice, a split-second hesitation — that quietly give the game away.

Which of these Amazon Prime Originals is your go-to rewatch, or is there another gem we missed? Drop your thoughts in the comments!