Best Paramount+ Movies You’ve Never Seen

Paramount+ hides a surprising number of under-the-radar gems across originals, comedies, thrillers, and family movies, and a lot of them slipped past the wider crowd. This list pulls together titles you can stream in one place, from small character pieces to pulpy genre rides. You will find studio originals alongside films that premiered straight on the service. Expect true stories, tense survival tales, and sweet coming-of-age adventures. Use it as a handy queue you can actually finish.

‘Significant Other’ (2022)

A remote hiking trip becomes the setting for a slow-burn sci-fi thriller with an unnerving twist. Maika Monroe and Jake Lacy carry the story with sparse dialogue and carefully revealed details. The film uses Pacific Northwest landscapes to build dread without leaning on jump scares. Practical effects and intimate camerawork keep the focus tight on two people whose reality may not be what it seems. It is compact and designed for a single sitting.

‘Jerry & Marge Go Large’ (2022)

This true-story dramedy follows a retired couple who discover a loophole in a state lottery game. Bryan Cranston and Annette Bening lead a small-town ensemble that tracks how a math-driven scheme benefits an entire community. The script walks through the nuts and bolts of bulk ticket buying and probability without getting lost in jargon. It also shows how oversight and regulation respond when a legal advantage gets too big to ignore. The tone stays light while the procedure remains detailed.

‘Finestkind’ (2023)

A New England fishing crew gets tangled in a risky deal that pulls family members in opposite directions. The film spends time onboard trawlers and along working docks to show the rhythms of the job. Character conflicts revolve around debt, obligation, and the cost of quick cash. The cast includes Ben Foster, Toby Wallace, Jenna Ortega, and Tommy Lee Jones in grounded roles. Water sequences and cramped interiors add texture to the crime plot.

‘Pet Sematary: Bloodlines’ (2023)

This prequel expands the origin of Ludlow’s cursed burial ground through a young Jud Crandall. Practical makeup and creature work emphasize the physical toll of reanimation. The story threads in local history, old grudges, and how the town keeps secrets. Rural roads and farmhouses become the main play spaces for stalking and siege beats. It fills in mythology without requiring prior viewing.

‘Honor Society’ (2022)

A high-achieving student pursues a recommendation by outmaneuvering competitors while navigating a surprise crush. Angourie Rice and Gaten Matarazzo headline a modern high school comedy with a sharp emphasis on extracurricular stacking. The plot tracks college gatekeeping, strategic volunteering, and resume padding. Fourth-wall asides and guidance counselor scenes keep the planning clear. It balances social ambition with the messiness of real connection.

‘The In Between’ (2022)

A teen romance turns into a supernatural search for closure after a tragic accident. The film uses instant photography, text messages, and gallery visits to tie memory to images. Joey King’s lead performance anchors scenes that shift between present grief and earlier courtship. Visual motifs repeat to signal communication across a thin barrier. It treats loss with a gentle, process-oriented approach.

‘At Midnight’ (2023)

A hotel manager and a rising actor cross paths during a location shoot in Mexico. The story uses industry logistics like press junkets, stunt training, and contract clauses to complicate the couple’s timing. Location work showcases coastal streets, boutique hotels, and film-set staging. Schedules, call sheets, and publicists operate as credible obstacles rather than background noise. It is a cleanly structured travel romance.

‘Teen Wolf: The Movie’ (2023)

Beacon Hills faces a new supernatural threat that pulls veterans and younger allies back into action. The film integrates pack dynamics, rituals, and shifting alliances with clear rules. Practical stunt work and lacrosse callbacks fold into ritual hunts and moon cycles. Returning characters slot into defined roles so motivations remain readable. Effects are scaled for TV-movie pacing but deliver consistent world-building.

‘Good Burger 2’ (2023)

The fast-food duo returns to their old restaurant as corporate plans put the staff’s future at risk. The story plays with franchising, brand makeovers, and product testing to frame the jokes. Sketch-style gags are linked by workplace routines like training videos and menu rollouts. Cameos stay brief so the narrative keeps moving. It is built for fans while staying friendly to new viewers.

‘Zoey 102’ (2023)

This reunion film brings former classmates together for a wedding that sparks old feelings and new fiascos. The script uses event planning, location scouting, and media work as practical hurdles. Familiar settings return with updated tech and adult responsibilities in play. The ensemble structure splits into small missions that converge by the ceremony. It focuses on logistics as much as nostalgia.

‘Orphan: First Kill’ (2022)

This psychological thriller follows a woman posing as a missing child as she embeds herself in a wealthy family. Isabelle Fuhrman reprises the role with camera tricks and body doubles to sell the illusion. The plot leans on identity documents, therapy sessions, and household staff routines to ground the deception. Production design emphasizes cold interiors and controlled lighting for tension. A mid-film reveal reorients character goals without breaking continuity.

‘Love in Taipei’ (2023)

A Taiwanese American teen attends a summer cultural program that doubles as a matchmaking hotspot. The film highlights language classes, night markets, and family expectations. Food stalls, dance rehearsals, and city skylines give the setting energy. The romance follows clear choice points shaped by tradition and modern independence. It treats culture as lived detail rather than a backdrop.

‘Blue’s Big City Adventure’ (2022)

This family musical takes a beloved preschool show into a live-action city quest. Songs are woven around audition prep, subway navigation, and clue-solving. The production includes choreographed numbers across parks, sidewalks, and soundstages. Interactive call-and-response moments are kept intact for at-home participation. It works as a standalone story for first-time viewers.

‘After Yang’ (2021)

A family explores memory and identity when their household android suddenly shuts down. The film uses repair shops, data extraction, and archival gardens to examine attachment. Quiet scenes linger on interior spaces, tea rituals, and tactile textures. Colin Farrell and Jodie Turner-Smith ground a meditative look at technology and grief. Music and framing invite reflection without overexplaining.

‘Significant Other’ (2022)

A second trek into the wilderness unspools the implications of earlier discoveries and survival choices. The narrative revisits tracking, shelter building, and navigational errors with new information. Character psychology drives each turn more than spectacle. Sound design picks up on wind, footsteps, and distant movement to cue danger. It delivers a full arc within a lean runtime.

‘Paranormal Activity: Next of Kin’ (2021)

A young filmmaker visits a remote Amish community to learn more about her birth family and records everything. The story uses body cams, small drones, and handheld rigs to capture tight interior spaces and dark barns. Night sequences rely on practical lighting that keeps the geography clear. Sound cues connect hidden rooms and underground passages to the main house. The ending threads new lore into the franchise timeline.

‘Beavis and Butt-Head Do the Universe’ (2022)

The duo are sent to space after a mishap in a school science fair and return through a wormhole to the present day. The plot sets up parallel versions of the characters as they navigate Texas and a national security chase. Visual gags fold in touchscreen kiosks, ride share apps, and campus orientation tours. The animation keeps the classic look while using widescreen layouts. The script tracks their path with mission logs and agency briefings.

‘Infinite’ (2021)

A man learns his visions are memories of past lives and joins a group that safeguards knowledge across centuries. The film maps reincarnated identities to skills like metalworking and aerial combat. Action scenes move through foundries, archives, and a cliffside facility. Props include a memory extraction device and a ledger cataloging prior incarnations. Vehicle work blends practical stunts with digital extensions for long chases.

‘Secret Headquarters’ (2022)

A boy discovers a hidden base under his home that belongs to a superhero his friends only know from news clips. The group tests gadgets like a gravity device and a shield generator while dodging a tech mercenary crew. Scenes cover school hallways, convenience stores, and suburban cul-de-sacs. The plot uses security feeds and tablet interfaces to move between rooms of the lair. Practical stunt beats keep the scale grounded.

‘On the Come Up’ (2022)

A teen battle rapper seeks a breakout while navigating local expectations and industry pressure. The film stages competitions in community centers and small clubs with clear rules and time limits. Studio sessions show mic techniques, punch-in edits, and beat selection. Family scenes connect career choices to rent, school, and neighborhood ties. Costuming and signage place events in a specific West Side setting.

‘The SpongeBob Movie: Sponge on the Run’ (2020)

SpongeBob and Patrick travel to the Lost City of Atlantic City to rescue Gary. The animation uses fully 3D characters with textures for pores and fabric while keeping expressive faces. Road trip stops include camp flashbacks that introduce key friendships. Cameos fit into self-contained sequences that move the search forward. The soundtrack aligns with neon set pieces and casino floors.

‘Monster High: The Movie’ (2022)

Clawdeen Wolf arrives at a school for monsters and hides her human side to earn a place. Sets include a potions lab, a dorm with moving portraits, and a cavernous assembly hall. Songs are staged as classroom activities and hallway choreography. Makeup and wigs translate animated designs into live action. The script outlines school rules and family lineage to set up conflicts.

‘Monster High 2’ (2023)

The sequel follows Clawdeen and friends as a new threat exposes the school to the outside world. The story adds a lakeside festival and a hidden archive beneath the campus. Numbers incorporate group harmonies with prop work like lanterns and school banners. Costume updates signal character growth and club affiliations. Practical effects support creature transformations during finales.

‘The J Team’ (2021)

A young dancer loses her spot in an elite group and forms a new team for a showcase. Rehearsal scenes break down counts, mirror drills, and costume fittings. The soundtrack ties routines to plot beats as auditions progress. Wardrobe changes match theme directives from the competition program. The finale uses stage lighting cues that mirror earlier practice sessions.

‘The Tiger’s Apprentice’ (2024)

A San Francisco teen discovers he is linked to the Chinese zodiac guardians and trains with a shapeshifting tiger. The animation blends city landmarks with mythic realms connected by gates. Action scenes introduce powers tied to zodiac animals like wind control and stone armor. The script explains talismans and their custodians in clear steps. The climax tracks who holds each piece and how seals are restored.

‘Little Wing’ (2024)

A girl joins a pigeon racing community while her family handles a difficult move. The film shows loft construction, banding, and training flights along river routes. Race sequences follow GPS trackers and weather checks to plan releases. Dialog covers club rules, prize structures, and lineage of birds. The setting uses neighborhood rooftops and school corridors to ground the schedule.

‘The Thundermans Return’ (2024)

A superhero family comes back to action when a mission pulls them from normal life. Scenes detail power management at home with charging stations and containment gear. The plot uses agency case files and training simulators to set objectives. Public identities complicate school and work commitments. Effects emphasize wire work and timed gags that match recurring powers.

‘South Park: Post Covid’ (2021)

The special jumps forward to adulthood as the friends reunite to resolve an old promise. Timelines are marked through video calls, hospital records, and a travel itinerary. Technology gags include smart home malfunctions and subscription alerts. The plot tracks cause and effect through specific dates and locations. The conclusion loops back to a past event with a documented change.

‘PAW Patrol: The Mighty Movie’ (2023)

A meteor grants powers to the team and escalates rescue operations around Adventure City. The film maps each pup’s new ability to specialized vehicles and gear. Set pieces include a collapsing observatory and a high-rise crane failure. The control center updates its screens and mission prompts to handle faster responses. The villain plot ties equipment thefts to a portable lab.

‘Snow Day’ (2022)

A sudden snowstorm shuts down school and gives a group of kids one chance to make a big impression. The musical numbers unfold across plowed streets, sled hills, and a local TV station. Lyrics fold in neighborhood details like plow routes and cafe orders. Parents’ work schedules and emergency alerts shape the timeline. The story uses a daylong structure that hits morning, afternoon, and evening checkpoints.

‘The Caine Mutiny Court-Martial’ (2023)

A naval officer faces a court-martial after relieving a captain during a storm, and the case hinges on procedure and testimony. The film stays inside the courtroom and adjoining offices to track motions, objections, and evidentiary rulings. Depositions, ship’s logs, and witness contradictions show how legal timelines are built. Dialogue follows military protocol and chain-of-command standards. Closing arguments reframe earlier statements through a precise reading of duty.

‘Fantasy Football’ (2022)

A teen discovers a way to influence her dad’s on-field performance through a football video game. Practice schedules, team meetings, and playbook updates shape the week-to-week stakes. Scenes inside locker rooms and training facilities show how small changes ripple through lineups. Agent calls and sponsorship obligations complicate family decisions. Broadcast segments and stat graphics mark the character’s rise and setbacks.

‘A Loud House Christmas’ (2021)

Lincoln Loud coordinates an elaborate plan to keep his large family together for the holidays. The story uses printed schedules, neighborhood maps, and chore charts to manage overlapping tasks. Prop work includes homemade decorations and improvised tools to solve household problems. City permits and community calendars add practical hurdles. The finale organizes arrivals, meals, and performances on a tight timeline.

‘A Really Haunted Loud House’ (2023)

The Loud family prepares a seasonal attraction as a friendly challenge turns into a bigger night than expected. Production notes outline scare zones, safety checks, and budget choices. Costumes and sound cues are built from household items and local shop finds. Neighborhood regulations and sign-offs affect where displays can go. The plan evolves as crowds arrive and lines form.

‘Ray Donovan: The Movie’ (2022)

A fixer tries to settle an unfinished score while old cases resurface. The plot catalogs debt records, police files, and taped conversations that connect past and present. Travel between New York and Boston follows exact meeting spots, hotel rooms, and docks. Family confrontations revolve around business ledgers and inheritance terms. Flashbacks line up with documented incidents from earlier investigations.

‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ (2023)

The turtles step into the city spotlight as a criminal tech scheme threatens the streets they protect. Action scenes map sewer routes, rooftops, and bodegas into a consistent play space. Phone videos, livestreams, and school hallways place their story in a recognizable daily routine. The rogues gallery is organized by abilities and gear. The finale coordinates vehicles, drones, and a crowd response plan.

‘Transformers: Rise of the Beasts’ (2023)

Artifacts linked to an ancient signal pull a small crew into a global chase. Set pieces move from museum storage to hillside villages and jungle sites with clear geography. Dialogue explains factions, codes, and the function of a key that drives the mission. Vehicle chases blend practical plates with digital extensions on mapped streets. Radio intercepts and scanned archives fill in the timeline.

‘Clifford the Big Red Dog’ (2021)

A girl finds a small red puppy that grows overnight and forces the family to adjust to city life with a giant pet. The film uses veterinary visits, school policies, and apartment logistics to ground each scene. A tech company’s interest in genetic research becomes the main obstacle. Public parks, ferries, and streets provide large-scale staging for chases. Community support builds through local news segments and bystander footage.

‘PAW Patrol: Jet to the Rescue’ (2020)

The team undertakes a mission that requires aviation gear and coordinated airspace planning. Checklists cover preflight checks, fuel, and formation assignments. Control tower calls and map overlays keep the route and altitude changes clear. Specialized vehicles handle landing zones in tight urban areas. The rescue hinges on timing windows tied to weather and traffic patterns.

‘Hey Arnold! The Jungle Movie’ (2017)

The class travels abroad as clues about Arnold’s parents lead to a remote expedition. The itinerary shows visas, health prep, and equipment lists for fieldwork. Navigation relies on hand-drawn maps, river routes, and village guides. Classroom skills translate into camp setup and conflict resolution. Discovery scenes log artifacts and inscriptions with simple recording methods.

‘A Christmas Proposal’ (2021)

A chef agrees to a temporary arrangement that intersects with a law firm’s high-profile deal. Kitchen operations show menu testing, vendor calls, and staffing constraints during a rush. Contract talks cover valuation, deadlines, and partner buy-in. Calendar invites and venue holds create pressure points. Family gatherings double as negotiation settings with clear deliverables.

‘Fit for Christmas’ (2022)

A fitness instructor tries to keep a community center open while a development plan advances. Class schedules, membership drives, and fundraising totals mark progress. City council meetings introduce zoning terms and voting procedures. Training montages focus on lesson plans rather than spectacle. A holiday event becomes the final metric for keeping the doors open.

‘Must Love Christmas’ (2022)

A novelist who writes seasonal romances returns home and runs into competing assignments and old acquaintances. Publishing details include deadline extensions, outline approvals, and publicity notes. Local businesses provide locations tied to sponsorship agreements. Transportation delays and weather advisories affect everyone’s timing. A town festival anchors the third act with check-in points and vendor lists.

‘When Christmas Was Young’ (2022)

A music manager hunts for the rights to a forgotten song while a songwriter weighs offers. The story explains licensing terms, publishing splits, and performance clauses. Studio sessions cover mic placement, takes, and comping vocals. Archival recordings and handwritten charts guide the new arrangement. A showcase performance ties contract milestones to audience response.

‘The Day the Music Died: The Story of Don McLean’s American Pie’ (2022)

This documentary traces how a hit was written, recorded, and interpreted across decades. Session notes, track sheets, and radio logs reconstruct the single’s path. Interview segments align memories with dates, locations, and tour stops. Musicologists annotate chord progressions and lyrical references in plain language. Reissues and chart moves are documented with release timelines.

Share the underrated Paramount+ movies we missed in the comments so everyone can discover them together.