Daisy Edgar-Jones Turns Heads Online in Black Crop Top Showing Off Her Curves

Daisy Edgar-Jones has once again caught the public’s eye with her effortless style in Los Angeles. The British actress shared new photos on social media, giving fans a peek at her life in Southern California. Even in casual settings, she manages to mix sophistication with relaxed West Coast vibes, proving why she’s considered a fashion icon of her generation.

In her latest look, Daisy wore a beige asymmetric peplum wool top by designer Magda Butrym. The sleeveless piece featured a dramatic peplum, an uneven hemline, and delicate lace trim, combining structure and romance in a way that suited her perfectly. Photos of her outfit quickly circulated online, with fans praising her mix of elegance and casual charm.

Daisy Edgar-Jones stuns in newly shared photos. 📷 pic.twitter.com/n1xwgEj7W4

— GoldenSeries (@series_golden) February 3, 2026

Daisy has built a strong relationship with luxury brands, including serving as a global ambassador for Estée Lauder. Her campaigns highlight her natural beauty and glowing aesthetic, which have become hallmarks of her public image.

The actress first gained worldwide recognition for her role as Marianne in the television adaptation of Sally Rooney’s Normal People. Since then, she has successfully moved to the big screen, starring in Where the Crawdads Sing. Her performances often balance vulnerability and strength, making her a favorite among directors seeking a leading actress with depth.

Most recently, Daisy celebrated the success of Twisters, the summer blockbuster in which she played a meteorologist facing massive storms alongside Glen Powell. The film’s popularity reinforced her reputation as a versatile actress who can carry a major studio production.

Between high-profile films and her ongoing fashion presence, Daisy Edgar-Jones continues to prove she can balance both worlds seamlessly. Whether attending red carpets or stepping out in designer casual wear, she remains captivating and influential.

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