Every Movie Leaving Hulu This Week, Including ‘Anaïs in Love’

Here’s a quick heads-up on titles wrapping up their run this week, with exact days they roll off. The window runs Monday 8/25 through Sunday 8/31, and the list below covers each project with concise details on what it’s about and who made it.

Two films depart on Monday, and three more finish up on Sunday. For each title, you’ll find key cast, writer and director credits, plus brief plot context and the specific leaving date so you can plan your watchlist accordingly.

‘Assailant’ (2022)

This thriller follows a married couple on a Caribbean getaway whose run-ins with a mysterious stranger spiral into a dangerous cat-and-mouse pursuit; it leaves on Monday, 8/25. The film is written and directed by Tom Paton and stars Poppy Delevingne, Chad Michael Collins, and Casper Van Dien.

Shot against island locations, ‘Assailant’ tracks rising tensions from a chance encounter into escalating confrontations that push the pair into survival mode before they can make it home; it leaves on Monday, 8/25. The production teams up genre regulars with a compact cast to keep the focus on the couple, the drifter who dogs them, and the escalating consequences of their choices.

‘Vendetta’ (2022)

Centered on a father seeking justice after a personal tragedy, ‘Vendetta’ is an action crime drama written and directed by Jared Cohn; it leaves on Monday, 8/25. The cast includes Clive Standen, Theo Rossi, Mike Tyson, Thomas Jane, and Bruce Willis.

The story tracks a revenge campaign that pulls the lead into conflict with a violent crew and forces uneasy alliances along the way; it leaves on Monday, 8/25. With its ensemble of genre veterans, ‘Vendetta’ moves through gangland turf battles and payback set-pieces tied to the aftermath of the opening crime.

‘Tell It to the Bees’ (2019)

Set in 1950s Scotland, this period drama follows a doctor who forms a bond with the mother of a young patient, a connection that stirs backlash in their small town; it leaves on Sunday, 8/31. ‘Tell It to the Bees’ is directed by Annabel Jankel, adapted from Fiona Shaw’s novel by writers Jessica Ashworth and Henrietta Ashworth, and stars Anna Paquin and Holliday Grainger alongside Gregor Selkirk.

Beekeeping imagery and the doctor’s hive become part of the boy’s world as the women navigate community pressure and the realities of the era; it leaves on Sunday, 8/31. Supporting roles include Emun Elliott and Kate Dickie, with the production leaning on postwar settings and period detail to frame the family, medical practice, and town gossip that shape the characters’ choices.

‘Anaïs in Love’ (2021)

‘Anaïs in Love’ is a French romantic dramedy written and directed by Charline Bourgeois-Tacquet; it leaves on Sunday, 8/31. Anaïs Demoustier plays a spirited grad student whose affair with an older man leads her to a more profound connection with his partner, played by Valeria Bruni Tedeschi, with Denis Podalydès in support.

The film follows Anaïs through Paris and the countryside as she drifts between work, relationships, and the pull of a new intellectual and emotional attraction; it leaves on Sunday, 8/31. With diary-like momentum and a focus on dialogue and character movement, ‘Anaïs in Love’ traces how its lead rethinks commitment, independence, and what she actually wants.

‘American Rapstar’ (2020)

This music documentary explores the late-2010s wave of internet-driven rap, following artists who rose through platforms and DIY scenes; it leaves on Sunday, 8/31. Directed by Justin Staple, ‘American Rapstar’ includes interviews and performance footage that map how online culture, touring, and rapid-fire releases shaped careers.

Across its chapters, the film looks at the pressures of sudden visibility, the role of social media in building fanbases, and the industry structures the artists navigate; it leaves on Sunday, 8/31. Featured voices from the scene discuss creative process, image, and the realities behind viral moments, situating the movement within a larger timeline of regional and internet-native rap.

What are you planning to watch before these titles go—drop your picks in the comments!