Every TV Show Leaving Netflix in October 2025

There’s a sizable batch of series cycling off the platform over the next few weeks, spanning sketch comedy classics, crime capers, international dramas, and kid-friendly spin-offs. If any of these are on your watchlist, now’s the moment to get to them before they rotate out.

Below, you’ll find quick, fact-packed refreshers on each title—what they’re about, who stars in them, and who made them—plus the exact date each one departs. No filler, just the details you need.

‘Chappelle’s Show’ (2003)

‘Chappelle’s Show’ leaves on Tuesday 9/30. The sketch series was created by Dave Chappelle and Neal Brennan and originally aired on Comedy Central. It’s known for sharp, character-driven sketches and musical performances, with Chappelle as primary star and writer and a recurring ensemble that included Donnell Rawlings and Charlie Murphy. The production blended scripted bits, live stand-up links, and guest musical acts across its run.

Across its seasons, the series delivered culturally influential sketches and recurring characters, written and executive produced by Chappelle and Brennan, with directors rotating episode to episode in a traditional sketch-show workflow. Episodes were produced by Comedy Central and Caryn Mandabach Productions among others, with music supervision and clearances supporting the show’s frequent performance segments.

‘Rubble & Crew’ (2023)

‘Rubble & Crew’ leaves on Wednesday 10/1. This animated preschool series is a construction-themed spin-off of ‘PAW Patrol’ from Spin Master Entertainment and Nickelodeon. It follows bulldog builder Rubble and his family as they tackle kid-scaled engineering projects around Builder Cove, emphasizing teamwork, problem-solving, and simple STEM concepts.

Episodes are produced in CG animation with a voice cast tailored to early-childhood storytelling, supported by writers’ room scripts that center on community fixes and machines (cranes, excavators, and custom vehicles). Spin Master’s production pipeline and Nickelodeon’s preschool unit guide the series’ educational framing, with episodic direction focused on visual clarity and vocabulary building. It departs on Wednesday 10/1.

‘White Collar’ (2009)

‘White Collar’ leaves on Wednesday 10/1. Created by Jeff Eastin for USA Network, the crime-caper procedural stars Matt Bomer as con artist Neal Caffrey and Tim DeKay as FBI agent Peter Burke. The series pairs art-theft, forgery, and heist-adjacent cases with an odd-couple partnership, featuring key supporting roles from Willie Garson as Mozzie and Tiffani Thiessen as Elizabeth Burke.

The writers’ room developed season-long arcs around cons and sting operations, with rotating directors shaping a slick New York look and heist-movie pacing. Produced by Fox Television Studios/USA Network, the show mixed case-of-the-week stories with ongoing mythology about Neal’s past, making extensive use of practical locations and prop fabrication for its forgery and art-world plots. It departs Wednesday 10/1.

‘Bonnie & Clyde’ (2013)

‘Bonnie & Clyde’ leaves on Wednesday 10/1. This two-part television miniseries dramatizes the Depression-era crime spree of Bonnie Parker and Clyde Barrow. It stars Emile Hirsch as Clyde and Holliday Grainger as Bonnie, with supporting performances by William Hurt and Holly Hunter. The project was directed by Bruce Beresford and scripted by John Rice and Joe Batteer.

Produced as a historical crime drama, the miniseries reconstructs the pair’s robberies and pursuit by law enforcement, staging period-authentic setpieces and wardrobe. The creative team focuses on the duo’s relationship and the manhunt that followed, incorporating composite characters drawn from historical accounts. It exits Wednesday 10/1.

‘Dragnet’ (1967)

‘Dragnet 1967’ leaves on Wednesday 10/1. This color revival of the seminal police procedural was created by Jack Webb, who also stars as Sergeant Joe Friday alongside Harry Morgan as Officer Bill Gannon. Episodes present case files in a semi-documentary style, adapted from the franchise’s radio and 1950s television formats.

Produced by Mark VII Limited and Universal Television, the series emphasizes procedural detail, with scripts built around official reports, interviews, and courtroom-adjacent resolutions. Direction frequently came from Webb himself, maintaining the franchise’s clipped dialogue and narrative structure. It departs Wednesday 10/1.

‘Oktoberfest: Beer and Blood’ (2020)

‘Oktoberfest: Beer & Blood’ leaves on Thursday 10/2. This German historical drama (also known as ‘Oktoberfest 1900’) is set in Munich at the turn of the 20th century, charting a power struggle between rival brewing dynasties. The ensemble cast includes Misel Maticevic, Klaus Steinbacher, Martina Gedeck, and Francis Fulton-Smith. The series was directed by Hannu Salonen, with creators Ronny Schalk, Christian Limmer, and Alexis von Wittgenstein.

The production recreates period beer halls and fairgrounds, anchoring its plot in business intrigue, political influence, and family alliances. Scripts weave historical context—urban expansion, labor shifts, and festival commercialization—into a melodramatic rivalry, with cinematography emphasizing large-scale set builds and location work. It exits Thursday 10/2.

‘Super Pumped: The Battle for Uber’ (2022)

‘Super Pumped’ leaves on Monday 10/6. Season 1, titled ‘The Battle for Uber’, adapts the nonfiction book by Mike Isaac. Developed by Brian Koppelman, David Levien, and Beth Schacter, the anthology stars Joseph Gordon-Levitt as Uber cofounder Travis Kalanick, Kyle Chandler as venture capitalist Bill Gurley, and Uma Thurman as Arianna Huffington, with narration by Quentin Tarantino.

Produced for Showtime, the series tracks Uber’s hypergrowth, boardroom clashes, and leadership crises, structuring episodes around funding rounds, regulatory fights, and culture conflicts. The writers’ room uses dramatized composites alongside documented events, while direction leans on kinetic editing and product-design storytelling to visualize app-driven disruption. It departs Monday 10/6.

‘To the Lake’ (2019)

‘To the Lake’ leaves on Tuesday 10/7. The Russian suspense drama (original title ‘Эпидемия’, based on Yana Vagner’s novel ‘Vongozero’) follows families fleeing Moscow during a deadly outbreak. It stars Kirill Käro, Maryana Spivak, Viktoriya Isakova, Alexander Robak, and others. The series was directed by Pavel Kostomarov.

Production emphasizes survival logistics—scarcity, travel hazards, and group dynamics—against winter landscapes, with scripts tracking shifting alliances and moral tradeoffs on the road north. Its adaptation foregrounds character backstories from the novel, while the visual approach favors handheld camera work and stark natural settings. It leaves Tuesday 10/7.

‘Shamwari Untamed’ (2018)

‘Shamwari Untamed’ leaves on Tuesday 10/7. This South African wildlife series is set at the Shamwari Private Game Reserve in the Eastern Cape, documenting veterinary work, conservation operations, and animal behavior in a Big Five habitat. Episodes follow darting procedures, relocation efforts, and anti-poaching initiatives.

Produced in a blue-chip docu-series format, the show combines field cinematography with narration and expert interviews, illustrating day-to-day reserve management. Storylines often center on specific cases—injuries, rescues, or breeding programs—providing technical detail on wildlife care and ecosystem stewardship. It departs Tuesday 10/7.

‘Click Click Bang’ (2023)

‘Click Click Bang’ leaves on Tuesday 10/7. This contemporary crime drama from South Africa follows a young man pulled into gangland violence after a personal tragedy, tracing the consequences of retaliation and the pull of organized crime. The series features an ensemble cast from the South African film and television scene and was produced for a streaming-first release.

Episodes track police investigations and community fallout alongside the protagonist’s escalating choices, using location shooting to ground the story in township and urban environments. The production blends character drama with action elements, leaning on a writers’ room that maps intersecting arcs for family, friends, and rival crews. It exits Tuesday 10/7.

‘Abandoned’ (2012)

‘Abandoned’ leaves on Wednesday 10/15. This title refers to a nonfiction series exploring deserted or derelict sites and the stories behind them—industrial facilities, transport hubs, and civic structures left to decay. Episodes typically feature on-site exploration, archival research, and interviews that reconstruct how each place came to be deserted.

The production employs documentary techniques—narration, historical footage, and expert commentary—while filming in challenging environments that require safety planning and minimal-impact access. The show’s format presents a different location each episode, connecting architecture, local economies, and policy decisions. It departs Wednesday 10/15.

‘Some Assembly Required’ (2014)

‘Some Assembly Required’ leaves on Wednesday 10/15. Created by Dan Signer and Howard Nemetz, the live-action Canadian sitcom stars Kolton Stewart as Jarvis, a teen who becomes CEO of a toy company, with an ensemble that includes Charlie Storwick, Harrison Houde, Sydney Scotia, Dylan Playfair, and Travis Turner. Episodes revolve around brainstorming and testing over-the-top toy inventions.

Produced by Aircraft Pictures and other Canadian partners, the series uses a multi-camera setup and bright, prop-heavy sets. The writers craft workplace-style plots for a teen audience, with running gags around R&D mishaps and marketing stunts, while directors keep the pace brisk with physical comedy and gadget builds. It exits Wednesday 10/15.

‘Mythomaniac’ (2019)

‘Mythomaniac’ leaves on Wednesday 10/29. The French dramedy (original title ‘Mytho’) was created by Anne Berest and Fabrice Gobert and stars Marina Hands as a mother who lies about having a serious illness, triggering unexpected shifts in her family. The cast also includes Mathieu Demy, Marie Drion, and Jérémy Gillet.

Produced by ARTE France and Federation Entertainment, the series balances domestic realism with moral tension, following the ripple effects of a lie that reshapes relationships and personal identity. Direction emphasizes intimate, character-centric scenes, with scripts that interrogate attention, burnout, and the costs of deception. It departs Wednesday 10/29.

Tell us which of these you’ll miss most—and why—in the comments!