‘KPop Demon Hunters’ Takes the #1 Spot at This Weekend’s Box Office: Here’s the Rest of Top 15

The weekend brought a new leader along with several notable debuts and a handful of durable holdovers that are still drawing consistent audiences. Theater counts shifted for many titles, which shaped per theater averages and helped explain the moves up and down the chart.

Below you will find each top fifteen title with its weekend gross, week in release, theater footprint, per theater average, change from last weekend where available, and running total, along with distributor details and clear context on where each film sits in its run and franchise.

15. ‘Together’ (2025)

The film earned $454,720 in its fourth weekend. It played on 439 theaters after shedding 861 locations and averaged $1,035 per theater for a running total of $20,756,058. The distributor is Neon.

This drama continues on a reduced footprint after earlier nationwide availability. The current pattern reflects a transition into a later stage run that emphasizes markets with sustained interest and targeted showtimes.

14. ‘Eden’ (2025)

The film opened with $1,047,305 from 664 theaters and posted a per theater average of $1,577. Its total after the first weekend stands at $1,047,305. The distributor is Vertical Entertainment.

This release began with a mid sized footprint that positions it for measured expansion if weekday and second weekend indicators hold. The title enters the marketplace as a genre driven offering aimed at adult audiences seeking new counterprogramming.

13. ‘Ne Zha 2’ (2025)

The film took in $1,547,499 this weekend from 2,228 theaters and averaged $694 per theater. After twenty eight weekends in release the cumulative total is $22,405,655. The distributor is CMC Pictures.

This animated fantasy continues a long run built around the folklore hero Ne Zha and remains available in both subtitled and dubbed play. The wide footprint shows ongoing interest from family and diaspora audiences that return for myth based adventure.

12. ‘F1’ (2025)

The film grossed $1,810,000 this weekend and fell 33 percent from last weekend. It played on 1,021 theaters after trimming 151 locations and averaged $1,772 per theater for a total of $185,908,240 after nine weekends. The distributor is Warner Bros.

This racing drama continues its late stage theatrical lap with strong awareness from motorsport fans. The run has been supported by premium large format showtimes earlier in its release and now focuses on standard screens as it extends playability.

11. ‘Relay’ (2025)

The film opened to $1,927,941 from 1,483 theaters for a per theater average of $1,300. The weekend total equals its cumulative gross of $1,927,941. The distributor is Bleecker Street Media.

This new specialty release started with a broad platform that targets adult audiences and festival friendly markets. The footprint gives room for word of mouth to determine whether additional cities and screens are added in the next frame.

10. ‘Jurassic World Rebirth’ (2025)

The film made $2,100,000 this weekend and eased 29.1 percent. It ran on 2,100 theaters after a reduction of 170 locations and averaged $1,000 per theater for a cumulative $335,579,810 after eight weekends. The distributor is Universal Pictures.

This entry continues the dinosaur franchise’s focus on survival adventure and large scale set pieces. The current stage of the run emphasizes value showtimes and markets with repeat viewing while premium screens concentrate on newer titles.

9. ‘Honey Don’t!’ (2025)

The film debuted with $2,950,000 from 1,317 theaters and posted a per theater average of $2,239. The opening weekend equals the total to date of $2,950,000. The distributor is Focus Features.

This release arrives as counterprogramming aimed at adult audiences with a blend of comedy and relationship drama. The initial footprint supports platform style growth should weekday holds and regional demand point to expansion opportunities.

8. ‘The Naked Gun’ (2025)

The film earned $2,950,000 this weekend and declined 40 percent from last weekend. It played at 2,776 theaters after dropping 251 locations and averaged $1,062 per theater to reach $47,563,349 after four weekends. The distributor is Paramount Pictures International.

This reboot continues the slapstick detective formula for contemporary audiences while keeping broad four quadrant reach. The run now focuses on strong comedy markets as it progresses into standard screen availability across multiplexes.

7. ‘Superman’ (2025)

The film brought in $3,430,000 this weekend with a 34.7 percent dip from last weekend. It stood on 2,338 theaters after trimming 317 locations and averaged $1,467 per theater for a running total of $346,975,181 after seven weekends. The distributor is Warner Bros.

This chapter centers on Clark Kent and Lois Lane and anchors the current slate of DC releases. The hold reflects extended audience interest in a flagship superhero title that began with a wide premium rollout before shifting to conventional screens.

6. ‘Nobody 2’ (2025)

The film grossed $3,700,000 in its second weekend after a 60 percent drop. It played on 3,282 theaters after adding 22 locations and averaged $1,127 per theater for a cumulative $16,546,585. The distributor is Universal Pictures International UPI.

This action sequel continues the story of a seemingly ordinary man drawn back into violent conflicts. The sophomore frame emphasizes late shows and action friendly markets while word of mouth guides whether the footprint holds or contracts.

5. ‘The Bad Guys 2’ (2025)

The film earned $5,100,000 this weekend and was down 32.2 percent from last weekend. It screened at 3,288 theaters after a reduction of 92 and averaged $1,551 per theater for a total of $66,178,030 after four weekends. The distributor is Universal Pictures.

This animated caper follows the crew of reformed thieves on a new adventure designed for family audiences. The fourth weekend performance reflects sustained matinee turnout and steady interest from younger viewers during daytime play.

4. ‘The Fantastic Four: First Steps’ (2025)

The film collected $5,900,000 this weekend and eased 34.7 percent. It played at 3,190 theaters after a reduction of 165 and averaged $1,849 per theater to reach $257,251,951 after five weekends. The distributor is Walt Disney Studios Motion Pictures.

This Marvel team origin relaunch presents the group’s first missions against cosmic threats and science driven villains. The run remains wide with continued availability across premium and standard screens as it advances deeper into its release.

3. ‘Freakier Friday’ (2025)

The film took in $9,200,000 and fell 35.6 percent from last weekend. It ran on 3,675 theaters after trimming 300 locations and posted a per theater average of $2,503 for a cumulative $70,540,708 after three weekends. The distributor is Walt Disney Studios Motion Pictures.

This family comedy continues the body swap premise for a new generation while connecting to the earlier story. The third weekend shows broad play across school friendly showtimes and persistent interest from multi generational audiences.

2. ‘Weapons’ (2025)

The film earned $15,600,000 this weekend and declined 36.2 percent from last weekend. It played on 3,631 theaters after adding 181 locations and averaged $4,296 per theater for a new total of $115,880,823 after three weekends. The distributor is Warner Bros.

This thriller continues to draw genre fans through strong awareness and nationwide reach. The expansion in locations paired with a sizable cumulative gross positions the title for continued visibility going into its fourth weekend.

1. ‘KPop Demon Hunters’ (2025)

The film opened with $18,000,000 from 1,700 theaters and averaged $10,588 per theater. The opening weekend equals the total to date of $18,000,000. The distributor is Netflix.

This animated action comedy arrives as a wide theatrical debut before an eventual streaming window and targets teen and young adult audiences with music-driven storytelling. The strong per-theater average provides a clear baseline for weekday holds and informs whether additional showtimes or locations will be added.

Share your take on this weekend’s winners and newcomers in the comments.