‘Leanne Morgan: Unspeakable Things’ Is Netflix’s Most-Watched Show of the Week

Here’s a quick, fact-first look at what U.S. viewers watched the most on Netflix for the week of November 3–9, 2025, with concise details on what each title is about, who’s involved, and why it’s the kind of thing that draws eyes right now.

‘The Asset’ (2025– )

This thriller series centers on an intelligence operative whose compromised cover pulls them into a multilayered conspiracy involving rival agencies and private contractors. Season 1 establishes a mission-of-the-week surface that feeds into a season-long mystery, weaving field operations with internal politics. The cast features a small core team—handler, tech specialist, and field partner—plus recurring antagonists who test loyalties. Locations, gadgets, and tradecraft details are used to ground the action while keeping the pace brisk.

‘Ms. Rachel’ (2025– )

Season 2 builds on the show’s early-learning approach with new songs, themed vocabulary sets, and slightly longer call-and-response sections. Visual pacing alternates energetic music numbers with calm, close-up articulation drills for clarity. Educational goals continue to align with speech and language development milestones for toddlers and preschoolers. Production keeps bright primary-color backdrops and consistent camera framing so children can focus on the host’s mouth movements.

‘Ms. Rachel’ (2025– )

This preschool learning series—fronted by educator and musician Rachel Griffin Accurso—focuses on language development through songs, repetition, and gestures. Short segments emphasize sound formation, first words, and simple sentence structures, often supported by sign language for accessibility. Puppets and friendly co-hosts appear in teaching skits that reinforce the day’s target sounds and vocabulary. Episodes are designed for co-viewing, with on-screen prompts that encourage parents and caregivers to participate.

‘Squid Game: The Challenge’ (2023– )

Inspired by the narrative series ‘Squid Game,’ this reality competition pits hundreds of contestants against a sequence of high-pressure games. Players face eliminations after each round, with rule tweaks and team reshuffles designed to escalate tension. Filming uses large-scale sets that echo iconic visuals from the original drama while keeping gameplay firmly non-violent. Confessionals, alliance-building, and strategic votes drive the story between the headline challenges.

‘Raw’ (1993– )

WWE’s long-running weekly program features live matches, ongoing storylines, and championship angles across multiple divisions. Episodes include in-ring bouts, backstage segments, and promos that set up pay-per-view cards and special events. The show highlights top champions and rising contenders, with commentary teams providing continuity for multi-week arcs. Production uses a rotating slate of arenas, elaborate entrances, and recurring on-screen authority figures to structure feuds.

‘Selling Sunset’ (2019– )

This unscripted series tracks agents at The Oppenheim Group as they market luxury Los Angeles real estate while managing office rivalries and personal milestones. Each season pairs multimillion-dollar listings with ongoing cast storylines, using open houses, broker caravans, and closings as episode anchors. The ensemble includes high-profile agents such as Chrishell Stause and Mary Bonnet, alongside firm leaders Jason and Brett Oppenheim. Property tours are filmed with architectural-style cinematography to showcase design features and views.

‘The Witcher’ (2019– )

Based on Andrzej Sapkowski’s fantasy saga, this series follows monster hunter Geralt of Rivia as his fate intertwines with Princess Ciri and the sorceress Yennefer. The show blends monster-of-the-week contracts with continent-shaping politics, using practical effects and VFX for creatures and magic. Seasons have shifted timelines and leads—early chapters starred Henry Cavill as Geralt, with later episodes transitioning to Liam Hemsworth in the role. Music, languages, and production design draw from Central and Eastern European folklore that inspired the original books.

‘Death by Lightning’ (2025)

This limited series dramatizes the turbulent politics surrounding the assassination of U.S. President James A. Garfield, tracking parallel investigations and the national fallout. Episodes intercut White House scenes with legal maneuvering and newspaper-room coverage to show how information spread in the era. The production uses period sets and wardrobe to recreate Gilded Age Washington, D.C. It’s structured as a closed story with a defined end rather than an ongoing multi-season arc.

‘Nobody Wants This’ (2024– )

This comedy series follows a woman whose suddenly viral moment upends her carefully managed life, forcing her to navigate unwanted fame and complicated relationships. Season 2 continues the character arcs introduced in the first run, bringing back the core ensemble and expanding a few supporting roles into larger subplots. Episodes balance workplace satire with personal stakes, keeping a half-hour format and serialized continuity. Production leans on location shooting and social-media-style inserts to underscore the premise.

‘Leanne Morgan: Unspeakable Things’ (2025)

This stand-up special spotlights comedian Leanne Morgan with a new hour built around family life, aging, and everyday Southern humor. It was filmed before a live audience and edited as a single performance rather than a multi-set compilation. Morgan’s prior Netflix special helped expand her tour footprint across North America, setting up this follow-up. The show sticks to classic stand-up structure—an opening run, longer centerpiece stories, and a rapid-fire closer.

What did you watch from this week’s list—drop your pick and why it hooked you in the comments!