Michael Douglas Admits He Exploded at Julia Roberts in a Drunken Rage, and It Cost Him Her Friendship
Celebrity memoirs tend to sell on two things: glamour and regret. Michael Douglas’s new book, ‘One Helluva Ride’, is heavy on both, and it arrived on Oct. 6 with a candid look at the mistakes he made during the years he struggled with alcohol and drugs. Among the stories that have surprised readers most is an ugly night involving Julia Roberts.
The book covers his upbringing as Kirk Douglas’s son, his biggest roles, his first marriage, infidelity and rehab. It also gives space to the people he hurt along the way, and Douglas doesn’t spare himself when he describes his behavior. That honesty is what makes the Julia Roberts episode so striking.
The incident dates back to the period around the film ‘Flatliners’, which Douglas produced and which starred Roberts alongside her then-boyfriend, Kiefer Sutherland. At a party tied to the Golden Globes, Roberts had her arm around Douglas’s son Cameron, who was about 13 at the time. Douglas writes that the boy looked stunned, and the producer, who admits he was quite drunk, snapped.
According to his account, he told Roberts to take her hands off his son. He then added a crude suggestion about what she could do with her Golden Globe. Sutherland was reportedly standing nearby when it happened.
It was a jaw-dropping outburst aimed at one of the most in-demand young actresses in Hollywood. Douglas now calls it a wildly embarrassing moment that stuck with him for years.
The memoir is unusually open about the state he was in. Reports based on the book say Douglas was in the middle of a heavy period of substance use, and the report on the memoir notes he writes that he could get through 5 drinks and a gram of cocaine in a single evening. Other coverage of the passage focuses on the drinking, so the exact details of that night vary from outlet to outlet.
He says that, while he wouldn’t dream of showing up impaired while acting, producing came with a lot of long, wet lunches. The result was a pattern of behavior that eventually caught up with him in public.
The wake-up call arrived the next morning. Douglas’s producing partner, Rick Bieber, phoned him and said they needed to talk. Once he was sober, Douglas realized he had crossed a line with a rising star.
He sent Roberts flowers with an apology, then went to the ‘Flatliners’ production office to apologize to her and Sutherland in person. Both reportedly forgave him enough to finish the film, and the production moved forward.
Forgiving someone for a scene is one thing, and rebuilding trust is another. Douglas says he stayed friends with Sutherland, but that things with Roberts were never the same. The two reportedly didn’t keep in touch afterward, and he still regrets what happened.
Roberts hasn’t publicly responded, and her representative hadn’t commented when The Daily Beast reported on the story. That silence is worth noting, since the account comes entirely from Douglas’s memory of an evening he describes as a blur.
The anecdote fits a larger theme in ‘One Helluva Ride’, which is a man looking back at the damage done by a lifestyle he once treated as normal. The same book includes his admission of an affair with Kathleen Turner and the story of how he ended several relationships to win over Catherine Zeta-Jones. In every case, Douglas presents himself as a flawed narrator.
That approach is probably why the book has been generating so much conversation. Readers get glamorous Hollywood history, but they also get a veteran star admitting that he sometimes behaved badly, and that some friendships were casualties.
For fans of ‘Flatliners’, the story adds an unexpected layer to a film that was already remembered for its cast. It’s a reminder that behind the scenes, even a hit can come with a few ugly nights.
Was Michael Douglas’s apology to Julia Roberts enough to make things right?
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