Seven Movies Leonardo DiCaprio Could Watch Non-Stop

Leonardo DiCaprio once shared a handful of films he could happily rewatch on a loop—ranging from gritty American neo-noir to towering world-cinema landmarks and cult comedies. The picks span Martin Scorsese’s crime masterworks and classics by Stanley Kubrick, Vittorio De Sica, Yasujirō Ozu, Alfred Hitchcock, and the Coen Brothers, showing a taste shaped by both modern American cinema and foundational international auteurs. Here are the seven titles he singled out, translated into English and presented with concise context for each.

‘Taxi Driver’ (1976)

Directed by Martin Scorsese and written by Paul Schrader, this psychological drama follows Travis Bickle, a troubled New York cabbie whose alienation spirals into violence. Robert De Niro’s lead performance and Bernard Herrmann’s final score are central to its enduring impact. The film’s portrait of urban decay and moral ambiguity became a touchstone for later character studies. DiCaprio has cited this title as especially formative for him.

‘Goodfellas’ (1990)

This Scorsese crime saga traces the rise and fall of mob associate Henry Hill, noted for its propulsive narration, long takes, and needle-drop soundtrack. Ray Liotta, Robert De Niro, and Joe Pesci anchor the ensemble, with Pesci’s performance widely celebrated. The film’s dynamic editing and immersive detail influenced countless gangster stories. DiCaprio has said it’s one he drops everything to watch whenever it turns up on TV.

‘The Big Lebowski’ (1998)

Joel and Ethan Coen’s off-beat comedy follows Jeffrey “The Dude” Lebowski as a mislaid rug sets off a chain of absurd misadventures. Jeff Bridges, John Goodman, and Julianne Moore headline a cast that helped the film grow into a cult favorite. Its quotable dialogue, shaggy-dog plotting, and subversive detective-story riffs keep fans returning. DiCaprio included it among the films he can revisit endlessly.

‘2001: A Space Odyssey’ (1968)

Stanley Kubrick’s science-fiction opus is renowned for its pioneering visual effects, minimal dialogue, and classical-music montage structure. The film meditates on human evolution, artificial intelligence, and the mysteries of space through episodic storytelling. Its production design and soundscape set new benchmarks for cinematic world-building. DiCaprio’s list highlights it as a pinnacle of visionary filmmaking.

‘Bicycle Thieves’ (1948)

Vittorio De Sica’s neorealist drama follows a father and son searching Rome for a stolen bicycle essential to the family’s livelihood. Nonprofessional actors, on-location shooting, and everyday struggles give the film its stark authenticity. Its humane focus on dignity and desperation shaped postwar realist cinema worldwide. DiCaprio’s picks recognize it as a cornerstone of film history.

‘Tokyo Story’ (1953)

Yasujirō Ozu’s family drama observes generational distance as aging parents visit adult children in a bustling city. The director’s “tatami-level” camera, pillow shots, and restrained performances create a quietly profound meditation on time and duty. Its subtle craft and emotional clarity have influenced filmmakers across cultures. DiCaprio’s selection underscores its status as a universal classic.

‘Vertigo’ (1958)

Alfred Hitchcock’s thriller explores obsession and identity through a retired detective drawn into a labyrinth of desire and deception. James Stewart and Kim Novak lead a story celebrated for its dreamlike imagery, dolly-zoom technique, and haunting score. The film’s layered structure invites repeated viewings and scholarly debate. DiCaprio’s list affirms its place among cinema’s most studied works.

What would you add to this DiCaprio-approved watch-forever list—share your picks in the comments!