The 15 Best Adria Arjona Roles

Adria Arjona has built a résumé that moves easily between prestige television, big-budget franchises, and indie-leaning thrillers. She speaks fluently across genres—science-fiction, fantasy, action, crime—and that range has put her alongside filmmakers like Richard Linklater and studios from Marvel’s Sony banner to Lucasfilm and Amazon Studios. Across these projects, she’s played mechanics, doctors, activists, and classic literary figures, often anchoring the human stakes inside large-scale stories.

Below is a curated look at standout roles spanning films and series. You’ll find quick context on each title, what it’s about, who made it, where it was released, and—crucially—what Arjona does in the story. Use it as a watchlist or a refresher on where you’ve seen her before.

‘Hit Man’ (2024) – Madison Masters

Richard Linklater’s crime-romance follows a mild-mannered academic who moonlights for law enforcement by posing as a contract killer. Adria Arjona plays Madison Masters, a woman who seeks out the “hit man,” setting off a chain of undercover deceptions and identity shifts that drive the plot. The film was distributed globally as a streaming original following a festival run, with Linklater co-writing the script with his lead actor.

Arjona’s character becomes the narrative hinge between the undercover operation and the personal risks it creates. Scenes between Madison and the protagonist pivot the story from sting-operation procedural into an unexpected relationship drama, and her arc is central to the film’s questions about reinvention and truth.

‘Andor’ (2022– ) – Bix Caleen

Set in the ‘Star Wars’ universe, ‘Andor’ traces the formative years of Cassian Andor as he’s drawn into a nascent rebellion. Arjona plays Bix Caleen, a mechanic and small-business owner on the planet Ferrix who has covert ties to a black-market fence. The series was created for Disney’s streaming platform with Tony Gilroy as showrunner and was filmed across large practical sets and on-location builds.

Bix’s shop and contacts function as a ground-level gateway into the rebellion’s logistics, exposing how ordinary citizens are pressured by Imperial oversight. Her storyline intersects with Imperial Security Bureau investigations, and her choices have repercussions for Ferrix’s community networks and the show’s evolving resistance cells.

‘Good Omens’ (2019–2023) – Anathema Device

Based on the novel by Neil Gaiman and Terry Pratchett, ‘Good Omens’ follows an angel–demon duo trying to stop the apocalypse. Arjona portrays Anathema Device, a present-day descendant of a prophetic witch whose family manuscripts outline events surrounding an antichrist. The series was produced as a limited event with Amazon Studios and BBC involvement and later returned with additional episodes.

Anathema’s mission pairs her with a skeptical local while the larger cast navigates celestial bureaucracy. Her research scenes and use of inherited prophecies supply procedural clues that connect subplots, and her interactions anchor how prophecy shapes free will in the adaptation.

‘Morbius’ (2022) – Martine Bancroft

‘Morbius’ centers on scientist Michael Morbius and an experimental cure that turns him into a living vampire. Arjona plays Martine Bancroft, a fellow researcher and close professional partner who participates in the medical trials that trigger the transformation. The film is part of Sony’s slate of Marvel-related titles and features effects-driven action built around laboratory and urban set pieces.

Martine’s medical expertise and proximity to Morbius place her in key lab sequences and investigative beats following the initial experiment. Her involvement steers the ethical debate inside the story—balancing patient care, scientific ambition, and the unintended consequences of cutting-edge research.

‘Emerald City’ (2017) – Dorothy Gale

‘Emerald City’ reimagines L. Frank Baum’s Oz books as a dark fantasy journey. Arjona leads as Dorothy Gale, a modern EMT swept into Oz during a violent storm, where she becomes entangled in conflicts among witches and a reclusive ruler. The series integrated location shooting across Europe with large-scale production design to create its kingdoms and landscapes.

Dorothy’s medical background reframes classic Oz encounters as grounded problem-solving rather than fairy-tale coincidence. Her companion dynamics, use of contemporary tools, and role in political intrigue drive the serialized plotlines, connecting disparate factions across the realm.

‘6 Underground’ (2019) – Five (Amelia)

Directed by Michael Bay, ‘6 Underground’ follows a covert team that has faked their deaths to take down a dictator. Arjona appears as Five—real name Amelia—a trauma doctor recruited for her field skills and triage leadership. The movie was produced as a streaming blockbuster with an international cast and large practical stunt sequences.

Five’s medical planning shapes the team’s operational playbook during extraction and pursuit set pieces. Her scenes cover tactical stabilization, combat-zone logistics, and the ethics of vigilante intervention when official channels are compromised or slow to act.

‘Triple Frontier’ (2019) – Yovanna

‘Triple Frontier’ is a heist-thriller about former special-operations soldiers who target a cartel stash across a border region. Arjona plays Yovanna, an insider whose information and personal risk enable the mission setup. The film was shot across multiple Latin American locations to capture jungle, highland, and coastal terrains.

Yovanna’s participation introduces human stakes beyond the crew’s payday, linking the caper to consequences for civilians. Her intel sequences and safe-house logistics establish the operational map that the protagonists follow, while her presence underscores how criminal economies pressure local communities.

‘Pacific Rim: Uprising’ (2018) – Jules Reyes

‘Pacific Rim: Uprising’ returns to a world where pilots in giant mechs defend against kaiju threats. Arjona plays Jules Reyes, an operations officer at the Pan Pacific Defense Corps who coordinates pilots and cadets within the program. The film expands the franchise’s mech-training and drone-integration threads, with large VFX battles across urban centers.

Jules’s role places her at the intersection of command and pilot culture, managing readiness drills and deployments. Her scenes support the transition of new recruits into combat, providing exposition on technological upgrades and the organizational tensions behind the Jaeger fleet.

‘Sweet Girl’ (2021) – Amanda Cooper

‘Sweet Girl’ is a revenge-driven thriller following a family devastated by a withdrawn cancer treatment. Arjona portrays Amanda Cooper, whose medical crisis sets the catalyst for a whistleblowing pursuit that escalates into corporate and political cover-ups. The movie was released as a streaming original with a mix of rural and metropolitan locations.

Amanda’s storyline frames the personal dimension of healthcare policy and pharmaceutical competition. The film uses hospital sequences, insurance hurdles, and advocacy channels to sketch the systemic obstacles surrounding access to life-saving drugs, giving context to the investigation that follows.

‘Father of the Bride’ (2022) – Sofia Herrera

A modern take on a familiar wedding story, ‘Father of the Bride’ centers on a tight-knit Miami family navigating generational expectations and cultural traditions. Arjona plays Sofia Herrera, an ambitious daughter balancing career goals with a rapidly approaching ceremony. The film pairs Cuban American and Mexican American family perspectives within its ensemble.

Sofia’s planning decisions drive location, budget, and guest-list negotiations, mapping out logistics that ripple across both families. Her professional aspirations and partnership discussions add immigration, relocation, and work-life considerations to the usual pre-wedding checklists.

‘The Belko Experiment’ (2016) – Leandra Florez

Set inside a sealed corporate office, ‘The Belko Experiment’ turns a workday into a survival scenario controlled by an unseen voice. Arjona plays Leandra Florez, a marketing executive whose relationships inside the company shape alliances and conflicts as rules are announced over the building’s intercom. The film combines ensemble thriller pacing with contained-location tension.

Leandra’s decisions illustrate how corporate hierarchies and interpersonal histories affect crisis responses. Her scenes track resource distribution, escape attempts, and shifting ethical lines as the group confronts forced-choice directives under surveillance.

‘Person of Interest’ (2014–2015) – Dani Silva

In the procedural-sci-fi hybrid ‘Person of Interest,’ Arjona appears as Dani Silva, an NYPD recruit pulled into cases involving predictive surveillance. The series integrates standalone investigations with a serialized mythos about artificial intelligence and data-driven policing. Episodes featuring Silva place her alongside undercover assets and task-force operations.

Silva’s assignments cover infiltration, evidence handling, and inter-agency coordination. Her arc demonstrates how new officers adapt to off-book tactics while maintaining chain-of-command responsibilities, and her episodes connect precinct work to the show’s broader questions about privacy and security tools.

‘True Detective’ (2015) – Emily

The second installment of ‘True Detective’ weaves municipal corruption with personal fallout for detectives and highway patrol. Arjona plays Emily, a former partner of a central character whose private life intersects with an evolving criminal probe. The season was structured as a closed-ended case spread across interlocking jurisdictions.

Emily’s appearances contextualize the pressures facing service members and their families, including financial strain and media scrutiny. Her scenes help chart timelines and personal histories that investigators chase down, adding domestic consequences to the season’s broader conspiracy.

‘Life of the Party’ (2018) – Amanda

‘Life of the Party’ is a campus comedy about a woman returning to finish her degree alongside her daughter. Arjona plays Amanda, one of the popular students whose social circle becomes part of the protagonist’s late-in-life college experience. The film uses sorority events, group projects, and on-campus competitions to stage its set pieces.

Amanda’s role situates classroom and extracurricular dynamics while the returning student navigates modern campus culture. Her interactions map social hierarchies and the logistics of parties, presentations, and club activities that structure the semester.

‘Overdrive’ (2017) – Stephanie

‘Overdrive’ is a car-heist thriller following half-brothers who target a high-value vintage vehicle and end up entangled with a crime boss. Arjona portrays Stephanie, a partner drawn into the crew’s negotiation with rival gangs and collectors. The production emphasizes European locations and practical driving sequences around rare automobiles.

Stephanie’s involvement extends from planning sessions to leverage plays with competing thieves. Her character threads through reconnaissance, double-cross contingencies, and extraction routes, providing connective tissue between the film’s negotiation beats and action chases.

‘Irma Vep’ (2022) – Regina

‘Irma Vep’ is a meta-series about an American star headlining a French remake of a silent-era serial, blurring boundaries between role and performer. Arjona appears as Regina, a music-world figure whose relationships intersect with film-set politics and press narratives. The show blends industry satire with on-set process details, including financing, rehearsals, and festival positioning.

Regina’s scenes highlight how celebrity ecosystems and publicity strategies influence production schedules and distribution plans. Her presence connects the lead’s off-camera life to contractual constraints, marketing demands, and the pressures of international co-productions.

Share your favorite Adria Arjona performance in the comments and tell us which role you think deserves more attention!