‘Weapons’ Retakes the #1 Spot at This Weekend’s Box Office: Here’s the Rest of Top 15

Every weekend brings a fresh snapshot of how audiences are choosing to spend their time and money at the movies. The top line number tells you who leads the frame, while the change from last weekend hints at momentum or slowdown. Theater counts reveal how widely a film is playing and any expansion or pullback, and the per theater average helps show how efficiently those screens are being used across the country.

Openers usually make their first impression with a clean total to date, while holdovers add to a running domestic sum that shows staying power. Event rereleases, family plays, superhero chapters, and prestige titles often move differently across weekdays and matinees, so the mix of genres can shape the entire market. Use the entries below to see the key business stats alongside quick context about each title.

15. ‘Honey Don’t!’ (2025)

‘Honey Don’t!’ earned $920,000 in its second weekend. The film dropped 69.6 percent from last frame and played in 1,332 theaters, a net gain of 15 locations, for a per theater average of $690. The domestic total stands at $5,116,240 and the title is distributed by Focus Features.

This Focus Features release is a new entry for late summer audiences. With two weekends on the books and nationwide play across more than one thousand locations, the film is settling into its box office course as word of mouth and weekday scheduling guide its next steps.

14. ‘Lilo & Stitch’ (2025)

‘Lilo & Stitch’ took in $1,135,000 this weekend. The film surged 4,007.9 percent after a major expansion to 2,440 theaters, an increase of 2,385 locations, for a per theater average of $465. The domestic total has reached $422,953,538 and the title is released by Walt Disney Studios Motion Pictures.

The 2025 release is a live action reimagining of the animated classic set in Hawaii, where young Lilo meets the runaway experiment known as Stitch and tries to help him become part of a family. The new version keeps the core story about found family and uses on location filming with CG characters to bring the island setting and the alien antics to life while aiming squarely at family matinees and weekday value shows.

13. ‘F1’ (2025)

‘F1: The Movie’ added $1,140,000 in its tenth weekend. The film fell 34.9 percent while playing in 728 theaters after a reduction of 293 locations, for a per theater average of $1,565. The domestic total is $187,816,545 for Warner Bros.

Set in the world of Formula One, the film blends narrative drama with racing production captured around active race weekends and real circuits. The result is a motorsport story that benefits from authentic track access and technical detail as it continues its run with a focused theater count.

12. ‘Jurassic World Rebirth’ (2025)

‘Jurassic World: Rebirth’ earned $1,470,000 in its ninth weekend. The film slipped 30.4 percent and played in 1,352 theaters after a pullback of 748 locations, for a per theater average of $1,087. The domestic total stands at $337,885,615 for Universal Pictures.

This chapter continues the saga of humans navigating a world where prehistoric creatures are a modern reality. The series remains centered on large scale adventure and creature effects, and the current run reflects a late summer corridor with fewer premium screens and a pivot to targeted play.

11. ‘The Toxic Avenger’ (2025)

‘The Toxic Avenger’ opened with $1,755,151. The launch spanned 1,995 theaters for a per theater average of $879, and the opening weekend equals the total to date. The film is distributed by Iconic Events Releasing.

A reimagining of the cult property from Troma, the new take introduces a reluctant hero who gains strange powers after a catastrophic accident and turns those powers toward protecting his community. The nationwide start positions the film for genre driven late shows and specialty bookings that often support cult revivals.

10. ‘The Naked Gun’ (2025)

‘The Naked Gun’ grossed $1,800,000 in its fifth weekend. The film declined 39.7 percent and played in 1,744 theaters after a reduction of 1,032 locations, with a per theater average of $1,032. The running domestic total is $50,810,167 for Paramount Pictures International.

Based on the classic crime spoof lineage that traces back to ‘Police Squad!’, the new film follows a well meaning but hapless detective who stumbles through a high profile case. The comedic structure remains built on rapid fire sight gags and escalating set pieces, which traditionally perform best with weekend evening crowds.

9. ‘Nobody 2’ (2025)

‘Nobody 2’ made $1,830,000 in its third weekend. The film fell 50.7 percent, played in 2,502 theaters after a decrease of 780 locations, and posted a per theater average of $731. The domestic total is $20,061,765 for Universal Pictures International.

The sequel returns to Hutch Mansell as he faces a new criminal threat that drags him back into violent confrontation. Tight action design and brisk running time continue to define the series identity, and the current footprint emphasizes action friendly markets across the country.

8. ‘Superman’ (2025)

‘Superman’ collected $2,585,000 in its eighth weekend. The film eased 24.2 percent, played in 1,824 theaters after 514 fewer locations, and averaged $1,417 per theater. The domestic total has reached $351,048,613 for Warner Bros.

This new take follows Clark Kent at the Daily Planet as he balances investigative reporting with the responsibility of protecting Metropolis. The film is part of the current DC slate and continues to draw a mix of long time fans and newer audiences who discovered it during summer play.

7. ‘The Bad Guys 2’ (2025)

‘The Bad Guys 2’ took in $4,740,000 in its fifth weekend. The drop was 7.2 percent, with 3,024 theaters in play after 264 fewer locations, and a per theater average of $1,567. The domestic total stands at $73,049,680 for Universal Pictures.

The animated sequel follows the crew as a new caper tests their uneasy shift from notorious thieves to reluctant do gooders. Family attendance and weekday matinees remain a key driver for the series and the current run reflects steady play across a broad footprint.

6. ‘The Fantastic Four: First Steps’ (2025)

‘The Fantastic Four: First Steps’ earned $4,800,000 in its sixth weekend. The film declined 20.1 percent and played in 2,785 theaters after a pullback of 405 locations, for a per theater average of $1,723. The domestic total is $264,626,180 for Walt Disney Studios Motion Pictures.

Marvel’s First Family returns with Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm facing a scientific mystery that reshapes their lives. The film connects to the larger superhero universe and continues to play to comic readers and general audiences through late summer.

5. ‘The Roses’ (2025)

‘The Roses’ opened with $6,350,000. The debut played in 2,700 theaters for a per theater average of $2,351, and the opening weekend equals the total to date. The title is released by Walt Disney Studios Motion Pictures.

The story follows a couple whose once stable life unravels into a hard fought domestic standoff that touches home, career, and family. The wide start gives the adult audience a new option as the film begins its first week of nationwide play.

4. ‘Freakier Friday’ (2025)

‘Freakier Friday’ added $6,524,000 in its fourth weekend. The film dropped 26.7 percent and played in 3,475 theaters after a trim of 200 locations, with a per theater average of $1,877. The domestic total is $80,473,885 for Walt Disney Studios Motion Pictures.

This sequel continues the body swap comedy that began with ‘Freaky Friday’, bringing the mother and daughter dynamic to a new set of life complications. The franchise lends itself to multigenerational viewing and the current run reflects family friendly scheduling across afternoons and weekends.

3. ‘Caught Stealing’ (2025)

‘Caught Stealing’ opened to $7,825,000. The launch covered 3,578 theaters for a per theater average of $2,186, and the opening weekend equals the total to date. The title is distributed by Sony Pictures Releasing.

Adapted from Charlie Huston’s novel, the film follows a former ballplayer who is thrust into the New York underworld after a chance encounter goes bad. The story moves through bars, back rooms, and tight city blocks as the lead fights to survive over a very long night.

2. ‘Jaws’ (1975)

‘Jaws’ returned for its 50th anniversary with $8,100,000. The rerelease played in 3,200 theaters for a per theater average of $2,531 and begins this run with a matching total to date.

The thriller from Steven Spielberg stars Roy Scheider as Chief Brody, Robert Shaw as Quint, and Richard Dreyfuss as Hooper as they face a great white shark off Amity Island. The anniversary event brings the restored film back to cinemas for a limited engagement that reaches both first timers and longtime fans.

1. ‘Weapons’ (2025)

‘Weapons’ led the frame with $10,210,000 in its fourth weekend. The film eased 33.7 percent from last weekend and played in 3,416 theaters after a reduction of 215 locations, for a per theater average of $2,988. The running domestic total stands at $132,397,687 for Warner Bros.

Positioned as a late summer genre entry, the film continues nationwide play with a wide reach across multiplexes. Four weekends in, the title has built a sizable domestic sum as its footprint and week to week change guide the next phase of the run.

Share your take on these weekend moves in the comments and tell us which title surprised you most.