‘The Conjuring: Last Rites’ Takes the #1 Spot at This Weekend’s Box Office: Here’s the Rest of Top 15
A chilling new entry dominated the frame as ‘The Conjuring: Last Rites’ scared up a massive $83,000,000 debut, while a special big-screen return for ‘Hamilton’ landed a strong second-place bow with $10,000,000. Holdovers like ‘Weapons’ and ‘Freakier Friday’ kept the charts busy, even as several titles weathered typical second- and later-weekend slides.
Across the board, theater counts shifted noticeably, with expansions lifting a few specialty players while re-releases tapered after splashy starts. Below, you’ll find the full top 15 with each title’s weekend gross, per-theater average, theater footprint and change, total-to-date, week in release, and distributor details, plus clear notes on whether the film is a new opener or a holdover.
15. ‘Jurassic World Rebirth’ (2025)

‘Jurassic World: Rebirth’ pulled $530,000, a 64.7% decline, from 819 theaters after a drop of 533 sites. With a per-theater average of $647, the film’s cumulative gross rose to $339,062,885 in week 10 for Universal Pictures.
As the latest entry in the dino-driven saga, ‘Jurassic World: Rebirth’ maintains a presence into its tenth weekend. The title’s enduring total underscores broad franchise interest even as playdates taper in late-run positioning.
14. ‘The Naked Gun’ (2025)

‘The Naked Gun’ grossed $545,000, down 70.2% from last weekend, across 931 theaters after a reduction of 813 locations. The per-theater average was $585, lifting the total to $52,271,416 in week 6 for Paramount Pictures International.
The comedy’s later-run profile reflects a move toward a leaner national footprint while still generating steady catalog for exhibitors. Six weekends in, ‘The Naked Gun’ continues to contribute to overall market variety alongside action, horror and family titles.
13. ‘The Threesome’ (2025)

‘The Threesome’ launched with $592,000 from 402 theaters, starting with a per-theater average of $1,472. The opening weekend total is $592,000 in week 1 for Vertical Entertainment.
As a new specialty opener, ‘The Threesome’ begins its run with a modest footprint designed to seed word-of-mouth. Its initial metrics establish a baseline for potential incremental theater adds or targeted hold strategies.
12. ‘Splitsville’ (2025)

‘Splitsville’ surged 365.5% to $815,000 as its theater count expanded to 800, a net gain of 772 locations. The per-theater average came in at $1,018, bringing the tally to $1,231,089 in week 3 for Neon.
The platform-to-wide rollout materially boosted visibility for ‘Splitsville’ this weekend. With a fresh expansion and growing footprint, the specialty title finds new audiences while adding to its cumulative haul.
11. ‘Jaws’ (1975)

‘Jaws’ reeled in $950,000 during its 2025 50th Anniversary re-release, falling 88.5% weekend-to-weekend. Playing on 2,100 screens after a -1,100 change, the classic posted a per-theater average of $452 and lifted its new-release total to $12,339,945 in week 2.
The landmark thriller’s celebratory return showcases the enduring appeal of ‘Jaws’ on the big screen. With week 2 underway and a sizable screen count, the reissue continues to give audiences a chance to experience the blockbuster that defined the modern summer season.
10. ‘Superman’ (2025)

‘Superman’ earned $1,000,000 in its ninth weekend, down 61.1%, from 1,187 theaters following a contraction of 637 sites. The per-theater average reached $842, and the film’s cumulative total hit $353,302,360 for Warner Bros.
Now deep into its run at week 9, ‘Superman’ remains a key comic-book title on the marquee. The film continues to draw residual turnout as it transitions from peak saturation to a more targeted footprint.
9. ‘Light of the World’ (2025)

‘Light of the World’ debuted with $2,400,000 from 2,075 theaters, delivering a per-theater average of $1,156. The opening weekend total stands at $2,400,000 in week 1, with the distributor not listed.
Arriving as a new release, ‘Light of the World’ secured a broad nationwide footprint out of the gate. Its first-frame metrics position the film to build awareness as weekday play and upcoming holds develop.
8. ‘The Bad Guys 2’ (2025)

‘The Bad Guys 2’ brought in $2,450,000, a 48.4% dip, from 2,602 theaters after trimming 422 locations. Its per-theater average was $941, and the cumulative gross rose to $77,709,845 in week 6 for Universal Pictures.
The animated caper sequel sustains family traffic as it advances through its sixth frame. With thousands of engagements still in play, ‘The Bad Guys 2’ continues to serve as counterprogramming alongside horror and superhero fare.
7. ‘The Fantastic Four: First Steps’ (2025)

‘The Fantastic Four: First Steps’ added $2,750,000, down 45.1%, from 2,385 theaters after a reduction of 400 sites. With a per-theater average of $1,153, the film’s total climbed to $270,131,321 in week 7 for Walt Disney Studios Motion Pictures.
As a superhero tentpole anchored to Marvel’s first family, ‘The Fantastic Four: First Steps’ continues to draw audiences well into its seventh weekend. Despite the notable theater contraction, the title remains a top-grossing mainstay of the season.
6. ‘The Roses’ (2025)

‘The Roses’ grossed $2,800,000, off 55.3% weekend-to-weekend, from 2,700 theaters. The per-theater average stood at $1,037, and the cumulative gross reached $12,284,311 in week 2 for Walt Disney Studios Motion Pictures.
Following its wide launch, ‘The Roses’ continues a broad play in its second frame. The title remains accessible across a large national footprint as it builds on its early total.
5. ‘Caught Stealing’ (2025)

‘Caught Stealing’ collected $3,200,000 in its second weekend, sliding 59.2% while holding 3,578 theaters with no reported change in count. The per-theater average was $894, pushing the total to $12,800,000 for Sony Pictures Releasing.
With week 2 underway, ‘Caught Stealing’ remains in wide release across more than three thousand venues. The film’s sophomore performance reflects typical second-week dynamics as it settles into the middle of the chart.
4. ‘Freakier Friday’ (2025)

‘Freakier Friday’ took in $3,800,000, a 43.7% drop, from 3,125 theaters following a -350 change in locations. Its per-theater average reached $1,216, bringing the total to $87,813,679 in week 5 via Walt Disney Studios Motion Pictures.
Positioned as a family-friendly body-swap comedy sequel, ‘Freakier Friday’ continues its nationwide rollout as a durable holdover. Now in its fifth weekend, the title maintains a sizable footprint while easing from peak-week highs.
3. ‘Weapons’ (2025)

‘Weapons’ earned $5,370,000, down 48.7% from last weekend, across 3,284 theaters after a net change of -132 locations. The per-theater average came in at $1,635, lifting the cumulative total to $143,044,692 in week 5 for Warner Bros.
The holdover continued to draw audiences at a steady clip for a fifth frame. With thousands of playdates still on the books, ‘Weapons’ remains a key wide-release presence even as it transitions deeper into its run.
2. ‘Hamilton’ (2020)

‘Hamilton’ returned to cinemas with a 2025 re-release that grossed $10,000,000 from 1,825 theaters and posted a per-theater average of $5,479. The total sits at $10,000,000 after its first weekend back, distributed by Walt Disney Studios Motion Pictures.
A filmed performance of the Broadway phenomenon featuring the original cast, ‘Hamilton’ leveraged a nationwide reissue to bring the stage sensation back to the big screen. This re-release is in week 1, adding premium theatrical energy to late-summer moviegoing.
1. ‘The Conjuring: Last Rites’ (2025)

‘The Conjuring: Last Rites’ opened to $83,000,000 from 3,802 theaters, delivering a per-theater average of $21,830. The film’s total stands at $83,000,000 after its first weekend, launching at No. 1 for Warner Bros.
As the latest chapter in the long-running ‘Conjuring’ universe, ‘The Conjuring: Last Rites’ arrives as a major horror event title. It begins its run in week 1 with a wide footprint and strong audience turnout that set the pace for the rest of the market.
Share which titles you watched this weekend and how your local theaters were playing them in the comments!


