Luc Besson’s Vampire Flick Is the Most-Watched Movie on Paramount+ This Week
Paramount+ continues to offer a dynamic lineup of films, spanning brand-new cinematic releases, recent original thrillers, and nostalgic favorites that attract strong viewership across the platform. This week’s streaming trends highlight a diverse selection of genres, ranging from supernatural romances and high-octane survival stories to irreverent slapstick comedies and beloved crime features. Subscribers have turned out in large numbers to revisit celebrated classics alongside recently debuted features that are generating significant engagement.
‘Rush Hour’ (1998)

Directed by Brett Ratner, ‘Rush Hour’ pairs Hong Kong Police Inspector Lee with irreverent LAPD Detective James Carter. The mismatched partners must overcome deep cultural clashes and conflicting investigative techniques when tasked with rescuing the abducted daughter of a Chinese diplomat in Los Angeles. As their unauthorized search progresses through the city, the two lawmen uncover a sprawling criminal network led by a notorious crime boss. The theatrical release achieved tremendous box-office success worldwide, establishing a lucrative comedy franchise and solidifying the international stardom of its lead actors.
‘An Unfinished Life’ (2005)

Directed by Lasse Hallström, ‘An Unfinished Life’ stars Robert Redford, Jennifer Lopez, and Morgan Freeman in an adaptation of the novel by Mark Spragg. The narrative follows a destitute single mother who escapes an abusive relationship and seeks refuge at the secluded Wyoming ranch of her estranged father-in-law. The grieving rancher, who blames her for the fatal car accident of his son years earlier, is forced to confront lingering bitterness while getting to know the granddaughter he never met. Alongside an injured ranch hand and lifelong friend, the fractured family gradually works through past trauma toward reconciliation.
‘We’re the Millers’ (2013)

Directed by Rawson Marshall Thurber, ‘We’re the Millers’ features Jason Sudeikis as small-time Denver marijuana dealer David Clark alongside Jennifer Aniston, Will Poulter, and Emma Roberts. After a street robbery strips David of his cash and inventory, he is forced by his drug supplier to smuggle a massive narcotics shipment across the border from Mexico. To minimize suspicion at border checkpoints, David invents a fake suburban identity and hires a cynical stripper, an awkward neighbor, and a runaway teen to pose as a wholesome family taking an RV vacation. Their fraught journey back to Colorado leads to chaotic confrontations with real cartel enforcers, corrupt authorities, and an overzealous travel enthusiast.
‘Tuner’ (2026)

Directed by Academy Award-winning filmmaker Daniel Roher in his narrative feature debut, ‘Tuner’ stars Leo Woodall, Dustin Hoffman, and Havana Rose Liu. The story follows Niki Wright, a gifted young piano tuner afflicted with hyperacusis, a condition causing severe sound sensitivity that simultaneously grants him immaculate pitch perception. While working alongside his veteran mentor in New York City, Niki discovers that his acute hearing enables him to decipher mechanical safe combinations with ease. This unique talent attracts the attention of a criminal crew, entangling the quiet technician in a sequence of dangerous heists that threaten both his mentor and his romance with a music student.
‘The Get Out’ (2026)

Directed by Derrick Borte and inspired by the novel ‘Strip’ by Thomas Perry, ‘The Get Out’ stars Russell Crowe as Los Angeles nightclub proprietor Manco Kapak. Following a sudden cardiac episode, Manco decides to leave the illicit nightlife behind, hoping to sell his establishment to an enigmatic buyer and retire abroad with his partner. His retirement plans collapse after masked robbers steal a crucial cartel payment of seventy-five thousand dollars, igniting immediate threats of retaliation from ruthless syndicate leaders. The production co-stars Luke Evans, Teresa Palmer, and Aaron Paul as the beleaguered owner navigates a web of cartel pressure, deceptive allies, and local law enforcement.
‘Jackass: Best and Last’ (2026)

Directed by Jeff Tremaine, ‘Jackass: Best and Last’ serves as the culminating installment in the twenty-five-year-old reality stunt franchise. Original crew members Johnny Knoxville, Steve-O, Chris Pontius, Wee Man, Dave England, Danger Ehren, and Preston Lacy reunite to perform a brand-new series of elaborate physical gags and hazardous stunts. The feature combines these newly filmed sequences with curated archival highlights that document the performers’ decades-long history of camaraderie and injury. Returning cast additions who joined the ensemble in ‘Jackass Forever’, including Rachel Wolfson, Sean McInerney, and Zach Holmes, also participate throughout the production.
‘Scary Movie’ (2000)

Directed by Keenen Ivory Wayans, ‘Scary Movie’ parodies popular slasher releases of the late 1990s, with primary inspiration drawn from ‘Scream’ and ‘I Know What You Did Last Summer’. Anna Faris portrays high school student Cindy Campbell, whose circle of friends is hunted by an inept masked killer one year after they accidentally ran over a pedestrian. The ensemble cast features Regina Hall, Marlon Wayans, and Shawn Wayans navigating exaggerated horror tropes, crude humor, and chaotic pop-culture references. The film proved to be an immense box-office hit, earning over two hundred and seventy-eight million dollars worldwide and inaugurating a long-running comedy franchise.
‘One Mile: Chapter Two’ (2026)

Directed by Adam Davidson, ‘One Mile: Chapter Two’ picks up after the events of ‘One Mile: Chapter One’ and follows former special forces soldier Danny Beckett. Ryan Phillippe returns as Danny, whose family life is shattered when cult leader Stanley Dixon emerges seeking retaliation and abducts his daughter Alex once again. To rescue his daughter, Danny must travel into hostile wilderness territory and infiltrate an isolated compound defended by adversaries who anticipate his tactical maneuvers. The production continues the two-part storyline through brutal close-quarters combat sequences and high-stakes survival scenarios.
‘One Mile: Chapter One’ (2026)

Directed by Adam Davidson, ‘One Mile: Chapter One’ stars Ryan Phillippe as Danny Beckett, a retired special operations veteran aiming to reconnect with his estranged daughter Alex. During a cross-country drive to tour prospective college campuses, their journey is interrupted when they cross paths with an aggressive, off-the-grid survivalist commune led by Stanley Dixon. After the commune abducts Alex, Danny is forced to rely on his lethal combat expertise and tactical reconnaissance training to navigate the wilderness and save her. Conceived and shot concurrently alongside its direct follow-up, the feature sets the groundwork for a two-part confrontation between the Beckett family and their captors.
‘Dracula’ (2025)

Written and directed by Luc Besson, ‘Dracula’ serves as a lavish adaptation of Bram Stoker’s seminal 1897 vampire novel. Caleb Landry Jones stars as a fifteenth-century prince who repudiates God following the death of his beloved wife and receives an immortal curse that transforms him into Dracula. Driven across the centuries by eternal longing, the vampire travels to nineteenth-century London after encountering a woman who seems to be the reincarnation of his deceased bride. The production features Christoph Waltz and Zoë Bleu in key roles, prioritizing operatic emotional drama and intricate costume design over traditional horror elements.
Share your thoughts on this week’s most-watched movies on Paramount+ and let us know your favorites in the comments.

