Disney’s Latest Live-Action Remake Topped the Box Office This Weekend

The domestic box office continues to demonstrate the diverse interests of theatrical audiences, with a mix of animated blockbusters, horror entries, and mid-budget dramas competing for screen space. This week’s chart features a notable shifting of ranks, led by high-profile sequels and original concepts. Studios are closely monitoring these figures as older titles wind down their theatrical runs and fresh releases attempt to capture market share. The following is a detailed look at the weekend’s top fifteen films based on their domestic ticket sales.

‘Michael’ (2026)

The biographical film tracking the life of the King of Pop brought in $250,000 during its twelfth week in theaters, representing a 49.2% decline from the previous frame. Playing on 270 screens, the Lionsgate release maintained an average of $925 per screen. This weekend’s performance brings the title’s cumulative domestic box office to a robust $371,854,578. The film has enjoyed a lengthy theatrical run since its initial debut, anchoring the lower end of the top fifteen charts.

‘The Mandalorian and Grogu’ (2026)

In its eighth week of release, the Walt Disney Studios Motion Pictures space adventure earned $257,000 domestically. The film experienced a 54.5% drop in ticket sales while screening at 265 locations, averaging $969 per theater. This weekend’s gross pushes the project’s cumulative domestic earnings to $177,364,989. The cinematic continuation of the popular streaming franchise continues to wind down its theatrical run.

‘Scary Movie’ (2026)

The latest entry in the long-running parody franchise grossed $405,000 during its sixth weekend in domestic theaters. This represents a 64.7% decrease from its prior weekend performance, with the film playing across 401 screens. Distributed by Paramount Pictures, the horror-comedy secured a per-theater average of $1,009. The movie’s cumulative domestic gross now stands at $107,493,031 after more than a month in circulation.

‘Jackass: Best and Last’ (2026)

Paramount Pictures’ stunt-filled compilation feature brought in $730,000 in its third weekend of release. The film suffered a steep 73.3% drop in viewership, losing 1,866 screens to finish the frame at 989 locations. It managed a per-theater average of $738 during this three-day period. This latest intake raises the title’s total domestic box office gross to $17,299,729.

‘Gail Daughtry and the Celebrity Sex Pass’ (2026)

Sony Pictures Classics debuted this new title in 1,000 theaters, where it collected $953,724 over its opening weekend. The film achieved a per-screen average of $953 during its initial frame in domestic release. Because this represents its first weekend in theaters, its cumulative total matches its opening weekend gross of $953,724. This specialized release marks a targeted theatrical rollout strategy for the distributor.

‘Backrooms’ (2026)

The atmospheric horror film distributed by A24 generated $1,485,500 in its seventh week on the domestic market. The movie saw a 54% decline in ticket sales as it lost 817 screens, playing at 1,262 locations. It achieved a per-screen average of $1,177 during the three-day weekend frame. The film’s total domestic earnings have now climbed to an impressive $194,197,303.

‘Disclosure Day’ (2026)

Universal Pictures’ sci-fi thriller brought in $3,200,000 during its fifth weekend of domestic availability. This performance marks a 44.3% decline from the previous week, with the film screening at 2,204 locations after shedding 498 screens. The movie secured a per-theater average of $1,451 over the three-day period. To date, the title has amassed a strong cumulative domestic total of $111,313,915.

‘Supergirl’ (2026)

The superhero adventure from Warner Bros. earned $3,560,000 during its third weekend in domestic theaters. The film experienced a 58.6% drop in attendance while losing 1,018 locations, leaving it on 2,584 screens. It generated a per-screen average of $1,377 during this weekend frame. With these additional receipts, the project’s cumulative domestic box office has reached $66,001,114.

‘Obsession’ (2026)

Focus Features’ psychological thriller brought in $3,800,000 in its ninth week of theatrical release. The film held up relatively well, dropping just 26.9% despite losing 571 screens to play at 2,069 locations. It registered a per-theater average of $1,836 over the three-day weekend. The title continues to show strong legs in theaters, bringing its cumulative domestic total to $253,322,400.

‘The Invite’ (2026)

A24’s thriller experienced a massive 712% surge in ticket sales, pulling in $5,721,062 in its third weekend. The dramatic increase followed a major theater expansion of 1,582 screens, bringing its total theater count to 1,610 locations. The film recorded a strong per-screen average of $3,553 during the frame. This expansion has successfully raised the project’s cumulative domestic box office to $7,384,507.

‘Young Washington’ (2026)

The historical biopic distributed by Angel Studios collected $6,447,757 during its second weekend in theaters. The movie experienced a 66.7% decline in ticket sales despite expanding its theater count by 46 screens to play at 2,771 locations. It maintained a per-theater average of $2,326 over the three-day period. This second-week performance brings the film’s cumulative domestic box office total to $33,105,849.

‘Evil Dead Burn’ (2026)

Warner Bros.’ new horror entry ‘Evil Dead Burn’ debuted in fourth place, generating $13,700,000 over its opening weekend. The film launched across 3,004 domestic screens, yielding a solid per-theater average of $4,560. As a brand-new release in the marketplace, its cumulative total matches its initial weekend intake of $13,700,000. This debut marks another notable entry for the long-running horror franchise.

‘Toy Story 5’ (2026)

The animated sequel from Walt Disney Studios Motion Pictures grossed $18,500,000 during its fourth weekend of release. Despite shedding 400 theaters, the film remained a major draw across 3,575 screens, averaging $5,174 per theater. The title fell 39% from the previous frame, continuing a stable hold in the domestic market. This weekend’s earnings pushed the sequel’s cumulative domestic gross past the milestone mark to $403,772,720.

‘Minions & Monsters’ (2026)

Universal Pictures’ animated comedy secured the second-place spot, generating $20,500,000 in its sophomore weekend. The film fell a moderate 44.6% from its debut, playing in 4,244 theaters after adding one screen to its footprint. It achieved a strong per-theater average of $4,830 during the three-day frame. The movie’s rapid accumulation of ticket sales brings its two-week domestic total to $108,273,335.

‘Moana’ (2026)

The live-action adaptation of ‘Moana’ claimed the top spot at the domestic box office, earning $43,000,000 in its opening weekend. Distributed by Walt Disney Studios Motion Pictures, the film debuted across 3,875 screens. The movie secured a commanding per-theater average of $11,096 during its inaugural frame. Because this is its first week in theaters, the total cumulative box office stands at $43,000,000.

Which of these box office results surprised you the most this weekend? Share your thoughts in the comments.