Pixar’s Hit Sequel Is on Top of the Weekend’s Box Office, As Expected

This weekend’s box office results delivered one of the most chaotic late June slates in recent memory, with fifteen films jostling for position across multiplexes nationwide. Toy Story 5 held off Supergirl’s box office debut as Pixar’s fifth installment ruled again with a second-weekend haul that kept it firmly in command of the marketplace. The overall domestic box office is officially at the halfway mark of 2026, sitting around $4.55 billion for the first half of the year.

From an animated juggernaut to a struggling superhero tentpole, a YouTube-born horror hit, and a quiet Australian queer thriller, this week’s box office results numbers tell a story about who Hollywood’s audiences are actually showing up for. Below is the full countdown from fifteenth place to the top spot, with the financial performance and basic context for every title that made the chart.

‘The Sheep Detectives’ (2026)

Ranking fifteenth this weekend, the Hugh Jackman led mystery comedy continued its slow theatrical roll out with $507,629 from 286 theaters, an 8th weekend total that has pushed its domestic cume past $65 million.

The Sheep Detectives follows a flock of sheep who try to solve the murder of their shepherd, with Jackman starring as George Hardy alongside the voices of Julia Louis Dreyfus, Bryan Cranston, and Patrick Stewart. It was released in the United States by Amazon MGM Studios on May 8, 2026.

‘The Death of Robin Hood’ (2026)

Sitting at fourteenth, A24’s grim Robin Hood reimagining brought in $588,666 from 1,580 locations in its second weekend, a steep 79.5 percent drop that has left its domestic total at just under $4.8 million.

The film stars Hugh Jackman as an aged Robin Hood tormented by his past killings, alongside Jodie Comer, Bill Skarsgard, and Noah Jupe, and was directed by Michael Sarnoski. It premiered at the Sydney Film Festival before its A24 release on June 19, 2026.

‘Lucky Strike’ (2026)

Coming in just outside the top spot at thirteenth overall by rank but a strong debut by gross, the World War Two thriller opened to $803,112 from 772 theaters.

Directed by Rod Lurie and starring Scott Eastwood, the film follows a wounded American soldier trapped behind German lines during the Battle of the Bulge, armed only with a radio to thwart the advancing Nazi army. It was distributed by Roadside Attractions and Saban Films following acquisition in March 2026.

‘Michael’ (2026)

Ranking thirteenth in its tenth weekend, the Michael Jackson biopic added $902,907 from 711 theaters, a modest sum that belies its staggering overall achievement.

Directed by Antoine Fuqua, Michael chronicles the performer’s journey from the Jackson 5 to his status as the King of Pop, with Jaafar Jackson, the singer’s real life nephew, portraying him in his acting debut. The film recently became the highest grossing biopic of all time, surpassing Oppenheimer’s record.

‘Leviticus’ (2026)

In twelfth place during its second weekend, the indie horror romance earned $1,008,242 from 965 theaters for a domestic total just over $5.4 million.

Written and directed by Adrian Chiarella, Leviticus follows two teenagers tormented by a violent supernatural entity that takes the form of the person they desire most, each other, after relocating to a religious community in Victoria, Australia. It stars Joe Bird, Stacy Clausen, and Mia Wasikowska, and was released by Neon.

‘The Mandalorian and Grogu’ (2026)

Tenth on the chart, Lucasfilm’s big screen Star Wars adventure pulled in $1,753,907 from 1,250 theaters in its sixth weekend, bringing its domestic haul to over $175 million.

Directed by Jon Favreau, the film stars Pedro Pascal as Din Djarin alongside Sigourney Weaver and Jeremy Allen White, continuing the story from the Disney Plus series The Mandalorian. It is set following the fall of the Galactic Empire, as Djarin and his apprentice Grogu are enlisted by the New Republic.

‘Masters of the Universe’ (2026)

Ninth place belonged to the live action He Man adaptation, which earned $2,315,297 from 2,090 theaters in its fourth weekend, dropping 62.5 percent for a domestic total over $62 million.

Directed by Travis Knight and starring Nicholas Galitzine as He Man alongside Jared Leto as Skeletor, the film follows Prince Adam as he returns to his home planet of Eternia to embrace his destiny and battle Skeletor’s evil forces. Critics gave it a generally positive 68 percent score, though it has struggled financially against its costly budget.

‘BLEACH: Thousand-Year Blood War – The Calamity’ (2026)

Debuting at number eight, this anime compilation feature opened with $3,000,000 from 943 theaters for a solid per screen average.

The film collects the first three episodes of the fourth and final season of the Bleach Thousand Year Blood War anime, stitched together with a unique credits sequence and a post credits interview. Its story follows the Soul Reapers and Quincies as Yhwach breaches the Royal Palace following the death of the Soul King.

‘Scary Movie’ (2026)

In seventh place during its fourth weekend, the parody reboot earned $3,064,859 from 2,004 theaters, dropping 52 percent for a domestic total over $103 million.

Directed by Michael Tiddes and written by Marlon, Shawn, and Keenen Ivory Wayans, the sixth installment reunites Cindy Campbell and her friends as the original masked killer resurfaces decades later. Anna Faris and Regina Hall returned for their first appearance in the franchise in twenty years.

‘Backrooms’ (2026)

Sixth place went to A24’s liminal space horror hit, which made $4,315,190 from 2,396 theaters in its fifth weekend, a 39.8 percent drop with a domestic cume north of $184 million.

Directed by twenty year old YouTuber Kane Parsons, the film follows a furniture store owner who finds a secret doorway leading to an endless stretch of nondescript rooms, with his therapist venturing in to rescue him after he disappears. It became A24’s highest grossing film ever and made Parsons the youngest filmmaker to top the domestic box office.

‘Disclosure Day’ (2026)

Fifth place this weekend featured Universal’s sci-fi release, which earned $8,253,095 from 3,357 theaters in its third weekend, a 53.4 percent decline that brought its domestic total to over $94 million.

The Steven Spielberg sci-fi film continues to play primarily to the director’s older skewing fan base and carries a reported $115 million budget. The studio is hoping post theatrical revenue helps the picture toward eventual profitability.

‘Jackass: Best and Last’ (2026)

Debuting at fourth, Paramount’s prank comedy franchise entry opened to $8,464,977 from 2,855 theaters for a global start that disappointed expectations.

Director Jeff Tremaine’s fifth and supposedly final feature in the gross out comedy series, led by Johnny Knoxville, picked up just over $8 million domestically. The film mixes a retrospective of classic stunts with brand new footage.

‘Obsession’ (2026)

Holding steady at third for a seventh straight weekend, the YouTuber made horror thriller earned $9,701,165 from 2,965 theaters, a slim 27.6 percent decline that has pushed its domestic total past $233 million.

Among the highlights of its remarkable box office journey has been a streak of never falling more than thirty percent week to week. As of last Tuesday, the film officially became the highest grossing release of the summer.

‘Supergirl’ (2026)

Landing at number two in its debut weekend, James Gunn’s DC Studios follow up opened to $37,102,018 from 3,602 theaters, a result widely described as underwhelming for the genre.

The comic book adaptation, a space adventure revolving around Superman’s cousin, debuted with $37.1 million domestically and $62.6 million globally. Milly Alcock stars as Supergirl, who travels through the cosmos with her trusty pup Krypto the Superdog.

‘Toy Story 5’ (2026)

Topping the chart for a second consecutive weekend, Pixar’s latest earned $70,829,028 from 4,425 theaters, a 55.6 percent drop that brought its domestic total to nearly $300 million.

The fifth installment in the generation spanning franchise is poised to be one of the year’s highest grossing releases and is expected to wind up as the biggest entry in the thirty one year old franchise, with returning voice stars Tom Hanks and Tim Allen anchoring the emotional send off for Woody and the gang.

With Supergirl already being framed as a costly setback for the DC Universe and Toy Story 5 closing in on franchise records, which of this weekend’s fifteen contenders do you think will look different in the history books a year from now?