‘Prime Minister’ and Every Other Movie Coming To HBO Max This Week

As the leaves turn and the air chills, HBO Max is rolling out a lineup that’s equal parts spine-tingling and screen-saver cozy for the week of September 29 to October 5, 2025. From classic horrors that defined the genre to fresh documentaries and comedies that remind us why we love getting lost in a story, this selection spans decades and delivers something for every mood. Whether you’re in the mood for a laugh with talking dogs or a deep dive into leadership under fire, these arrivals promise to keep your queue buzzing right through the weekend.

Kicking off with a Tuesday premiere, the slate leans heavy on supernatural chills and timeless tales, perfect for spooky season starters. Expect a mix of reboots, remakes, and originals that capture the magic of escapism, all while showcasing powerhouse performances from icons like Meryl Streep and newcomers alike. Settle in with popcorn and let these films transport you—because nothing beats a good movie night when the world outside feels a little too real.

‘Prime Minister’ (2025)

‘Prime Minister’ follows the unexpected rise of Jacinda Ardern as New Zealand’s 40th Prime Minister, capturing her journey through five years of leadership marked by profound challenges and triumphs. Directed by Lindsay Utz and Michelle Walshe, the documentary features Ardern herself, alongside producers Cass Avery, Leon Kirkbeck, Clarke Gayford, Gigi Pritzker, Rachel Shane, and Katie Peck, who also served as director of photography. The film explores Ardern’s empathetic yet firm approach to crises, including the Christchurch mosque shootings and the COVID-19 pandemic, highlighting her efforts to prioritize people and expert advice in decision-making.

On September 30, 2025, viewers can trace Ardern’s path from a small-town upbringing to global icon status, as the documentary delves into the personal toll of public service. It premiered at the Sundance Film Festival in January 2025, earning the Audience Award for World Cinema Documentary, and co-production came from MWM and Dark Doris Entertainment. The narrative weaves intimate footage with reflections on compassion in politics, showcasing moments like Ardern’s acupuncture session while pregnant, underscoring the relentless demands of her role.

‘The Steel Jungle’ (1956)

In ‘The Steel Jungle’, Perry Lopez portrays Danny, a convict navigating a brutal power struggle within the confines of a high-security prison, where alliances shift and betrayal lurks around every corner. Directed and written by Walter Doniger, the film also stars Beverly Garland as his devoted wife, Walter Abel as the warden, and features a strong ensemble including Ted de Corsia, Kenneth Tobey, Allison Hayes, Gregory Walcott, and Leo Gordon. Produced by David Weisbart for Warner Bros., it draws on the era’s fascination with institutional corruption and personal redemption.

The story unfolds on October 1, 1956, as Danny grapples with the harsh realities of incarceration, from twisted loyalties among inmates to the emotional strain on his family outside. Doniger’s script emphasizes themes of pregnancy, twists, and survival, with Lopez in a rare leading role as the resilient husband. The film, running 86 minutes and approved for general audiences, captures the mid-1950s prison genre’s gritty edge, blending crime drama with film noir elements for a tense exploration of human endurance.

‘The Unfaithful’ (1947)

In ‘The Unfaithful’, Ann Sheridan embodies Chris Hunter, a Los Angeles socialite whose life unravels after she fatally stabs a man in self-defense, only for the case to expose her hidden affair and force a desperate cover-up. Directed by Vincent Sherman and produced by Jerry Wald for Warner Bros., the film features Lew Ayres as her devoted husband Larry Hannaford, Zachary Scott as her lover Bob Hunter, and Eve Arden as her witty confidante Paula. The screenplay by David Goodis and James Gunn adapts W. Somerset Maugham’s play ‘The Letter’, with cinematography by Ernest Haller and music by Max Steiner.

On October 1, 1947, the narrative probes the consequences of wartime loneliness and hasty marriages, as Chris navigates legal scrutiny and personal turmoil. Jerome Cowan plays the prosecuting attorney, Steven Geray the sculptor Martin Barrow, and John Hoyt the detective Lt. Plummer, adding layers to the film’s exploration of infidelity and redemption. Regarded as a film noir, it highlights Sherman’s skillful direction in balancing melodrama with persuasive performances, making the artificial plot resonate through its post-war context.

’50 First Dates’ (2004)

In ’50 First Dates’, Adam Sandler stars as Henry Roth, a commitment-shy veterinarian whose fleeting romances end until he meets Lucy Whitmore, played by Drew Barrymore, whose short-term memory loss from a head injury resets each day. Directed by Peter Segal and produced by Sandler under Happy Madison Productions alongside Steve Golin’s Anonymous Content, the film features Rob Schneider as Henry’s sidekick Ula, Sean Astin as Lucy’s brother Doug, and Dan Aykroyd as their father Marlin. The screenplay, originally set in Seattle but relocated to Hawaii by Sandler, incorporates interior scenes rewritten for broader appeal at Kualoa Ranch.

The romantic comedy unfolds on October 1, 2004, as Henry devises creative ways to woo Lucy daily, turning their connection into a test of perseverance and ingenuity. Lusia Strus portrays Lucy’s best friend Alexa, Blake Clark her father Marlin, and Nicholas Turturro the dentist Dr. Newman, contributing to the film’s blend of crude humor and heartfelt moments. Nominated for Best On-Screen Team at the 2004 MTV Movie Awards for Sandler and Barrymore, it captures the charm of quirky relationships through inventive gags and emotional depth.

‘Mystery of the Wax Museum’ (1933)

‘Mystery of the Wax Museum’ centers on sculptor Ivan Igor, portrayed by Lionel Atwill, whose London wax museum burns down under suspicious circumstances, leading him to rebuild in New York with sinister methods involving missing bodies. Directed by Michael Curtiz and produced by Warner Bros., the film stars Fay Wray as Charlotte Duncan, Glenda Farrell as reporter Florence Dempsey, and Frank McHugh as her editor Jim. Cinematographer Ray Rennahan captures the action in two-color Technicolor, with art direction by Anton Grot and an opening theme by Bernhard Kaun.

On October 1, 1933, the pre-Code mystery-horror unfolds as Florence investigates morgue disappearances, uncovering Igor’s dark secrets tied to a past fire that left him wheelchair-bound. Arthur Edmund Carewe plays the morphine-addicted Loder, Thomas Jackson the detective Lt. Wilton, and Edgar Kennedy the Sgt. Heath, blending crime elements with gruesome reveals. The film’s innovative use of color for horror, including melting wax faces, marks it as a pioneering effort, earning praise for Farrell and McHugh’s comic chemistry amid the chills.

‘Scooby-Doo’ (2002)

‘Scooby-Doo’ reunites the Mystery Inc. team—Fred, Daphne, Velma, Shaggy, and Scooby—after a two-year fallout, drawing them to Spooky Island to probe paranormal disturbances amid a spring break frenzy. Directed by Raja Gosnell and written by James Gunn, the live-action adaptation stars Freddie Prinze Jr. as Fred, Sarah Michelle Gellar as Daphne, Matthew Lillard as Shaggy, Linda Cardellini as Velma, and Rowan Atkinson as Emile Mondavarious. Produced by Charles Roven and Richard Suckle for Warner Bros., it incorporates Neil Fanning’s voice for Scooby.

The adventure kicks off on October 1, 2002, as the gang uncovers a villainous scheme involving ancient spirits and personal betrayals on the island resort. Supporting roles include Isla Fisher as Mary Jane, Miguel A. Nunez Jr. as Freddie, and Pamela Anderson as Velma’s brief romantic interest, blending comedy, horror, and nostalgia. Filmed in Queensland, Australia, with David Newman’s score, the film grossed $275 million worldwide, spawning rides and merchandise while capturing the franchise’s essence through practical effects and heartfelt reunions.

‘A Nightmare on Elm Street 4: The Dream Master’ (1988)

‘A Nightmare on Elm Street 4: The Dream Master’ tracks Freddy Krueger’s resurrection through the last Elm Street child, Kristen Parker, who transfers her dream powers to Alice Johnson amid a series of inventive kills. Directed by Renny Harlin and written by Brian Helgeland and Scott Pierce, the film stars Robert Englund as Freddy, Lisa Wilcox as Alice, and Andras Jones as Rick Lewis. Produced by Robert Shaye for New Line Cinema, it features Ken Sagoes as Kincaid, Rodney Eastman as Joey, Tuesday Knight as Kristen, and Brooke Theiss as Debbie.

The fantasy slasher arrives on October 1, 1988, as Alice battles Freddy’s influence while unlocking her friends’ hidden strengths in surreal dreamscapes. Danny Hassel plays Dan Jordan, Toy Newkirk Sheila Kopecky, and John Saxon Lt. Thompson, reprising his role from the original. With music by Craig Safan and John Easdale, and cinematography by Steven Fierberg, the sequel grossed $49.4 million domestically, earning praise for its effects and Harlin’s kinetic style in the franchise’s fourth entry.

‘Broken English’ (2007)

‘Broken English’ charts Nora Wilder’s path through loneliness and fleeting romances as she navigates her thirties in Manhattan, yearning for genuine connection amid a series of disappointments. Written and directed by Zoe Cassavetes in her feature debut, the romantic comedy-drama stars Parker Posey as Nora, with Melvil Poupaud as Julien, Gena Rowlands as her mother, and Philip Seymour Hoffman as her friend Guy. Produced by Anthony Bregman, the film premiered at the 2007 Sundance Film Festival and screened at the Moscow International Film Festival.

On October 1, 2007, Nora’s story unfolds through chance encounters, including a disastrous blind date and a spontaneous trip to Paris, where she meets the enigmatic Julien. Drea de Matteo plays her roommate Rachel, Justin Theroux her fleeting suitor Nick, and Peter Bogdanovich her father, adding depth to the film’s exploration of vulnerability and self-discovery. Cassavetes’ intimate direction captures the nuances of urban isolation, earning mixed reviews but praise for Posey’s heartfelt portrayal in this indie gem.

‘Insidious: Chapter 2’ (2013)

‘Insidious: Chapter 2’ delves into the Lambert family’s ongoing torment as they uncover a childhood secret linking them to malevolent spirits, forcing a desperate confrontation in the astral realm known as The Further. Directed by James Wan and written by Leigh Whannell, the supernatural horror sequel stars Patrick Wilson and Rose Byrne as Josh and Renai Lambert, with Ty Simpkins as their son Dalton. Produced by Jason Blum, it features Barbara Hershey as Lorraine Lambert, Lin Shaye as Elise Rainier, and newcomers Jocelin Donahue and Lindsay Seim as younger versions of the characters.

The chilling narrative resumes on October 1, 2013, as the family relocates to escape hauntings, only to face escalating possessions and revelations from Josh’s past. Angus Sampson returns as Tucker, Leigh Whannell as Specs, and Rose Byrne delivers a raw performance amid the film’s grounded tone influenced by Wan’s work on ‘The Conjuring’. With Joseph Bishara’s haunting score and a box office haul of $161.9 million, the sequel blends psychological dread with visceral scares in the expanding Insidious universe.

‘The Cyclops’ (1957)

‘The Cyclops’ follows Susan Winter, played by Gloria Talbott, on a perilous quest through Mexico’s radium-rich canyons to find her missing pilot husband Bruce Barton, uncovering mutated horrors along the way. Directed, written, and produced by Bert I. Gordon, the science fiction horror stars James Craig as Russ Bradford, Lon Chaney Jr. as the aggressive Martin ‘Marty’ Melville, and Tom Drake as Lee Brand. With Albert Glasser’s score and Ira Morgan’s cinematography, it features Duncan ‘Dean’ Parkin as the titular cyclops.

The expedition intensifies on October 1, 1957, as the group battles giant creatures spawned by radiation, including snakes and scorpions, while Susan grapples with her husband’s monstrous transformation. Vincent Padula portrays the governor, Marlene Kloss the salesgirl, and Manuel López the policeman, adding to the film’s B-movie thrills. Released by Allied Artists as a double feature with ‘Daughter of Dr. Jekyll’, Gordon’s low-budget effort captures 1950s atomic age fears through practical effects and tense survival drama.

‘Gremlins’ (1984)

‘Gremlins’ tracks small-town inventor Rand Peltzer, portrayed by Hoyt Axton, who gifts his son Billy a mischievous Mogwai named Gizmo, voiced by Howie Mandel, unaware of the chaos it unleashes when wet and fed after midnight. Directed by Joe Dante and written by Chris Columbus, the black comedy horror stars Zach Galligan as Billy, Phoebe Cates as Kate Beringer, and features Polly Holliday as Ruby Deagle. Produced by Michael Finnell for Warner Bros., it draws on World War II folklore with vocal effects from Frank Welker and others.

The holiday havoc erupts on October 1, 1984, as Gizmo spawns destructive gremlins that terrorize Kingston Falls, blending humor and horror in a tale of rules ignored. Keye Luke plays Mr. Wing, Judge Reinhold Mr. Futterman, and Corey Feldman as Pete Filtzburt, contributing to the film’s satirical edge on consumerism. Grossing $153 million worldwide, Dante’s genre-mixing hit spawned sequels and merchandise, cementing its status as a yuletide cult classic.

‘The Black Scorpion’ (1957)

‘The Black Scorpion’ depicts entomologist Dr. Hank Scott, played by Richard Denning, investigating seismic disturbances in Mexico that unleash colossal prehistoric scorpions ravaging rural areas and heading toward Mexico City. Directed by Edward Ludwig and produced by Jack Dietz and Frank Melford for Warner Bros., the film stars Mara Corday as Teresa Alvarez, Carlos Rivas as Arturo Ramos, and Mario Navarro as Juanito. Willis O’Brien’s stop-motion effects animate the arachnids, with Paul Yawitz’s story and David Duncan and Robert Blees’ screenplay.

The rampage commences on October 1, 1957, as Hank and Arturo scout caverns teeming with giant worms and spiders, discovering the scorpions’ throat vulnerability amid escalating attacks on trains and villages. Supporting roles include Carlos Rivas as the heroic Arturo and Mara Corday as the resilient Teresa, enhancing the film’s tension. Praised for O’Brien’s animation despite matte issues, the black-and-white thriller grossed modestly but endures as a 1950s creature feature staple.

‘The First Monday in May’ (2016)

‘The First Monday in May’ chronicles the creation of the Metropolitan Museum of Art’s 2015 exhibition ‘China: Through the Looking Glass’, blending high fashion with cultural heritage under curator Andrew Bolton’s vision. Directed by Andrew Rossi and produced by Fabiola Beracasa Beckman, Dawn Ostroff, and Sylvana Ward Durrett, the documentary features Anna Wintour, John Galliano, Karl Lagerfeld, and Rihanna at the gala. It explores tensions between fashion and fine arts, with Bolton’s innovative curation drawing record crowds.

The behind-the-scenes saga unfolds on October 1, 2016, as the Costume Institute’s most visited show takes shape, questioning fashion’s artistic legitimacy through archival footage and interviews. Wong Kar-wai’s input on Mao-era exhibits adds controversy, while the film’s premiere at the 2016 Tribeca Film Festival highlights its timely cultural commentary. With Magnolia Pictures’ theatrical release, Rossi’s work captures the glamour and stakes of the Met Gala, earning praise for its insightful glimpse into elite artistry.

‘Interview with the Vampire’ (1994)

‘Interview with the Vampire’ recounts Louis de Pointe du Lac, played by Brad Pitt, sharing his 200-year saga of immortality with interviewer Malloy, portrayed by Christian Slater, beginning with his transformation by the charismatic Lestat, enacted by Tom Cruise. Directed by Neil Jordan and produced by Stephen Woolley for Warner Bros., the gothic drama stars Kirsten Dunst as Claudia and Antonio Banderas as Armand. Adapted from Anne Rice’s novel by Rice herself, it features production design by Dante Ferretti and cinematography by Philippe Rousselot.

The epic tale premieres on October 1, 1994, spanning 18th-century New Orleans plantations to 19th-century Paris theaters, where Louis and Claudia grapple with eternal hunger and Lestat’s hedonism. Supporting roles include Stephen Rea as Santiago, Christian Slater as the modern-day interviewer, and Thandie Newton as Yvett, enriching the film’s exploration of love, betrayal, and monstrosity. Grossing $223 million worldwide, Jordan’s adaptation earned Rice’s praise for its faithful yet cinematic rendition of her vampire lore.

‘The Brothers McMullen’ (1995)

‘The Brothers McMullen’ examines the intertwined lives of three Irish-American brothers in Long Island, each wrestling with love, fidelity, and faith in the shadow of their Catholic upbringing. Written, directed, and produced by Edward Burns in his feature debut, the comedy-drama stars Burns as Barry, Mike McGlone as Jack, and Jack Mulcahy as Patrick. Maxine Bahns plays Molly, Jack’s wife, with Connie Britton as Leslie and Elizabeth McKay as Molly’s sister.

The familial drama screens on October 1, 1995, as Barry contemplates moving in with girlfriend Audrey, Jack faces marital strain, and Patrick navigates a budding romance with Susan. Shari Albert portrays Susan, Catharine Bolz the brothers’ mother, and Jennifer Jostyn Molly’s friend, grounding the film’s exploration of 1990s values. Winning the Grand Jury Prize at Sundance, Burns’ low-budget indie grossed $10.4 million domestically, launching his career with its authentic portrayal of sibling bonds and romantic entanglements.

‘The Mummy’ (1959)

‘The Mummy’ traces Stephen Banning’s descent into madness after unearthing Princess Ananka’s tomb in Egypt, unwittingly reviving the cursed priest Kharis to exact vengeance on those who disturbed the burial site. Directed by Terence Fisher and produced by Michael Carreras for Hammer Film Productions, the horror classic stars Peter Cushing as John Banning, Christopher Lee as Kharis, and Yvonne Furneaux as Isobel Banning. Jack Asher’s cinematography and Franz Reizenstein’s score enhance the film’s atmospheric dread.

The supernatural revenge saga debuts on October 1, 1959, as John and his allies confront Kharis’s relentless pursuit across England, blending ancient curses with Victorian gothic terror. Eddie Byrne plays Inspector Mulrooney, Felix Aylmer Stephen Banning, and Raymond Huntley Joseph Whemple, adding depth to the narrative of forbidden knowledge and familial peril. Fisher’s adaptation of Universal’s mummy lore grossed $2 million worldwide, cementing Hammer’s horror legacy with Lee’s iconic portrayal.

‘Shame’ (2011)

‘Shame’ immerses viewers in the life of Brandon Sullivan, portrayed by Michael Fassbender, a New York executive whose compulsive sex addiction fractures his existence until his estranged sister Sissy, played by Carey Mulligan, disrupts his isolation. Directed by Steve McQueen and written by McQueen and Abi Morgan, the drama stars James Badge Dale as Brandon’s boss David and Nicole Beharie as his coworker Marianne. Produced by Iain Canning and Emile Sherman, it explores addiction’s toll with unflinching intimacy.

The raw narrative premieres on October 1, 2011, as Brandon’s encounters spiral from fleeting hookups to desperate affairs, clashing with Sissy’s chaotic arrival and forcing confrontations with vulnerability. Elizabeth Moss appears as Sissy’s friend Amy, and Hannah Ware as David’s wife Sally, amplifying the film’s stark portrayal of desire and despair. McQueen’s NC-17-rated vision, shot in long takes by Sean Bobbitt, earned Fassbender a Volpi Cup at Venice and acclaim for its bold psychological depth.

‘Poltergeist’ (1982)

‘Poltergeist’ centers on the Freeling family—Steven, Diane, and their children—in a California suburb, whose idyllic home becomes a portal to the supernatural when malevolent spirits abduct young Carol Anne through their television set. Directed by Tobe Hooper and produced by Steven Spielberg and Frank Marshall, the horror classic stars Craig T. Nelson as Steven, JoBeth Williams as Diane, Dominique Dunne as Dana, and Heather O’Rourke as Carol Anne. Beatrice Straight plays parapsychologist Dr. Lesh, with James Karen as Mr. Teague.

The paranormal siege erupts on October 1, 1982, as the family enlists clairvoyant Tangina Barrons, portrayed by Zelda Rubinstein, to rescue Carol Anne from the spectral dimension. Supporting roles include Oliver Robins as Robbie and Martin Casella as Dr. Marty, heightening the film’s blend of suburban dread and otherworldly terror. Grossing $121 million worldwide, Hooper’s collaboration with Spielberg, featuring Jerry Goldsmith’s score, remains a benchmark for haunted house horrors.

‘X’ (2022)

‘X’ strands aspiring adult film star Maxine Minx, played by Mia Goth, and her crew on a remote Texas farm in 1979, where elderly hosts Howard and Pearl, also portrayed by Goth, harbor lethal resentment toward their youthful guests. Written, directed, produced, and edited by Ti West for A24, the slasher stars Jenna Ortega as Lorraine, Martin Henderson as Bob, Brittany Snow as Mia, and Owen Campbell as RJ. Scott Mescudi appears as Howard, with production by Jacob Jaffke and Kevin Turen.

The blood-soaked retreat unfolds on October 1, 2022, as the group’s amateur shoot spirals into a night of paranoia and violence, blending 1970s exploitation with modern meta-horror. Stephen Ure plays Pearl, with West’s script drawing from pornographic films like ‘Blue Movie’ for satirical edge. Premiering at South by Southwest, the film grossed $15 million domestically, launching West’s X trilogy with its homage to slashers and commentary on aging and desire.

‘Dr. Jekyll and Mr. Hyde’ (1931)

‘Dr. Jekyll and Mr. Hyde’ chronicles Dr. Henry Jekyll, enacted by Fredric March, whose serum unleashes his primal alter ego Mr. Hyde, plunging him into a vortex of debauchery and moral decay in Victorian London. Directed by Rouben Mamoulian and produced by Paramount, the pre-Code horror stars Miriam Hopkins as Ivy Pearson, Rose Hobart as Muriel Carew, and Holmes Herbert as Dr. Lanyon. Adapted from Robert Louis Stevenson’s novella by Samuel Hoffenstein and Percy Heath, it features Karl Struss’s innovative cinematography.

The dual-identity descent screens on October 1, 1932, as Jekyll’s experiments fracture his psyche, leading to tragic consequences for those around him. Tempe Piggott plays the housekeeper Briggs, Edgar Norton the butler Poole, and Judd Green the coachman, enhancing the film’s exploration of repression and transformation. Winning March an Oscar for Best Actor, Mamoulian’s subjective techniques and Struss’s effects make it a landmark adaptation.

‘Halloween: The Curse of Michael Myers’ (1995)

‘Halloween: The Curse of Michael Myers’ pursues Jamie Lloyd, played by Danielle Harris, as she escapes a cult’s grasp with her infant son, only for Michael Myers to stalk them back to Haddonfield under the Thorn rune’s ancient mandate. Directed by Joe Chappelle and written by Daniel Farrands for Miramax, the slasher stars Donald Pleasence as Dr. Loomis, Paul Rudd as Tommy Doyle, and Marianne Hagan as Kara Strode. Produced by Paul Freeman, it features Mitch Ryan as Dr. Wynn.

The ritualistic pursuit intensifies on October 1, 1995, blending family horror with occult lore as Tommy uncovers Michael’s origins. Devin Gardner plays baby Steven, George P. Wilbur Michael, and Chapman Pincherry as the Man in Black, deepening the film’s conspiracy. Dedicated to Pleasence, who passed before release, the sixth entry grossed $15.1 million, polarizing fans with its rune symbolism and reshoots.

‘A Nightmare on Elm Street 3: Dream Warriors’ (1987)

‘A Nightmare on Elm Street 3: Dream Warriors’ assembles teen patients at Westin Hills Asylum, including Kristen Parker, played by Tuesday Knight, who harness collective dream powers to combat Freddy Krueger’s spectral attacks. Directed by Chuck Russell and co-written by Wes Craven and Bruce Wagner, the fantasy slasher stars Heather Langenkamp as Nancy Thompson, Patricia Arquette as Kristen, and Robert Englund as Freddy. Produced by Robert Shaye for New Line, it features Craig Wasson as Neil Gordon.

The dream battle erupts on October 1, 1987, as the group confronts Freddy’s manipulations in surreal sequences blending horror and heroism. Larry Fishburne plays Max, Brad Greenquist Gordon, and Jennifer Rubin Taryn, showcasing innovative kills like the TV marionette. Craven’s involvement and Dokken’s theme song propelled it to $44.8 million gross, cementing the franchise’s legacy with its empowering narrative.

‘The Exorcist’ (1973)

‘The Exorcist’ follows actress Chris MacNeil, portrayed by Ellen Burstyn, whose daughter Regan, played by Linda Blair, exhibits disturbing behavior leading to a harrowing exorcism by priests Fathers Karras and Merrin, enacted by Jason Miller and Max von Sydow. Directed by William Friedkin and produced by William Peter Blatty from his novel, the supernatural horror stars Lee J. Cobb as Lt. Kinderman and Kitty Winn as Sharon Spencer. Blatty’s screenplay and Friedkin’s direction blend faith and terror.

The demonic possession grips on October 1, 1973, as medical science fails and ancient rites clash with modern skepticism in Georgetown. Paul Bateson plays the technician, William O’Malley Father Dyer, and Mercedes McCambridge the demon’s voice, amplifying the film’s visceral impact. Grossing $441 million worldwide, it earned two Oscars and redefined horror with its psychological depth and groundbreaking effects.

‘Uncut Gems’ (2019)

‘Uncut Gems’ immerses in the frenetic world of Howard Ratner, a charismatic New York jeweler played by Adam Sandler, whose high-stakes bets on basketball and gem deals spiral into chaos threatening his family and life. Directed by Josh and Benny Safdie and co-written with Ronald Bronstein, the crime thriller stars Lakeith Stanfield as Demany, Julia Fox as Howard’s wife Julia, and Idina Menzel as his estranged wife Dinah. Produced by Martin Scorsese and others for A24, it features Eric Bogosian as Arnie.

The relentless gamble unfolds on October 1, 2019, as Howard juggles debts to gangster Phil, portrayed by Bogosian, and a prized Ethiopian opal, weaving sports betting with personal peril. Kevin Garnett plays himself, Judd Hirsch Uncle Howard, and The Weeknd cameo as himself, heightening the film’s pulsating tension. Daniel Lopatin’s score and the Safdies’ kinetic style earned $14 million gross and acclaim for Sandler’s career-best turn.

‘The Tattooed Stranger’ (1950)

‘The Tattooed Stranger’ tracks rookie detective Tobin, played by John Miles, and his partner Tack, portrayed by Walter Kinsella, as they hunt a killer whose only clue is a cryptic tattoo on a Jane Doe’s arm, leading through New York’s underbelly. Directed by Edward Montagne and produced by RKO, the film noir stars Patricia Barry as Mary Mahan and James Bell as Lt. Corrigan. Written by Philip H. Reisman Jr., it features William Steiner’s location cinematography in New York.

The manhunt intensifies on October 1, 1950, blending procedural grit with urban shadows as the duo deciphers the tattoo’s origins amid escalating violence. Roddy McDowall plays an uncredited reporter, with Montagne’s debut capturing post-war film’s independent spirit. Released as a B-picture, its on-location shooting and documentary style influenced later noirs, grossing modestly but earning cult status for its authenticity.

‘Zombies on Broadway’ (1945)

‘Zombies on Broadway’ follows bumbling press agents Jerry Miles and Mike Strager, played by Wally Brown and Alan Carney, tasked by gangster Ace Miller, portrayed by Sheldon Leonard, to procure a real zombie for his Zombie Hut nightclub opening. Directed by Gordon Douglas for RKO, the comedy-horror stars Anne Jeffreys as singer Jean La Dance and Bela Lugosi as Professor Renault. Produced by Herman Schlom, it reuses sets from ‘I Walked with a Zombie’.

The zany quest launches on October 1, 1945, as the duo sails to San Sebastian, encountering voodoo and romance while pursued by Ace’s henchmen. Sir Lancelot plays himself, Ian MacDonald a sailor, and Darby Jones the zombie, blending laughs with Lugosi’s mad scientist. A sequel to ‘Zombies of Mora-Tau’, it grossed well as a double feature, cementing Brown and Carney’s Abbott and Costello-esque duo in B-movie lore.

‘Candyman: Farewell to the Flesh’ (1995)

‘Candyman: Farewell to the Flesh’ transports the hook-handed specter to New Orleans, where schoolteacher Annie Tarrant, played by Kelly Rowan, grapples with her father’s murder tied to the urban legend’s vengeful curse. Directed by Bill Condon and written by Rand Ravich and Mark Kruger for PolyGram, the supernatural horror stars Tony Todd as the Candyman, Timothy Carhart as detective Samuels, and Veronica Cartwright as Octavia Tarrant. Produced by Sigurjon Sigurosson, it adapts Clive Barker’s mythos.

The bayou hauntings surface on October 1, 1995, as Annie unwittingly summons the Candyman, unraveling family secrets amid Mardi Gras shadows. William O’Leary plays her brother Ethan, Clotiel Bordeltier the voodoo practitioner Marie, and Michael Bergeron the detective Levesque, deepening the film’s Southern gothic dread. Condon’s sequel, with Philip Glass’s score, grossed $13.9 million, praised for Todd’s commanding presence despite formulaic scares.

‘House of Wax’ (1953)

‘House of Wax’ revives sculptor Henry Jarrod, portrayed by Vincent Price, whose fire-scarred ambitions lead to a macabre New York museum populated by lifelike figures sourced from unwilling models. Directed by Andre de Toth and produced by Bryan Foy for Warner Bros., the 3D horror stars Phyllis Kirk as Sue Allen, Carolyn Jones as Cathy Gray, and Paul Cavanagh as Jarrod’s partner. Crane Wilbur’s screenplay adapts the 1933 ‘Mystery of the Wax Museum’.

The grisly gallery opens on October 1, 1953, as reporter Scott Andrews, played by Frank Lovejoy, probes disappearances linked to Jarrod’s vengeful creations. Charles Bronson appears as the deaf-mute Igor, Angela Clarke as Jarrod’s housekeeper, and Jack Kelly as the detective Lt. Tom Brennan, heightening the film’s Technicolor thrills. Grossing $23 million worldwide, de Toth’s stereoscopic spectacle launched Price’s horror legacy.

‘It’s Complicated’ (2009)

‘It’s Complicated’ follows Jane Adler, a successful baker played by Meryl Streep, whose stable post-divorce life reignites with ex-husband Jake, portrayed by Alec Baldwin, at their son’s graduation, complicating her budding romance with architect Adam, enacted by Steve Martin. Directed and written by Nancy Meyers for Universal, the romantic comedy stars John Krasinski as their son Luke and Lake Bell as Jake’s wife Agness. Produced by Meyers and Scott Rudin, it features Rita Wilson as Jane’s friend Trisha.

The tangled reunion blooms on October 1, 2009, as Jane navigates Jake’s charm and Adam’s steadiness amid family gatherings and awkward encounters. Mary Kay Place plays Jane’s friend Joanne, Bobby Cannavale the detective Lt. Rodenbeck, and Brendan Gleeson the therapist Dr. Graham, adding layers to the film’s witty take on midlife love. Meyers’ film grossed $219 million worldwide, earning Golden Globe nods for its sparkling ensemble.

‘Timecrimes’ (2007)

‘Timecrimes’ ensnares Héctor, played by Karra Elejalde, in a taut temporal loop after witnessing a mysterious assault, propelling him into a desperate bid to unravel the events ensnaring his fate. Written and directed by Nacho Vigalondo, the science fiction thriller stars Candela Fernández as his wife Clara, Bárbara Goenaga as the enigmatic woman, and Vigalondo as the scientist. Produced by Eduardo Sánchez for Magnet Releasing, it adapts time travel’s paradoxes with minimalist precision.

The chronological snare tightens on October 1, 2007, as Héctor’s hour-long displacement spirals into self-perpetuating chaos, blending thriller tension with philosophical intrigue. Produced on a shoestring budget, Vigalondo’s debut premiered at Sitges, earning acclaim for its intricate plotting and Elejalde’s layered performance. Grossing modestly but influencing remakes, the film’s clever mechanics cement its cult status in speculative cinema.

‘Halloween: Resurrection’ (2002)

‘Halloween: Resurrection’ resurrects Michael Myers through a reality TV stunt gone awry, as production assistant Sara Moyer, played by Bianca Kajlich, and her Hillcrest Academy housemates face the masked killer’s rampage streamed live worldwide. Directed by Rick Rosenthal and written by Larry Brand and Sean Hood for Miramax, the slasher stars Jamie Lee Curtis in her final Laurie Strode appearance, Busta Rhymes as Freddie Harris, and Brad Loree as Michael. Produced by Paul Freeman, it features Thomas Ian Nicholas as Aaron Korey.

The broadcast bloodbath ignites on October 1, 2002, blending meta-horror with Myers’ unstoppable fury as Sara uncovers chilling ties to the original massacre. Ryan Merriman plays her brother Jimmy, Sean Patrick Thomas Deckard, and Tyra Banks Nora Winston, amplifying the film’s early-2000s satire. Grossing $30 million domestically, Rosenthal’s entry polarized fans with its reality TV gimmick but marked a franchise pivot.

‘The Picture of Dorian Gray’ (1945)

‘The Picture of Dorian Gray’ shadows the ageless Dorian, portrayed by Hurd Hatfield, whose portrait absorbs his moral decay as he indulges in hedonism spurred by the hedonistic Lord Henry Wotton, played by George Sanders. Directed and written by Albert Lewin for MGM, the supernatural drama stars Angela Lansbury as Sibyl Vane, Peter Lawford as David Stone, and Lowell Gilmore as Basil Hallward. Ivan Le Lorraine Albright’s decaying portrait anchors the visual horror.

The Faustian portrait debuts on October 1, 1945, tracing Dorian’s descent from innocent aristocrat to soulless libertine, culminating in a revelatory confrontation. Donna Reed appears as Gladys Hallward, Miles Mander as Sir Robert Bentley, and Reginald Owen as Lord George Farmoor, enriching the film’s Victorian critique. Lewin’s adaptation, with Harry Stradling’s cinematography, earned an Oscar nomination for its innovative Technicolor reveal of the portrait.

‘The Lobster’ (2015)

‘The Lobster’ thrusts singletons like David, played by Colin Farrell, into a dystopian hotel where pairing off within 45 days averts transformation into beasts, or exile to the loners’ woods. Directed by Yorgos Lanthimos and co-written with Efthimis Filippou, the black comedy stars Rachel Weisz as the short-sighted woman, Léa Seydoux as the leader, and John C. Reilly as Robert. Produced by Film4 and others, it features Jessica Barden as the limping woman.

The absurd mandate enforces on October 1, 2015, as David feigns heterosexuality amid quirky rituals, escaping to forbidden romance with the myopic rebel. Olivia Colman plays the hotel manager, Ashley Jensen the biscuit lover, and Ariane Labed the nosebleed woman, amplifying Lanthimos’ satirical bite. Premiering at Cannes with the Jury Prize, the film’s deadpan delivery and Farrell’s transformative role earned acclaim for its relational allegory.

‘Friday the 13th’ (2009)

‘Friday the 13th’ reboots with Clay Miller, played by Jared Padalecki, scouring Crystal Lake for his missing sister amid Jason Voorhees’ machete-wielding assaults on unwitting teens. Directed by Marcus Nispel and written by Mark Swift and Damian Shannon for Warner Bros., the slasher stars Danielle Panabaker as Jenna, Amanda Righetti as Whitney, and Derek Mears as Jason. Produced by Michael Bay and others, it nods to the 1980 original with expanded backstory.

The lakeside slaughter surges on October 1, 2009, as the group navigates booby traps and Voorhees’ hulking menace in a relentless survival gauntlet. Travis Van Winkle plays Trent, Ryan Hansen as Wade, and Kelly Hu as sheriff Bracke, fueling the film’s gritty kills. Grossing $78 million worldwide, Nispel’s R-rated revival polarized fans but revitalized the franchise with practical effects and brutal pacing.

‘A Nightmare on Elm Street: The Dream Child’ (1989)

‘A Nightmare on Elm Street: The Dream Child’ invades the subconscious of pregnant Alice Johnson, played by Lisa Wilcox, as Freddy Krueger exploits her unborn child’s dreams to slaughter her friends in grotesque visions. Directed by Stephen Hopkins and written by Leslie Bohem, the gothic slasher stars Robert Englund as Freddy, Kelly Jo Minter as Greta, and Danny Hassel as Dan. Produced by Robert Shaye for New Line, it features Whit Hertford as Jacob.

The prenatal peril haunts on October 1, 1989, blending maternal horror with Freddy’s industrial boiler room terrors. Beatrice Boepple plays Amanda Krueger, with Erika Anderson as Yvonne and Burr DeBenning as Dr. Moore, heightening the film’s blue-tinted dread. Grossing $22.1 million, Hopkins’ sequel innovates with surreal kills but divides fans over its convoluted lore.

‘Inside the Walls of Folsom Prison’ (1951)

‘Inside the Walls of Folsom Prison’ exposes the brutal regime at California’s Folsom facility, where inmate Chuck Daniels, played by Steve Cochran, sparks a reform crusade against sadistic Warden Ben Rickey, portrayed by Ted de Corsia. Directed by Crane Wilbur for Warner Bros., the film noir stars David Brian as Captain Mark Benson, Philip Carey as Red Pardue, and Scott Forbes as Jim Frazier. Produced by Walter W. Hanson, it draws from real prison conditions.

The uprising ignites on October 1, 1951, as Benson navigates inmate tensions and Rickey’s tyranny, culminating in a riot for justice. Stafford Repp plays Sailor Vincent, Charles Cane the guard, and Fred Graham a prisoner, grounding the film’s gritty procedural. Inspired Johnny Cash’s ‘Folsom Prison Blues’, Wilbur’s expose grossed well, influencing prison reform narratives with its raw authenticity.

‘All Eyez on Me’ (2017)

‘All Eyez on Me’ traces Tupac Shakur’s ascent from Baltimore youth to hip-hop icon, capturing his battles with the industry, activism, and personal demons until his 1996 murder. Directed by Benny Boom and written by Jeremy Haft, Eddie Gonzalez, and Steven Bagatourian, the biopic stars Demetrius Shipp Jr. as Tupac, with Danai Gurira as Afeni Shakur and Kat Graham as Keisha. Produced by L.T. Hutton for Open Road Films, it features Jamal Woolard as Biggie Smalls.

The revolutionary journey screens on October 1, 2017, spanning Tupac’s poetry roots, Thug Life era, and Death Row tenure amid feuds and incarceration. Lauren Cohan plays Leila Steinberg, Hill Harper Jada Pinkett, and Dominic L. Santana as Suge Knight, weaving music and turmoil. Boom’s film grossed $55 million, earning praise for Shipp’s mimicry despite script critiques.

‘Freaks’ (1932)

‘Freaks’ assembles a traveling circus troupe where trapeze artist Cleopatra, played by Olga Baclanova, plots to seduce and poison dwarf Hans, portrayed by Harry Earles, for his inheritance, only to face the sideshow performers’ vengeful justice. Directed by Tod Browning for MGM, the pre-Code drama stars Wallace Ford as Phroso, Leila Hyams as Venus, and Roscoe Ates as Roscoe. Produced by Irving Thalberg, it features real circus performers like Johnny Eck and the Hilton Sisters.

The carny reckoning unfolds on October 1, 1932, blending empathy with horror as the “freaks” unite against betrayal in a tale of loyalty and retribution. Wallace Ford plays the circus owner, with Leila Hyams as the sympathetic Venus, amplifying Browning’s subversive gaze. Banned for decades, the film’s bold casting earned notoriety, influencing horror’s outsider narratives.

‘Indestructible Man’ (1956)

‘Indestructible Man’ revives executed gangster Charles ‘Butcher’ Benton, played by Lon Chaney Jr., through Dr. Bradshaw’s illicit experiments, turning him into a rampaging force seeking loot and revenge on his betrayers. Directed and produced by Jack Pollexfen, the crime horror stars Max Showalter as Lt. Dick Chasen, Marian Carr as Eva Martin, and Ross Elliott as Paul Norton. Written by Vy Russell and Sue Dwiggins, it features Albert Glasser’s score.

The unstoppable pursuit erupts on October 1, 1956, as Benton tears through Los Angeles in a noir-tinged rampage narrated by Chasen. Robert Shayne plays Bradshaw, with Pollexfen’s low-budget thriller blending procedural elements with sci-fi gore. Chan’s near-silent performance and practical effects define the B-movie, double-billed with ‘The Indestructible Man’, cementing its cult status.

‘House on Haunted Hill’ (1959)

‘House on Haunted Hill’ lures five strangers to a gothic mansion with eccentric millionaire Frederick Loren, played by Vincent Price, offering $10,000 to survive the night amid eerie occurrences and locked doors. Directed by William Castle for Allied Artists, the horror mystery stars Carol Ohmart as Annabelle Loren, Richard Long as Lance Schroeder, and Elisha Cook Jr. as Watson Pritchard. Robb White’s screenplay features Castle’s “Emergo” gimmick with a flying skeleton.

The nocturnal nightmare descends on October 1, 1959, as paranoia mounts with acid vats and nooses, blurring reality and ruse. Alan Marshal plays Dr. Trent, Carolyn Craig Nora Manning, and Julie Mitchum Ruth Bridges, heightening the film’s campy thrills. Grossing $3.2 million, Castle’s B-movie classic spawned remakes with its blend of gothic chills and Price’s velvet menace.

‘Marcel the Shell with Shoes On’ (2022)

‘Marcel the Shell with Shoes On’ follows one-inch-tall shell Marcel, voiced by Jenny Slate, and his grandmother Nana Connie, enacted by Isabella Rossellini, as documentarian Dean, played by Dean Fleischer Camp, films their quirky life in his Airbnb, sparking a viral quest for Marcel’s lost family. Directed by Fleischer Camp, the mockumentary blends live-action and stop-motion, with production by Elizabeth Holmes Dickey and Jennifer Peason.

The whimsical search premieres on October 1, 2022, blending humor and heartache as Marcel’s fame brings hope amid isolation. Thomas Mann voices Dean’s ex-wife Paulina, with Camp’s script drawing from Slate’s web series. A24’s release grossed $13 million, earning an Oscar nomination for its poignant animation and heartfelt exploration of belonging.

‘The Sixth Sense’ (1999)

‘The Sixth Sense’ shadows child psychologist Malcolm Crowe, played by Bruce Willis, aiding troubled boy Cole Sear, portrayed by Haley Joel Osment, who confides visions of the dead, unraveling Malcolm’s own spectral ties. Directed and written by M. Night Shyamalan for Buena Vista, the psychological thriller stars Toni Collette as Cole’s mother Lynn, Olivia Williams as Malcolm’s wife Anna, and Donnie Wahlberg as a vengeful patient.

The ghostly revelations haunt on October 1, 1999, blending maternal anguish with supernatural dread in Philadelphia’s shadows. Glenn Fitzgerald plays Cole’s father, with Shyamalan’s twist redefining the narrative’s emotional core. Grossing $672 million worldwide, the film earned six Oscar nods, launching Shyamalan’s career with its masterful suspense.

‘Paddy Chayefsky: Collector of Words’

‘Paddy Chayefsky: Collector of Words’ profiles the thrice-Oscar-winning screenwriter behind ‘Marty’, ‘The Hospital’, and ‘Network’, exploring his Bronx roots and bold critiques of media and society through interviews and archival footage. Directed by Matthew Miele, the documentary features Oliver Stone, Rob Lowe, Jeff Daniels, and Aaron Sorkin, with producers delving into Chayefsky’s prophetic voice.

The literary legacy screens on October 1, with insights from Mel Brooks, Judd Apatow, Bryan Cranston, and Larry David illuminating his influence. Merrill Markoe and others recount Chayefsky’s monologues as cultural touchstones, blending biography with his era’s upheavals. Miele’s film, nominated for awards, celebrates the writer’s solo screenplay triumphs and enduring impact on storytelling.

‘Isle of the Dead’ (1945)

‘Isle of the Dead’ strands Greek General Nikolas Pherides, played by Boris Karloff, on a plague-quarantined island with archaeologist Oliver Davis, portrayed by Mark Newton, and his fiancée Mary, enacted by Ellen Drew. Directed by Mark Robson for RKO and produced by Val Lewton, the horror blends superstition and isolation, with Katherine Emery as Mrs. St. Aubyn and Alan Napier as Mr. St. Aubyn.

The spectral siege envelops on October 1, 1945, as vorvolaka fears target Mary amid wartime tensions and rising hysteria. Helene Thimig plays superstitious Kyra, with Robson drawing from Arnold Böcklin’s painting for atmospheric dread. Lewton’s minimalist chiller, with Leigh Harline’s Rachmaninoff-inspired score, grossed modestly but endures for Karloff’s stoic intensity.

‘Enemy’ (2013)

‘Enemy’ follows mild-mannered professor Adam Bell, played by Jake Gyllenhaal, whose routine shatters upon spotting identical actor Anthony Claire, also Gyllenhaal, sparking an obsessive unraveling of identity and desire. Directed by Denis Villeneuve and adapted by Javier Gullón from José Saramago’s ‘The Double’, the psychological thriller stars Mélanie Laurent as Adam’s girlfriend Mary and Sarah Gadon as Anthony’s wife Helen.

The doppelgänger descent grips on October 1, 2013, blending surreal Toronto visuals with themes of repression and control. Isabella Rossellini plays Anthony’s mother, with Villeneuve’s stark style and Gyllenhaal’s dual prowess earning Venice acclaim. A24’s release grossed $3.4 million but cult status for its spider motifs and ambiguous terror.

‘Bronson’ (2009)

‘Bronson’ chronicles Michael Peterson’s transformation into Britain’s most notorious prisoner Charles Bronson, played by Tom Hardy, through decades of solitary confinement and violent outbursts in a stylized biopic. Directed by Nicolas Winding Refn and co-written with Brock Norman Brock, the prison drama stars Hardy alongside Matt King as Phil Williams and James Lance as Effie. Produced by Andy Stebbing for Vertigo Films, it draws from Bronson’s writings.

The incarcerated rampage unfolds on October 1, 2009, blending fantasy sequences with Bronson’s bare-knuckle exploits and art pursuits. Katy Barker plays Julie, Luing Andrews Phil, and Kelly Adams his wife, amplifying Refn’s operatic violence. Grossing $1.3 million but BAFTA-nominated, Hardy’s transformative role cements the film’s raw energy.

‘Fay Grim’ (2007)

‘Fay Grim’ propels Queens housewife Fay, played by Parker Posey, into a global espionage odyssey after CIA agent Fulbright, portrayed by Jeff Goldblum, reveals her husband Henry’s journals hold state secrets. Written and directed by Hal Hartley as a sequel to ‘Henry Fool’, the action comedy stars Liam Aiken as her son Ned and Elina Löwensohn as Bebe. Produced by Hart Sharp Entertainment, it features James Urbaniak as Simon.

The notebook chase spans Paris and Istanbul on October 1, 2007, blending farce with familial stakes as Fay dodges agencies and terrorists. Saffron Burrows plays Fulbright’s ally, with Hartley’s deadpan style earning Sundance acclaim. Grossing modestly, the film’s quirky intrigue and Posey’s tour-de-force highlight Hartley’s satirical spy genre twist.

‘War for the Planet of the Apes’ (2017)

‘War for the Planet of the Apes’ charts Caesar’s vengeful exodus after human Colonel McCullough, played by Woody Harrelson, slaughters his clan, allying with mute orphan Nova, portrayed by Amiah Miller, and rogue ape Bad Ape, voiced by Steve Zahn. Directed by Matt Reeves and co-written with Mark Bomback, the sci-fi epic stars Andy Serkis as Caesar and Judy Greer as Cornelia. Produced by Peter Chernin for 20th Century Fox, it features Michael Giacchino’s score.

The ape odyssey treks on October 1, 2017, blending Western motifs with moral reckonings amid snowy pursuits and labor camps. Karin Konoval plays orangutan Maurice, Terry Notary Rocket, and Gabriel Chavarria Preacher, deepening the trilogy’s allegory. Grossing $490 million worldwide, Reeves’ finale earned praise for Serkis’ motion-capture and visual spectacle.

‘A Nightmare on Elm Street’ (1984)

‘A Nightmare on Elm Street’ unleashes Freddy Krueger, played by Robert Englund, on Springwood teens whose dreams become fatal gateways for the burned child killer’s revenge against their parents. Directed and written by Wes Craven for New Line, the supernatural slasher stars Heather Langenkamp as Nancy Thompson, Johnny Depp as Glen Lantz, and John Saxon as Donald Thompson. Produced by Robert Shaye, it features Amanda Wyss as Tina Gray.

The nocturnal nightmare invades on October 1, 1984, as Nancy uncovers Freddy’s boiler room origins and rallies against his razor-gloved terror. Ronee Blakley plays Marge Thompson, with Craven’s innovative dream logic grossing $25 million on a $1.8 million budget. Launching a franchise, the film’s psychological dread and Englund’s charisma redefined slashers.

‘Highway 301’ (1950)

‘Highway 301’ chronicles the Tri-State Gang’s ruthless crime spree across Virginia, Maryland, and North Carolina, led by trigger-happy George, played by Steve Cochran, as lawmen close in on their armored car heists. Written and directed by Andrew L. Stone for Warner Bros., the film noir stars Virginia Grey as Glenda, Gaby André as Claire, and Edmon Ryan as Trammel. Produced by Bryan Foy, it features William Lava’s score.

The cross-state rampage accelerates on October 1, 1950, blending documentary-style narration with tense pursuits and moral warnings from governors. Charles Meredith plays Rev. Hollis, with Stone’s location shooting adding gritty realism. Endorsed as anti-crime propaganda, it grossed well despite mixed reviews, influencing the era’s social-issue thrillers.

‘Trick ‘r Treat’ (2007)

‘Trick ‘r Treat’ weaves Halloween horrors in Warren Valley, where principal Stewart, played by Dylan Baker, conceals kills, virgin Rhonda, portrayed by Anna Paquin, seeks romance, and pranksters face werewolf retribution. Written and directed by Michael Dougherty for Warner Bros., the anthology stars Rochelle Aytes as Danielle and Brian Cox as Kreeg. Produced by Bryan Singer, it features Quinn Lord as Sam.

The festive frights converge on October 1, 2007, linking tales through Sam’s burlap-masked mischief and candy mandates. Lauren Lee Smith plays giant baby Tania, with Dougherty’s nonlinear structure earning cult acclaim. Delayed until 2016 Blu-ray, the film’s interconnected chills grossed $6.5 million theatrically but thrives as a holiday staple.

‘Scooby-Doo 2: Monsters Unleashed’ (2004)

‘Scooby-Doo 2: Monsters Unleashed’ rallies Mystery Inc. against a masked villain animating Coolsville’s unmasked monsters to sabotage their heroism, with Fred, played by Freddie Prinze Jr., leading the charge. Directed by Raja Gosnell and written by James Gunn, the comedy-horror sequel stars Sarah Michelle Gellar as Daphne, Matthew Lillard as Shaggy, and Linda Cardellini as Velma. Produced by Charles Roven for Warner Bros., it features Neil Fanning voicing Scooby.

The monstrous mayhem erupts on October 1, 2004, blending gadgets and ghouls as the gang unmasks the plot at the Coolsonian Criminology Museum. Peter MacNicol plays the curator, with Alicia Silverstone as Heather, and Tim Blake Nelson as Aggie. Grossing $111 million worldwide, Gosnell’s follow-up amps the slapstick while honoring the animated roots.

‘Tension’ (1949)

‘Tension’ ensnares pharmacist Warren Quimby, played by Richard Basehart, in a meticulously planned murder of his wife Claire’s lover, only for fate to twist his alibi into a web of suspicion. Directed by John Berry for MGM, the film noir stars Audrey Totter as Claire, Cyd Charisse as Mary, and Barry Sullivan as Lt. Collier Bonnabel. Written by Allen Rivkin from John Klorer’s story, it features Harry Stradling’s cinematography.

The vengeful scheme unravels on October 1, 1949, as Bonnabel’s psychological pressure exposes cracks in Warren’s facade. William Conrad plays Sgt. Gurney, with Berry’s blacklisted direction adding tense authenticity. Grossing well, the film’s dual leads and Previn’s score mark it as a taut procedural classic.

‘The Return of Doctor X’ (1939)

‘The Return of Doctor X’ resurrects Marshall Quesne, played by Humphrey Bogart, a disgraced physician revived by Dr. Walter Flegg, portrayed by John Litel, to pioneer synthetic blood amid grisly murders. Directed by Vincent Sherman for Warner Bros., the horror mystery stars Wayne Morris as reporter Walter Garrett, Rosemary Lane as Joan Vance, and Dennis Morgan as Dr. Mike Rhodes. Lee Katz’s screenplay adapts William J. Makin’s story.

The bloodthirsty revival surges on October 1, 1939, as Garrett and Rhodes probe starlet slayings linked to Quesne’s vampiric experiments. Huntz Hall plays photographer Ginty, with Sherman’s debut blending mad science and noir intrigue. Bogart’s atypical role grossed modestly but endures as a B-movie curiosity.

‘I Give It a Year’ (2013)

‘I Give It a Year’ skewers newlyweds Nat, played by Rose Byrne, and Josh, portrayed by Rafe Spall, whose blissful union crumbles under mismatched quirks and tempting exes amid friends’ wagers on divorce. Written and directed by Dan Mazer for Working Title, the romantic comedy stars Anna Faris as Chloe, Simon Baker as Guy, and Rafe Spall as Josh. Produced by Tim Bevan, it features Minnie Driver as Naomi.

The matrimonial mishaps commence on October 1, 2013, blending cringe humor with heartfelt chaos as Nat eyes sophisticated Guy and Josh reunites with bubbly Chloe. Alex Macqueen plays the vicar, with Mazer’s Sacha Baron Cohen roots infusing sharp satire. Grossing $28 million worldwide, the film’s ensemble shines in its gleeful takedown of wedded bliss.

‘Talk to Me’ (2023)

‘Talk to Me’ grips teens Mia, played by Sophie Wilde, and her friends in a viral séance game using an embalmed hand to summon spirits, unleashing a malevolent force that preys on grief and fractures bonds. Co-directed by Danny and Michael Philippou and written with Bill Hinzman for Screen Australia, the supernatural horror stars Alexandra Jensen as Jade, Joe Bird as Riley, and Miranda Otto as Sue. Produced by Ahi Films, it features Joe Hinchliffe’s sound design.

The possession plague spreads on October 1, 2023, blending party thrills with escalating terror as Mia confronts buried trauma. Otis Dhanji plays Joss, Chris Alosio Cole, and Zoe Terakes the non-binary Mia, amplifying the film’s raw dread. Premiering at Adelaide, the Philippous’ debut grossed $91 million, earning acclaim for Wilde’s breakout and visceral scares.

‘Practical Magic’ (1998)

‘Practical Magic’ enchants sisters Sally and Gillian Owens, played by Sandra Bullock and Nicole Kidman, guardians of their witch lineage’s secrets, as they resurrect Gillian’s abusive ex Jimmy, unleashing a vengeful spirit threatening their coastal haven. Directed by Griffin Dunne from Alice Hoffman’s novel, the fantasy drama stars Dianne Wiest and Stockard Channing as aunts Frances and Jet. Produced by Denise Di Novi for Village Roadshow, it features Aidan Quinn as Gary Hallet.

The cursed revival bewitches on October 1, 1998, weaving spells, sisterhood, and redemption amid small-town suspicion. Goran Visnjic plays Jimmy, with Dunne’s adaptation grossing $68 million despite mixed reviews. The film’s feminist flair and autumnal glow cult-favor it as a witchy comfort classic.

‘I Died a Thousand Times’ (1955)

‘I Died a Thousand Times’ shadows aging crook Roy Earle, played by Jack Palance, assembling a crew for a desert resort heist, haunted by past failures and a lame dancer’s affection. Directed by Stuart Heisler from W.R. Burnett’s ‘High Sierra’, the color noir stars Shelley Winters as Marie, Lori Nelson as Velma, and Lee Marvin as Babe. Produced by Willis Goldbeck for Warner Bros., it features Ted McCord’s CinemaScope vistas.

The fateful score settles on October 1, 1955, echoing the 1941 Bogart classic with Palance’s brooding intensity and Winters’ pathos. Earl Holliman plays Red, Lon Chaney Jr. Big Mac, and Pedro Gonzalez-Gonzalez Chico, grounding the remake’s tragic arc. Grossing well, Heisler’s vibrant update preserves noir’s fatalism in sweeping scopes.

‘The Shining’ (1980)

‘The Shining’ isolates aspiring writer Jack Torrance, played by Jack Nicholson, with wife Wendy and son Danny at the Overlook Hotel, where psychic visions and cabin fever unleash ancestral horrors. Directed and co-produced by Stanley Kubrick from Stephen King’s novel, the psychological horror stars Shelley Duvall as Wendy, Danny Lloyd as Danny, and Scatman Crothers as Dick Hallorann. Produced by Jan Harlan, it features John Alcott’s Steadicam mastery.

The overwinter madness descends on October 1, 1980, as Danny’s “shining” collides with Jack’s descent amid the hotel’s spectral echoes. Joe Turkel plays Lloyd, with Kubrick’s 146 takes yielding $44 million gross and enduring acclaim. The film’s labyrinthine dread redefines isolation horror.

‘Gone Girl’ (2014)

‘Gone Girl’ dissects Nick Dunne, played by Ben Affleck, whose wife Amy’s disappearance brands him suspect in a media frenzy, unveiling her diary’s calculated deceptions. Directed by David Fincher from Gillian Flynn’s novel, the thriller stars Rosamund Pike as Amy, Neil Patrick Harris as Desi, and Tyler Perry as Tanner Bolt. Produced by Arnon Milchan for 20th Century Fox, it features Jeff Cronenweth’s cinematography.

The marital maze twists on October 1, 2014, blending true crime satire with psychological warfare as Amy’s “cool girl” facade crumbles. Carrie Coon plays Margo, Kim Dickens Rhonda, and Fincher’s sleek style grossed $369 million, earning Pike an Oscar nod for her chilling duality.

‘2 Days in New York’ (2012)

‘Two Days in New York’ catapults Marion, played by Julie Delpy, into chaos as her French family invades her Manhattan life, clashing with partner Mingus, portrayed by Chris Rock, over art sales and unresolved exes. Co-written and directed by Delpy, the comedy sequel to ‘Two Days in Paris’ stars Albert Delpy as her father Jeannot and Alexia Landeau as sister Rose. Produced by Chris Gill for StudioCanal, it features Vincent Gallo as ex John.

The transatlantic turmoil erupts on October 1, 2012, blending cultural clashes with heartfelt absurdity as Marion juggles gallery woes and family feuds. Kate Burton plays Mingus’ sister-in-law, with Delpy’s bilingual flair earning laughs. Grossing $8.5 million, the film’s improvisational warmth extends its indie charm.

‘The Walking Dead’ (1936)

‘The Walking Dead’ resurrects framed pianist John Ellman, played by Boris Karloff, via Dr. Beaumont’s experiment, compelling him to haunt his gangster betrayers with ethereal vengeance. Directed by Michael Curtiz for Warner Bros., the horror drama stars Ricardo Cortez as Loder, Edmund Gwenn as Beaumont, and Marguerite Churchill as Nancy. Ewart Adamson and Joseph Fields’ story features Hal Mohr’s cinematography.

The spectral pursuit stalks on October 1, 1936, blending crime procedural with otherworldly justice as Ellman confronts his accusers. Barton MacLane plays Blaine, with Curtiz’s atmospheric flair grossing well. Karloff’s poignant lead marks a noir-horror hybrid, influencing resurrection tales.

‘Beetlejuice’ (1988)

‘Beetlejuice’ follows newlyweds Adam and Barbara Maitland, played by Alec Baldwin and Geena Davis, who enlist bio-exorcist Betelgeuse, portrayed by Michael Keaton, to evict the Deetzes from their afterlife-bound home. Directed by Tim Burton and written by Michael McDowell and Warren Skaaren, the gothic fantasy stars Winona Ryder as Lydia Deetz and Catherine O’Hara as Delia. Produced by Richard Hashimoto for Warner Bros., it features Bo Welch’s designs.

The poltergeist pandemonium haunts on October 1, 1988, blending afterlife bureaucracy with chaotic conjurings as Lydia befriends the ghosts. Jeffrey Jones plays Charles Deetz, with Burton’s whimsical visuals grossing $84 million. The film’s stop-motion flair and Keaton’s manic energy spawned a franchise.

‘Confidence’ (2003)

‘Confidence’ ensnares con artist Jake Vig, played by Edward Burns, in a botched scam targeting banker Morgan, forcing a desperate ploy to repay mobster the King, portrayed by Dustin Hoffman. Directed by James Foley and written by Doug Jung, the crime thriller stars Rachel Weisz as Lily, Andy Garcia as the Bank President, and Morris Chestnut as Miles. Produced by Michael Burns for Lionsgate, it features Karyn Kusama’s cameos.

The double-cross deceit unfolds on October 1, 2003, weaving flashbacks of the crew’s intricate marks amid escalating threats. Leland Orser plays Whitworth, with Foley’s stylish cuts amplifying the twists. Grossing $8.9 million, the film’s ensemble and Jung’s script earned acclaim as a sharp con caper.

‘Drag Me to Hell’ (2009)

‘Drag Me to Hell’ curses loan officer Christine Brown, played by Alison Lohman, with a Lamia damnation from elderly Mrs. Ganush, enacted by Lorna Raver, after denying her mortgage extension, unleashing demonic torment. Directed and co-written by Sam Raimi with Ivan Raimi, the horror stars Justin Long as Clay, Dileep Rao as Rham Jas, and Adriana Barraza as Shaun San Dena. Produced by Rob Tapert for Universal, it features Peter Deming’s cinematography.

The infernal pursuit plagues on October 1, 2009, blending campy scares with escalating apparitions as Christine seeks exorcism. David Paymer plays boss Jacks, with Raimi’s kinetic style grossing $83 million. The film’s goat seance and Raver’s menace cement its cult revival of classic horror.

‘The Mummy’ (2017)

‘The Mummy’ awakens ancient princess Ahmanet, played by Sofia Boutella, whose entombed malice revives through archaeologist Nick Morton, portrayed by Tom Cruise, unleashing plagues on modern London under Prodigium’s watch. Directed by Alex Kurtzman for Universal, the action-horror stars Russell Crowe as Dr. Jekyll, Annabelle Wallis as Jenny, and Jake Johnson as Chris. Written by David Koepp and others, it launches the Dark Universe.

The resurrected rampage surges on October 1, 2017, fusing tomb raids with global chases as Nick grapples with possession. Courtney B. Vance plays Gray, with Kurtzman’s spectacle grossing $409 million despite mixed reviews. The film’s effects and Cruise’s stunts propel the monster revival.

‘Insidious: Chapter 3’ (2015)

‘Insidious: Chapter 3′ prequels gifted psychic Elise Rainier, played by Lin Shaye, aiding teen Quinn Brenner, portrayed by Stefanie Scott, against a demon’s grasp years before the Lamberts’ hauntings. Directed and written by Leigh Whannell for Blumhouse, the horror stars Dermot Mulroney as Quinn’s father Sean and Angus Sampson as Tucker. Produced by Jason Blum, it features Joseph Bishara’s score.

The spectral siege besets on October 1, 2015, as Elise confronts her past traumas to save Quinn from The Further. Tate Berney plays Alex, with Whannell’s debut grossing $113 million. The film’s prequel lore and Shaye’s anchor role extend the franchise’s astral chills.

‘Freddy vs. Jason’ (2003)

‘Freddy vs. Jason’ pits dream demon Freddy Krueger, played by Robert Englund, against machete-wielding Jason Voorhees, enacted by Ken Kirzinger, as Freddy manipulates Jason’s rampage to rekindle Elm Street fears. Directed by Ronny Yu and written by Damian Shannon and Mark Swift for New Line, the crossover slasher stars Monica Keena as Lori and Jason Ritter as Will. Produced by Sean S. Cunningham, it blends franchises.

The slasher showdown erupts on October 1, 2003, as teens navigate dual terrors at Crystal Lake. Kelly Rowland plays Kia, with Englund’s wit and Kirzinger’s brute force grossing $116 million. Yu’s gore-fest unites icons in campy chaos.

‘The Switch’ (2010)

‘The Switch’ follows ad exec Wally Mars, played by Jason Bateman, who drunkenly swaps his best friend Kassie’s, portrayed by Jennifer Aniston, sperm donor sample, raising her son Sebastian, enacted by Thomas Robinson, years later. Directed by Will Speck and Josh Gordon from Allan Loeb’s script, the comedy stars Jeff Goldblum as Leonard and Juliette Lewis as Debbie. Produced by Scott Stuber for Miramax, it adapts Jeffrey Eugenides’ story.

The paternal revelation bonds on October 1, 2010, blending awkward humor with heartfelt growth. Patrick Wilson plays Roland, with the film’s $37 million gross earning laughs for Bateman’s neuroses. The rom-com’s twisty premise charms despite formulaic beats.

‘Firestarter’ (2021)

‘Firestarter’ ignites as Charlie McGee, played by Ryan Kiera Armstrong, harnesses pyrokinetic powers from her parents’ MKUltra exposure, drawing government hunter John Rainbird, portrayed by Michael Greyeyes. Directed by Keith Thomas from Scott Teems’ script based on Stephen King’s novel, the sci-fi horror stars Zac Efron as Andy and Sydney Lemmon as Vicky. Produced by Blumhouse, it features John Carpenter’s score.

The fiery fugue flares on October 1, 2021, as Charlie’s abilities erupt amid family peril. Kurtwood Smith plays Hollister, with Thomas’ remake grossing $9.7 million. Armstrong’s intensity anchors the tense adaptation.

‘The Disembodied’ (1957)

‘The Disembodied’ strands jungle expedition leader Tom Maxwell, played by Paul Burke, in voodoo priestess Tonda Metz’s, portrayed by Allison Hayes, clutches, as she wields dark rites against her husband and outsiders. Directed by Walter Grauman for Allied Artists, the horror stars John Wengraf as Dr. Metz and Eugenia Paul as Mara. Produced by Jack Pollexfen, it features Sam Gordon’s effects.

The ritual revenge ensnares on October 1, 1957, blending exotic peril with supernatural dread in soundstage jungles. Joel Marston plays Norman, with Grauman’s debut double-billed with ‘From Hell It Came’. Hayes’ sultry menace elevates the B-thriller’s camp.

‘A Nightmare on Elm Street Part 2: Freddy’s Revenge’ (1985)

‘A Nightmare on Elm Street 2: Freddy’s Revenge’ possesses teen Jesse Walsh, played by Mark Patton, with Freddy Krueger’s, enacted by Robert Englund, urge to slaughter through his body in the Thompsons’ old home. Directed by Jack Sholder and written by David Chaskin for New Line, the slasher stars Kim Myers as Lisa and Robert Rusler as Grady. Produced by Robert Shaye, it features Mark Patton’s debut.

The corporeal conquest consumes on October 1, 1985, blending possession horror with queer subtext amid pool parties and boiler rooms. Clu Gulager plays Jesse’s father, with Sholder’s sequel grossing $30 million. The film’s sweaty tension divides fans but endures for its bold deviations.

‘Edward Scissorhands’ (1990)

‘Edward Scissorhands’ crafts the incomplete inventor Edward, played by Johnny Depp, who clippers suburban conformity until love for Kim Boggs, portrayed by Winona Ryder, sparks tragic isolation. Directed by Tim Burton from Caroline Thompson’s script, the gothic romance stars Dianne Wiest as Peg and Anthony Michael Hall as Kim’s boyfriend. Produced by Denise Di Novi for Fox, it features Stan Winston’s designs.

The topiary tenderness blooms on October 1, 1990, weaving fairy-tale whimsy with outsider alienation in pastel pastiches. Kathy Baker plays Joyce, with Burton’s visuals grossing $64 million. Depp’s mute grace anchors the cult classic’s heartfelt fantasy.

‘Tickled’ (2016)

‘Tickled’ uncovers journalist David Farrier’s probe into “competitive endurance tickling” videos, revealing harassment and hidden agendas behind Jane O’Brien Media’s recruitment. Co-directed by Farrier and Dylan Reeve, the documentary stars Farrier as himself, with interviews from Richard Ivey and Terri DiSisto. Produced by Geoffrey McLean for TV3, it features Farrier’s fearless pursuit.

The ticklish tangle unravels on October 1, 2016, blending absurdity with cyberbullying exposés across Los Angeles and New Zealand. Reeve’s co-direction amplifies the film’s investigative grit, grossing $1.3 million but earning acclaim for its bizarre revelations.

‘From Hell It Came’ (1957)

‘From Hell It Came’ exhumes Prince Kimo, played by Gregg Palmer, as a vengeful Tabanga tree monster after colonial betrayal, terrorizing scientists on a Pacific isle. Directed by Dan Milner from Richard Bernstein’s story, the sci-fi horror stars Tod Andrews as Dr. Arnold and Tina Carver as Dr. Mason. Produced by Jack Milner for Allied Artists, it features Paul Blaisdell’s effects.

The arboreal avenger rises on October 1, 1957, blending atomic fears with jungle clichés in matte-heavy mayhem. Linda Watkins plays Mrs. Kilgore, with Milner’s B-movie grossing modestly. Blaisdell’s walking stump endures as camp icon.

‘Hereditary’ (2018)

‘Hereditary’ unravels the Graham family’s grief after matriarch Ellen’s death, as daughter Annie, played by Toni Collette, uncovers occult legacies fueling possessions and tragedy. Written and directed by Ari Aster for A24, the folk horror stars Alex Wolff as Peter, Milly Shapiro as Charlie, and Ann Dowd as Joan. Produced by Lars Knudsen, it features Pawel Pogorzelski’s cinematography.

The inherited horrors haunt on October 1, 2018, blending domestic dread with ritualistic revelations in suburbia’s shadows. Gabriel Byrne plays Steve, with Aster’s debut grossing $82 million and earning Collette an Oscar nod. The film’s slow-burn terror redefines familial curses.

‘Christine’ (1983)

‘Christine’ possesses teen Arnie Cunningham, played by Keith Gordon, with a sentient 1958 Plymouth Fury that sabotages his life and unleashes jealous fury on rivals. Directed by John Carpenter from Stephen King’s novel, the horror stars John Stockwell as Dennis and Alexandra Paul as Leigh. Produced by Richard Kobritz for Columbia, it features Donald M. Morgan’s cinematography.

The crimson crusade accelerates on October 1, 1983, blending coming-of-age with automotive animus in rock ‘n’ roll riffs. Robert Prosky plays Darnell, with Carpenter’s synth score grossing $21 million. The film’s car-centric kills cement its possessed vehicle legacy.

‘Crime in the Streets’ (1956)

‘Crime in the Streets’ ignites when gang leader Frankie Dane, played by John Cassavetes, plots vengeance after a street rumble injures a rival, drawing social worker McAllister, portrayed by James Whitmore, into the fray. Directed by Don Siegel from Reginald Rose’s teleplay, the juvenile delinquency drama stars Sal Mineo as Angelo and Mark Rydell as Lou. Produced by Vincent M. Fennelly for Allied Artists, it features Sam Leavitt’s cinematography.

The urban unrest simmers on October 1, 1956, exploring brotherhood and reform amid New York’s concrete canyons. Virginia Gregg plays Mrs. Dane, with Siegel’s taut style amplifying the teen angst. Grossing well, Rose’s adaptation influenced ‘West Side Story’ with its raw ensemble.

‘The Monster’ (2016)

‘The Monster’ traps single mother Kathy, played by Zoe Kazan, and daughter Lizzy, portrayed by Ella Ballentine, on a rain-slicked road where a hulking creature stalks their stalled car, forcing desperate survival. Written and directed by Bryan Bertino for Vertical Entertainment, the horror stars Aaron Douglas as the tow truck driver and Christine Ebadi as the EMT. Produced by Keith Arnold, it features James Laxton’s cinematography.

The nocturnal nightmare descends on October 1, 2016, intertwining maternal redemption with primal terror in forest isolation. Bertino’s slow-burn grossed $2.8 million, earning praise for Kazan and Ballentine’s raw bond amid practical creature effects.

‘Corpse Bride’ (2005)

‘Corpse Bride’ betroths shy groom Victor Van Dort, voiced by Johnny Depp, to the vivacious Emily, enacted by Helena Bonham Carter, after a rehearsal mishap in the underworld, pitting him against fiancée Victoria, played by Emily Watson. Co-directed by Tim Burton and Mike Johnson from John August’s script, the stop-motion musical stars Tracey Ullman as Nell and Hildegarde Van Dort. Produced by Allison Abbate for Warner Bros., it features Danny Elfman’s score.

The bridal blunder binds on October 1, 2005, weaving Victorian whimsy with afterlife antics as Victor navigates dual weddings. Albert Finney voices Finis Everglot, with Burton’s gothic flair grossing $117 million and earning an Oscar nod. The film’s skeletal splendor enchants with heartfelt harmony.

‘Nora Prentiss’ (1947)

‘Nora Prentiss’ ensnares devoted doctor Richard Talbot, played by Kent Smith, in a whirlwind affair with nightclub singer Nora, portrayed by Ann Sheridan, spiraling into identity theft and fatal deception. Directed by Vincent Sherman for Warner Bros., the film noir stars Bruce Bennett as Dr. Harding, Rosemary DeCamp as Mrs. Talbot, and Robert Alda as Phil Dinmore. N. Richard Nash’s screenplay features James Wong Howe’s shadowy visuals.

The illicit liaison lures on October 1, 1947, as Richard fakes his death to flee with Nora, unraveling under pursuit. Audrey Long plays Bonnie, with Sherman’s melodrama grossing $2.7 million. Howe’s Oscar-nominated cinematography elevates the tragic romance.

‘Page One: Inside the New York Times’ (2011)

‘Page One’ embeds in The New York Times’ media desk, capturing columnists David Carr and Brian Stelter navigating print’s digital demise amid WikiLeaks scandals. Directed by Andrew Rossi for Magnolia Pictures, the documentary features Bruce Headlam as editor and Bill Keller as executive. Produced by Greycardigan, it chronicles 2011’s industry upheavals.

The newsroom chronicle unfolds on October 1, 2011, blending access with debates on journalism’s future. Tim Arango appears as a correspondent, with Rossi’s fly-on-the-wall style earning 78% on Rotten Tomatoes. The film’s timely dissection grossed $167,000 but influenced media discourse.

‘Dr. Jekyll and Mr. Hyde’ (1941)

‘Dr. Jekyll and Mr. Hyde’ unleashes Dr. Henry Jekyll’s, played by Spencer Tracy, serum-born alter ego Mr. Hyde on London, ravaging barmaid Ivy, portrayed by Ingrid Bergman, in a tale of unchecked desire. Directed by Victor Fleming for MGM, the horror stars Lana Turner as Beatrix, Donald Crisp as Sir Charles, and Sara Allgood as Mrs. Higgins. John Lee Mahin’s screenplay adapts Stevenson’s novella with Franz Waxman’s score.

The bifurcated beast rampages on October 1, 1941, contrasting Jekyll’s restraint with Hyde’s savagery amid wartime shadows. Ian Hunter plays Dr. Lanyon, with Fleming’s Technicolor grossing $3.8 million. Bergman’s switch from fiancées role earned acclaim for the lustful intensity.

‘The Watch’ (2012)

‘The Watch’ arms suburban dad Evan, played by Ben Stiller, with neighbors Bob, Franklin, and Jamarcus, portrayed by Vince Vaughn, Jonah Hill, and R. Lee Ermey, against alien invaders disguised as locals in Glenview, Ohio. Directed by Akiva Schaffer from Jared Stern’s script, the sci-fi comedy stars Rosemarie DeWitt as Abby and Erin Moriarty as Chelsea. Produced by Shawn Levy for 20th Century Fox, it features Will Forte’s cameos.

The extraterrestrial evisceration erupts on October 1, 2012, blending bro-comedy with invasion absurdity as the quartet uncovers pods. Richard Ayoade plays Jamarcus, with the film’s $68 million gross polarizing for crude gags. Schaffer’s Lonely Island roots infuse chaotic fun.

‘National Velvet’ (1945)

‘National Velvet’ gallops with 12-year-old Velvet Brown, played by Elizabeth Taylor, training wild Pie for the Grand National, aided by ex-jockey Mi Taylor, portrayed by Mickey Rooney. Directed by Clarence Brown from Enid Bagnold’s novel, the family drama stars Donald Crisp as Mr. Brown and Anne Revere as Mrs. Brown. Produced by Pandro S. Berman for MGM, it features Leonard Smith’s Technicolor vistas.

The equestrian epic charges on October 1, 1945, weaving ambition and family bonds amid steeplechase splendor. Angela Lansbury plays spoiled Velvet rival Edwina, with Brown earning six Oscar nods. Taylor’s breakout grossed $10 million, cementing her as child star.

‘The Harvey Girls’ (1946)

‘The Harvey Girls’ trails plucky waitresses led by Susan Bradley, played by Judy Garland, civilizing the Wild West via Fred Harvey’s rail depots, romancing telegrapher Ned Trent, portrayed by John Hodiak. Directed by George Sidney from Samuel Hopkins Adams’ novel, the musical stars Ray Bolger as Chris and Angela Lansbury as Em. Produced by Arthur Freed for MGM, it features Harry Warren’s Oscar-winning “On the Atchison, Topeka and the Santa Fe”.

The frontier frolic sashays on October 1, 1946, pitting prim servers against saloon sirens in song-filled skirmishes. Marjorie Main plays Sonora, with Sidney’s Technicolor spectacle grossing $4 million. Garland’s hit parade elevates the era’s railway romance.

‘Intruder in the Dust’ (1949)

‘Intruder in the Dust’ probes teen Chick Mallison, played by Claude Jarman Jr., aiding accused murderer Lucas Beauchamp, portrayed by Juano Hernandez, against lynch mobs in Faulkner’s Mississippi. Directed by Clarence Brown from William Faulkner’s novel, the crime drama stars David Brian as Gavin Stevens and Elizabeth Patterson as Miss Habersham. Produced by Clarence Brown for MGM, it features Robert Surtees’ black-and-white authenticity.

The racial reckoning stirs on October 1, 1949, blending courtroom tension with Southern gothic as Chick unearths truths. Porter Hall plays Nub Gowrie, with Brown’s adaptation earning acclaim for Hernandez’s dignity. Shot in Oxford, it grossed modestly but advanced social cinema.

‘The Phenix City Story’ (1955)

‘The Phenix City Story’ exposes Alabama town’s vice empire crumbling under attorney Pat Patterson’s, played by John McIntire, anti-corruption crusade, culminating in his assassination and martial law. Directed by Phil Karlson from Crane Wilbur and Daniel Mainwaring’s script, the noir stars Richard Kiley as John Patterson and Kathryn Grant as Ellie. Produced by Samuel Bischoff for Allied Artists, it opens with Clete Roberts’ newsreel.

The civic siege besieges on October 1, 1955, weaving factual fury with fictional drama in location-shot grit. Edward Andrews plays the racketeer Tanner, with Karlson’s docudrama grossing $2 million. Scorsese’s favorite, it immortalized Patterson’s legacy.

‘Halloween H20: 20 Years Later’ (1998)

‘Halloween H20: 20 Years Later’ resurrects Laurie Strode, played by Jamie Lee Curtis, now Keri Tate, confronting Michael Myers at her California prep school after two decades of hiding. Directed by Steve Miner from Robert Zappia’s script, the slasher stars Adam Arkin as Will, Josh Hartnett as John, and Michelle Williams as Molly. Produced by Paul Freeman for Miramax, it features John Ottman’s score.

The sibling showdown slices on October 1, 1998, blending meta-nods with final-girl fury as Laurie wields a fire axe. LL Cool J plays the custodian, with Miner’s revival grossing $55 million. Curtis’ return anchors the franchise pivot.

‘Alan Partridge: Alpha Papa’ (2013)

‘Alan Partridge: Alpha Papa’ thrusts hapless DJ Alan, played by Steve Coogan, into a siege when sacked colleague Pat Farrell, portrayed by Colm Meaney, storms North Norfolk Digital with a shotgun. Directed by Declan Lowney from Coogan and others’ script, the comedy stars Felicity Montagu as Sidekick Simon and Anna Maxwell Martin as Listener Listener. Produced by Baby Cow for StudioCanal, it features Tim Key as Val.

The radio rampage broadcasts on October 1, 2013, lampooning media egos amid hostage hijinks and Norfolk nostalgia. Simon Greenall plays Michael, with Lowney’s farce grossing $9.8 million. Coogan’s cringe comedy cements Partridge’s cult icon status.

‘The Witch’ (2015)

‘The Witch’ exiles Puritan family the Grahams to 1630s New England woods, where infant Samuel’s vanishing sparks witchcraft accusations tearing at faith and flesh. Written and directed by Robert Eggers for A24, the folk horror stars Anya Taylor-Joy as Thomasin, Ralph Ineson as William, and Kate Dickie as Katherine. Produced by Lars Knudsen, it features Jodie Lee Lankford’s score.

The woodland malediction withers on October 1, 2015, blending historical dread with familial fracture in stark 17th-century isolation. Harvey Scrimshaw plays Caleb, with Eggers’ debut grossing $40 million and earning Taylor-Joy acclaim. The film’s slow-burn terror redefines Puritan paranoia.

What are your must-watch picks from this week’s HBO Max arrivals, and which one left you rethinking everything? Share your thoughts in the comments below!