5 Ways ‘Wonder Woman’ Aged Poorly (And 5 Ways It Aged Masterfully)
It was a major moment for superhero movies and for DC. The film brought hope, heart, and a powerful lead. Time has passed, and some parts feel different now.
Eight years later, some choices feel dated while others still shine. Here are five that aged poorly and five that aged masterfully, in a simple back-and-forth.
The CGI-heavy finale looks rough now (aged poorly)
The last battle leans hard on computer effects with clouds of smoke and flying debris. Today, parts look muddy and weightless.
The lasso glow still pops, but the explosions and digital doubles do not. Many scenes lack a clear sense of impact.
The No Man’s Land rescue still hits hard (aged masterfully)
Diana steps into gunfire to reach a village. The stakes are clear: save people who cannot save themselves.
The advance across the trench is easy to follow and inspiring. It shows courage and purpose in a clean, direct way.
Some humor leans on dated gender jokes (aged poorly)
Many jokes center on corsets, skirts, and Diana not knowing city manners. These bits feel safe and familiar now.
The laugh often comes from men being shocked by a strong woman. Today, that setup feels lazy and overused.
The theme of compassion feels timeless (aged masterfully)
The story says mercy and love matter even in war. Diana chooses to protect first.
That message fits the hero and still speaks to audiences. It gives the film a clear, steady heart.
The Ares twist feels thin (aged poorly)
The reveal of the real enemy comes late and offers little surprise. Clues are small, so the turn lands soft.
Blaming one god also blurs human choices in war. That weakens the moral point the film builds.
Gal Gadot’s lead turn remains engaging (aged masterfully)
She plays Diana with warmth, humor, and steel. Her presence anchors every scene.
Small looks sell the character’s wonder and resolve. The performance still holds the movie together.
The villains lack depth beyond surface traits (aged poorly)
Dr. Poison and Ludendorff have clear aims but little inner life. They read as types more than people.
Without richer motives, their scenes carry less weight. The war feels like a backdrop for them, not a world they live in.
Lasso and shield action still looks fresh (aged masterfully)
The lasso gives clean, bright shapes in fights. Cause and effect are easy to see.
Shield moves and leaps feel physical in many moments. These beats remain fun and memorable.
The romance leans on old tropes (aged poorly)
The bond with Steve grows through quick jokes and a quiet night. It follows a very familiar path.
The goodbye scene lands, but the setup uses clichés. It could use more distinct moments between them.
Costumes and period worldbuilding hold up (aged masterfully)
Amazon armor, trench coats, and village sets look detailed. They ground the fantasy in a real place.
The mix of myth and wartime gear feels cohesive. It gives the movie a strong, clear identity.
Share your take: which parts of Diana’s first adventure still soar and which feel dated today—tell us in the comments!
