‘Whalefall’ Gets Swallowed at the Box Office as a Costly Survival Thriller Opens Small

20th Century Studios

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Survival thrillers are a proven way to get audiences into theaters, especially when the premise can be explained in a single sentence. A diver, a giant sperm whale and an oxygen tank running low make a perfect hook for a poster. This weekend, though, a high-concept swing from 20th Century Studios proved that a great hook doesn’t always translate into a big opening.

‘Whalefall‘ was directed by Brian Duffield, the filmmaker behind ‘No One Will Save You’ and ‘Underwater’, who also produced ‘Cocaine Bear’. The film adapts Daniel Kraus’s 2023 novel, which Kraus co-wrote with Duffield for the screen. Imagine Entertainment’s Brian Grazer is among the producers.

The film arrived in theaters on Friday, Oct. 16, and the box office results were disappointing. ‘Whalefall’ opened to an estimated $8 million domestically and $17.5 million worldwide from 3,065 North American theaters. It carries a reported net budget of $60 million, which turns a soft start into a serious problem.

The gap between projection and reality was wide. The studio had projected an opening between $10 million and $12 million, and tracking had pointed to as much as $13 million. Deadline described the debut as a belly flop, noting that Saturday estimates had put the film at $6 million to $7 million before it improved slightly.

Friday’s gross, including previews, was about $2.6 million to $3 million. By Sunday, the weekend had settled at around $8 million and fourth place at the domestic box office. Overseas, the film added roughly $9.5 million, which is not enough to change the picture.

The math is tough. One analysis noted that even with relatively good business overseas, a $60 million film like this won’t break even. Variety pointed out that theater owners keep about half of ticket sales, so the film needs substantial staying power to recover its cost.

The $60 million figure comes after generous California tax credits, according to one report. That means the gross cost may be even higher before incentives. Marketing costs also remain on top of the reported budget.

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The weekend’s release calendar didn’t help. ‘Street Fighter’ won the weekend with $31 million, and its audience skewed toward older men, the same group ‘Whalefall’ was targeting. Deadline blamed the overlap in male audiences for part of the shortfall.

An even more striking comparison came from A24’s documentary ‘You Can See Everything’, which grossed about $15 million from just 855 screens. That meant a three-hour documentary playing in less than a third of the theaters outgrossed a studio thriller starring Josh Brolin. ‘Other Mommy’ also took third place with $8.3 million in its second weekend.

Critics and audiences were kinder than the ticket sales suggest. ‘Whalefall’ earned a B on CinemaScore and holds Rotten Tomatoes scores of 71% from critics and 81% from audiences. Its Metacritic score of 59 falls in the mixed category.

The reviews varied widely. The Hollywood Reporter called it a dumb thriller that takes itself too seriously, while RogerEbert.com gave it 3.5 out of 4 stars. The Tribune News Service’s Katie Walsh gave it 3 out of 4, and others praised Austin Abrams’ committed performance.

The story follows Jay Gardiner, played by Abrams, who goes diving off California’s central coast in search of his late father’s remains. He is swallowed by a massive sperm whale and has only one hour of oxygen left. Josh Brolin plays his father, Mitt, with Elisabeth Shue, John Ortiz, Jane Levy and Emily Rudd rounding out the principal cast.

Reviews noted that the film mixes visceral creature-feature terror with a more grounded story about unresolved family trauma. That blend can be clumsy at times and poignant at others. It is an unusual combination for a wide-release survival movie.

There is still a path to limiting the losses. Positive word of mouth, including the B grade and the strong audience score, could help the film hold better than ‘Other Mommy’ and ‘Street Fighter’, which both face steep drops. TheWrap suggested that audience goodwill could help cut its losses in the weeks ahead.

Even so, the film will need a long run to recover. For a studio that has placed considerable faith in Duffield, the result stings. ‘Whalefall’ may become a cult favorite on streaming, but this weekend it was a reminder that a high concept alone doesn’t guarantee a crowd.

Can Whalefall recover from its disappointing box office debut?

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