‘Wicked: For Good’ Takes the Top Spot at This Weekend’s Box Office: Here’s the Rest of Top 15

Universal
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It was a front-loaded frame powered by a giant musical debut, while holdovers and specialty titles shuffled spots on lighter post-holiday moviegoing. Below, each film’s weekend performance is paired with concise background—director, key cast, premise, and release details—sourced from studio pages and reputable outlets.

‘One Battle After Another’ (2025)

'One Battle After Another' (2025)
Warner Bros. Pictures

Earned $205,000 this weekend (-55.3%) from 121 theaters (a $1,694 average), taking the Week 9 total to $70,480,005 via IMAX special engagements. Paul Thomas Anderson’s crime drama stars Leonardo DiCaprio, Sean Penn, Benicio Del Toro and Regina Hall, and was engineered for premium formats including IMAX 70mm and VistaVision. The film opened September 26, 2025, following 9/24 previews, with a global IMAX push. Warner Bros. distributes.

‘Bugonia’ (2025)

'Bugonia' (2025)
Element Pictures

Collected $550,000 this weekend (-65.7%) from 410 theaters (a $1,341 average), lifting the Week 5 total to $16,914,265 for Focus Features. Yorgos Lanthimos’ English-language remake of ‘Save the Green Planet!’ stars Emma Stone and Jesse Plemons; Will Tracy wrote the screenplay. Focus Features distributes worldwide (outside South Korea); the film played the Venice circuit ahead of U.S. release. Official listings and festival materials confirm core credits.

‘Chainsaw Man – The Movie: Reze Arc’ (2025)

'Chainsaw Man - The Movie: Reze Arc' (2025)
MAPPA

Earned $600,000 this weekend (-61.1%) from 503 theaters (a $1,192 average), taking the Week 5 total to $42,500,914 for Sony Pictures Releasing. MAPPA’s feature continuation of the anime adapts the Reze storyline; directed by Tatsuya Yoshihara with screenplay by Hiroshi Seko and music by Kensuke Ushio. The film opened in Japan on September 19, 2025, and expanded to more than 80 countries; U.S. release began October 24, 2025. Crunchyroll handled international rollout with Sony Pictures Releasing in theaters.

‘Keeper’ (2025)

'Keeper' (2025)
Oddfellows Entertainment

Took $600,000 this weekend (-76.3%) from 1,385 theaters (a $433 average), bringing the Week 2 total to $3,941,564 for Neon. Directed by Osgood Perkins, the folk-horror thriller follows a couple’s anniversary trip that unravels into a confrontation with a malevolent presence; stars Tatiana Maslany and Rossif Sutherland. U.S. release was November 14, 2025. Neon handles distribution; official site and interviews outline the premise and production.

‘Sentimental Value’ (2025)

'Sentimental Value' (2025)
Mer Film

Grossed $635,000 this weekend (+67%) from 151 theaters (a $4,205 average), bringing the Week 3 total to $1,477,075 for Neon. Joachim Trier’s family drama stars Stellan Skarsgård and Renate Reinsve and premiered in Competition at Cannes 2025 before a U.S. rollout via Neon. The film has figured prominently in European awards nominations this month. U.S. release began November 7, 2025.

‘Sarah’s Oil’ (2025)

'Sarah's Oil' (2025)
Kingdom Story Company

Posted $771,542 this weekend (-65.6%) from 1,347 theaters (a $572 average), bringing the Week 3 total to $10,352,218 for Amazon MGM Studios. Directed by Cyrus Nowrasteh, the biographical drama depicts Sarah Rector, an Oklahoma girl who became a millionaire when oil was found on her allotment; stars Zachary Levi and Naya Desir-Johnson. The film draws from Tonya Bolden’s book ‘Searching for Sarah Rector.’ Amazon MGM distributes domestically.

‘Black Phone 2’ (2025)

'Black Phone 2' (2025)
Universal Pictures

Added $1,000,000 this weekend (-62.2%) from 1,227 theaters (an $814 average), taking the Week 6 total to $76,388,985 for Universal Pictures. Scott Derrickson returns to direct the sequel with Mason Thames, Madeleine McGraw and Ethan Hawke reprising roles; the story follows new hauntings connected to the Grabber. U.S. release was October 17, 2025. Trailer and credits confirm returning creative team.

‘Nuremberg’ (2025)

'Nuremberg' (2025)
Bluestone Entertainment

Grossed $1,234,302 this weekend (-49.4%) from 1,010 theaters (a $1,222 average), moving the Week 3 total to $11,013,967 for Sony Pictures Classics. Written and directed by James Vanderbilt, the historical drama follows U.S. Army psychiatrist Douglas Kelley’s study of Hermann Göring ahead of the Nuremberg trials; stars Rami Malek and Russell Crowe. World-premiered at TIFF on September 7, 2025, and opened in U.S. theaters November 7, 2025. Ensemble includes Michael Shannon, Leo Woodall and John Slattery.

‘Regretting You’ (2025)

'Regretting You' (2025)
Harbinger Pictures

Brought in $1,520,000 this weekend (-59.1%) from 1,754 theaters (an $866 average), pushing the Week 5 total to $47,258,477 for Paramount Pictures International. Based on Colleen Hoover’s novel, the drama centers on a strained mother-daughter relationship; stars Allison Williams and Mckenna Grace. U.S. theatrical release was October 24, 2025. Official materials and listings confirm Paramount as distributor.

‘Sisu: Road to Revenge’ (2025)

'Sisu: Road to Revenge' (2025)
Cosmic Snowball

Opened with $2,600,000 from 2,222 theaters (a $1,170 average), kicking off Week 1 for Sony Pictures Releasing. Jalmari Helander’s sequel to ‘Sisu’ stars Jorma Tommila, with Stephen Lang and Richard Brake joining, following Aatami’s post-war quest that collides with a vengeful foe. The film premiered at Fantastic Fest and released in the U.S. on November 21, 2025. Sony’s Screen Gems handles the worldwide rollout.

‘Rental Family’ (2025)

'Rental Family' (2025)
Searchlight Pictures

Opened with $3,300,000 from 1,925 theaters (a $1,714 average), starting Week 1 under Searchlight Pictures. Directed by Hikari, the comedy-drama stars Brendan Fraser as an American actor in Tokyo who works for a “rental family” agency. It premiered at TIFF 2025 and opened in U.S. theaters November 21, 2025. Supporting cast includes Takehiro Hira, Mari Yamamoto and Akira Emoto.

‘The Running Man’ (2025)

'The Running Man' (2025)
Paramount Pictures

Took in $5,800,000 this weekend (-64.8%) across 3,534 theaters (a $1,641 average), raising the Week 2 total to $27,048,103 for Paramount Pictures International. Edgar Wright’s adaptation of Stephen King’s novel stars Glen Powell as Ben Richards in a dystopian game of survival. The film opened in U.S. theaters on November 14, 2025. Ensemble includes Colman Domingo, Emilia Jones, Lee Pace and Josh Brolin.

‘Predator: Badlands’ (2025)

'Predator: Badlands' (2025)
20th Century Studios

Collected $6,250,000 this weekend (-50.9%) from 3,100 theaters (a $2,016 average), lifting the Week 3 total to $76,284,737 for Walt Disney Studios Motion Pictures (20th Century Studios). Directed by Dan Trachtenberg and set within Predator lore, the story follows an exiled young Yautja and an android ally on a hostile world; stars Elle Fanning and Dimitrius Schuster-Koloamatangi. U.S. release began November 7, 2025. The film launched to a $40M domestic opening and $80M worldwide opening.

‘Now You See Me: Now You Don’t’ (2025)

'Now You See Me: Now You Don't' (2025)
Lionsgate

Earned $9,120,000 this weekend (-56.6%) from 3,403 theaters (a $2,679 average), bringing the Week 2 total to $36,829,120 for Lionsgate. The third ‘Now You See Me’ entry is directed by Ruben Fleischer and reunites the Horsemen for a new heist alongside additions Justice Smith and Ariana Greenblatt. U.S. theatrical release was November 14, 2025. Lizzy Caplan reprises her role; plot centers on a diamond heist that snares a corrupt crypto mogul.

‘Wicked: For Good’ (2025)

'Wicked: For Good' (2025)
Universal Pictures

Debuted at No. 1 with $150,000,000 from 4,115 theaters (a $36,452 per-theater average), for a week-one total of $150,000,000 via Universal Pictures. The sequel to ‘Wicked’ is directed by Jon M. Chu and stars Cynthia Erivo and Ariana Grande, continuing Elphaba and Glinda’s story as Oz teeters under the Wizard’s rule. The film opened in the U.S. on November 21, 2025. Cast also includes Jonathan Bailey, Michelle Yeoh and Jeff Goldblum.

Share which results surprised you most this weekend—and which titles you’re planning to see next—in the comments.

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