Ryan Gosling’s Sci-Fi Hit Tops This Weekend’s Box Office Charts As Well

The weekend box office results are in, showcasing a diverse array of cinematic offerings that drew audiences to theaters across the globe. From high-stakes science fiction adaptations and animated family adventures to spine-chilling horror sequels and beloved classics returning for anniversary screenings, the latest figures reflect a dynamic theatrical landscape. Viewers flocked to the multiplex to witness both highly anticipated premieres and enduring holdovers that continue to capture the public’s attention. The financial data highlights how different genres are currently performing, providing a clear picture of what moviegoers are choosing to experience on the big screen.

‘Avatar: Fire and Ash’ (2025)

James Cameron continues his expansive science fiction saga with ‘Avatar: Fire and Ash’, returning to the majestic moon of Pandora. The narrative follows Jake Sully and Neytiri as their family grapples with grief and encounters the Ash People, a highly aggressive new Na’vi faction led by the fierce Varang. This visual spectacle pushes the boundaries of cinematic technology while exploring darker themes of survival and moral complexity. The blockbuster added $175,000 to its massive haul this weekend, bringing its total gross to a staggering $404,165,413 after fifteen weeks in release.

‘Wuthering Heights’ (2026)

Emerald Fennell directs ‘Wuthering Heights’, offering a provocative reinterpretation of Emily Brontë’s classic 1847 gothic novel. Margot Robbie and Jacob Elordi star as the tragically intertwined Catherine Earnshaw and Heathcliff, whose turbulent love story unfolds against the bleak yet beautifully shot Yorkshire moors. Supported by an anachronistic electro-pop soundtrack, the film aims to capture the intense, raw emotion of a teenage reading experience. The period piece secured $300,000 over the weekend across 223 theaters, lifting its cumulative earnings to $83,862,972.

‘Stand by Me’ (1986)

Celebrating its 40th anniversary, ‘Stand by Me’ returned to cinemas to share its timeless coming-of-age narrative with a new generation. Based on a novella by Stephen King, the story follows four young boys in 1959 Oregon who set out on a formative journey to find the body of a missing teenager. Along the train tracks, they confront their personal demons, share their deepest fears, and forge a profound bond of friendship that shapes the rest of their lives. Playing in 624 theaters, the special anniversary re-release generated $450,000 during its opening weekend.

‘The Mummy Returns’ (2001)

Fans revisited the thrilling world of ancient curses and adventurous archaeology as ‘The Mummy Returns’ hit theaters for its 25th anniversary. The action-packed narrative reunites Rick and Evelyn O’Connell as they battle the resurrected Imhotep and confront the terrifying power of the Scorpion King to save their kidnapped son. Combining historical fantasy with groundbreaking visual effects and swashbuckling heroics, the film remains a beloved staple of the adventure genre. The anniversary engagement opened with a solid $600,000 across 1,430 locations.

‘The AI Doc: Or How I Became an Apocaloptimist’ (2026)

Filmmaker Daniel Roher directs and stars in ‘The AI Doc: Or How I Became an Apocaloptimist’, an eye-opening documentary investigating the rapidly evolving world of artificial intelligence. Driven by his anxieties about becoming a father, Roher interviews both leading tech developers and ethical skeptics to understand the existential threats and potential promises of this unprecedented technology. The film attempts to balance deep-seated doomsday fears with genuine optimism about the future of human innovation. Debuting in 786 theaters, the thought-provoking feature collected $650,000 in its opening weekend.

‘Forbidden Fruits’ (2026)

‘Forbidden Fruits’ is a comedic horror feature centering on three glamorous retail workers at a mall clothing boutique who secretly operate as a witch coven. When a new food-court employee named Pumpkin attempts to join their sisterhood, she quickly uncovers the manipulative and dark practices hidden beneath their performative feminism. Blending mean-girl social dynamics with violent, satanic rituals, the narrative spirals into a chaotic fight for survival. The film premiered to a weekend gross of $914,550 across 1,525 screens.

‘Undertone’ (2026)

In ‘Undertone’, a skeptical paranormal podcast host moves back home to care for her comatose mother and soon finds herself confronting real supernatural terror. The narrative shifts into high gear when she and her co-host receive mysterious audio recordings of a pregnant couple being tormented by a mythological demon known as Abyzou. Through highly effective sound design and creeping tension, the movie weaponizes audio files and nursery rhymes to create a deeply unsettling atmosphere. The indie horror feature pulled in $1,651,762 this weekend, reaching a total gross of $18,462,321.

‘GOAT’ (2026)

Produced by Stephen Curry, ‘GOAT’ takes place in a vibrant, anthropomorphic animal world obsessed with a full-contact sport called roarball. The story follows Will, an undersized goat who dreams of becoming the greatest of all time and gets a rare opportunity to play in the professional leagues alongside a superstar black leopard. Despite his massive teammates doubting his abilities, Will uses his agility and determination to prove that small players can still dominate the court. The family-friendly feature earned $2,200,000 over the weekend, pushing its cumulative box office to $100,865,440.

‘Scream 7’ (2026)

The iconic slasher franchise returns with ‘Scream 7’, unleashing a fresh wave of terror as a new Ghostface killer emerges to wreak havoc on Sidney Prescott’s life. Forced out of hiding to protect her daughter, Sidney teams up with legacy survivors Gale Weathers and the supposedly deceased Dewey Riley to unmask the latest masked assailant. The narrative balances brutal, bloody set pieces with the meta-commentary and sharp wit that defined the earlier installments. The horror sequel added $2,600,000 to its earnings, achieving a total domestic gross of $118,670,544.

‘Ready or Not: Here I Come’ (2026)

Picking up immediately after the explosive events of its predecessor, ‘Ready or Not 2: Here I Come’ throws Grace MacCaullay right back into a deadly, high-stakes game. This time, she must protect her estranged sister, Faith, as they are hunted by an international cabal of elite, devil-worshipping families competing for the ultimate seat of power. The sisters fight back with sheer grit, makeshift weapons, and a healthy dose of dark humor against a horde of wealthy sadists. The bloody thrill ride secured $4,000,000 this weekend, bringing its cumulative box office to $16,277,870.

‘Reminders of Him’ (2026)

Based on Colleen Hoover’s bestselling novel, ‘Reminders of Him’ explores heavy themes of grief, motherhood, and the difficult road to redemption. The story follows Kenna Rowan, who returns to her hometown after serving a prison sentence for vehicular manslaughter, desperately hoping to reconnect with the young daughter she was forced to leave behind. She unexpectedly forms a deep bond with a local bar owner who serves as a surrogate father figure to her child, complicating her path to forgiveness. The emotional adaptation collected $4,700,000 over the weekend, raising its total earnings to $41,072,200.

‘Dhurandhar: The Revenge’ (2026)

‘Dhurandhar The Revenge’ continues the sprawling narrative of deep-cover intelligence operatives battling international crime syndicates in a high-octane Bollywood spy thriller. Serving as the second chapter in a major action duology, the film delves into the gritty origin story of an elite agent while delivering explosive, hyper-violent set pieces. The production combines a massive ensemble cast with striking visual choreography to create an unapologetically loud and patriotic cinematic experience. Playing in 987 theaters, the action epic grossed $4,745,000 this weekend for a total of $22,767,392.

‘They Will Kill You’ (2026)

In ‘They Will Kill You’, an ex-convict with lethal combat skills takes a housekeeping job at an infamous New York City high-rise in order to rescue her estranged younger sister. She soon discovers that the building’s wealthy residents are actually a secret cult of devil-worshippers who practice human sacrifice. The film unfolds as a hyper-violent, video-game-style gauntlet where the protagonist must battle her way through floors of heavily armed elites using an array of makeshift weaponry. Debuting across 2,778 theaters, the action-horror flick launched with a solid $5,000,000 opening weekend.

‘Hoppers’ (2026)

Pixar introduces ‘Hoppers’, an inventive science fiction comedy about Mabel, an animal-loving college student determined to save a local creek from corporate developers. Using cutting-edge experimental technology, she transfers her consciousness into a lifelike robotic beaver to infiltrate the animal kingdom and organize a wildlife uprising. The adventure combines slapstick comedy and environmental themes with stylistic homages to classic animation and espionage thrillers. The animated feature performed strongly with $12,200,000 over the weekend, elevating its overall gross to $138,558,236.

‘Project Hail Mary’ (2026)

Adapted from Andy Weir’s acclaimed novel, ‘Project Hail Mary’ follows middle-school science teacher turned astronaut Ryland Grace on a gripping survival mission. Waking up from a coma on a spacecraft millions of miles from Earth with severe amnesia, he slowly pieces together that he is humanity’s last hope to stop a solar dimming event. Utilizing his profound scientific knowledge and the unexpected help of an alien ally, he races against time to solve the mystery of the lethal microbes destroying the sun. The critically praised blockbuster dominated the box office with $54,537,596 this weekend, bringing its massive cumulative total to $164,302,240.

Please share your thoughts on these latest box office performances in the comments.