‘Obsession’ Star Inde Navarrette Poses Barely Contained Confidence on the Latest VESTAL Cover
Inde Navarrette recently opened up about her intense new role in the psychological horror film Obsession in a recent interview and photoshoot with VESTAL magazine.
The conversation took place a few days after filming, with Navarrette speaking over Zoom from her home. In the film, she plays Nikki, a woman who slowly loses control of her emotions and reality after slipping into a dangerous psychological spiral. The role is described in the interview as intentionally uncomfortable, with Navarrette fully committing to showing raw and painful emotions without softening them for the audience.
The film itself, directed by Curry Barker, follows Nikki as she moves through different emotional stages that become increasingly unstable. Her character begins with hope and love, then shifts into confusion and desperation, and eventually descends into violent emotional breakdown. According to the interview, the performance is meant to feel real and unsettling rather than polished or controlled.
Navarrette explained that her approach to the role was focused on honesty rather than performance tricks. She said, “I didn’t want Nikki to feel like a character. I wanted her to feel like a human, somebody you could actually meet in real life. So I tapped into ugly feelings that I think everyone naturally has, and I wanted to humanize them in this hyperbolic state. I leaned into jealousy, loneliness, and ultimately that deep desire to be loved, to be seen, to be taken care of and wanted by Bear. So yeah, I tapped into a lot of ugly emotions and it actually felt very freeing.”
She also spoke about why that emotional process felt important to her. She described how exploring uncomfortable feelings on set helped her connect with the role in a deeper way, especially because those emotions are often hidden in everyday life. She said, “I think it felt freeing because there are so many emotions people don’t talk about since they carry a lot of shame. Being in a room full of people portraying those feelings, and having them praised as good performance was really powerful.”
During the interview, Navarrette explained how Nikki’s emotional journey builds step by step, especially as her relationships change and she feels increasingly rejected. She said the character’s breakdown comes from a growing question of why she is not being loved the way she expects, which slowly pushes her into instability.
She described the character’s emotional shift as a continuous flow rather than separate stages. She said, “So for me, it became about asking: if he keeps doing this, where does it take her next? Each moment pushes her further. It felt like one giant arc, one continuous climax.”
The interview also touched on the filming process, which was shot out of order. Navarrette explained that many of the most intense scenes were filmed early, which actually helped her settle into the role faster. She said the experience forced her out of her comfort zone right away, which built her confidence as filming continued.
She compared the experience to being fully locked into a performance rhythm, saying she felt completely in sync with the process as production went on.
A recurring detail during the interview was the presence of a red cat on set, which repeatedly interrupted moments during filming and even during Navarrette’s answers. The cat often climbed onto her shoulder, adding an unusual and almost surreal layer to the discussion. These moments were mentioned as part of the strange atmosphere surrounding the film.

The VESTAL feature also included a full photoshoot with Navarrette, styled in multiple designer looks. The shoot visually reflects the contrast discussed in the interview, mixing elegance with darker emotional themes that match the tone of Obsession.
Navarrette also spoke about the film’s core idea of control and emotional loss of agency. She explained that the story reflects real pressures, especially around identity, expectations, and relationships. She said, “There are so many expectations about what we’re allowed to be, what we’re allowed to consent to, how we’re supposed to behave in order to be seen as classy or professional or graceful or worthy of love and respect.”
At the end of the interview, she reflected on the difference between love and unhealthy attachment. She said, “I think passion isn’t selfish. Obsession is.” She explained that obsession becomes self-centered, while passion allows space for another person to exist freely.
The VESTAL magazine feature combines both a fashion photoshoot and a deep conversation about her role in Obsession, showing both the artistic and emotional sides of her performance.
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