Every Movie Coming to Theaters in October 2025
October 2025 is bursting with cinematic gems, offering everything from pulse-pounding thrillers and eerie horrors to heartfelt dramas and vibrant animations. Whether you’re hyped for the futuristic dazzle of ‘Tron: Ares’ or the emotional pull of ‘Fairyland’, this month’s slate has something for everyone as Halloween vibes kick in.
From tales of survival in ‘Coyotes’ to musical tributes like ‘Depeche Mode: M’, the lineup spans cultures and genres, tackling themes of resilience, identity, and adventure. With fresh stories and bold visuals, these films are set to spark buzz. Grab your tickets and dive into October’s diverse, captivating world of movies.
‘The Road Between Us: The Ultimate Rescue’ (2025)
Barry Avrich directs this documentary on Noam Tibon’s rescue of his family during the October 7, 2023, Hamas attack in Kibbutz Nahal Oz. Featuring Tibon, Amir Tibon, and Gali Mir-Tibon, the 95-minute film uses interviews and reenactments to depict bravery, written by Avrich. Initially set for TIFF 2025, it faced footage rights issues but retains a focus on personal heroism.
It opens in limited theaters on October 3, 2025, produced by Avrich and Mark Selby. Chris Romeike’s cinematography captures raw emotion, emphasizing family bonds under siege. The film’s festival run highlights its powerful narrative of survival and loyalty, resonating with audiences seeking human stories amid conflict.
‘Coyotes’ (2025)
Colin Minihan’s horror comedy tracks a family facing wildfires and savage coyotes in their Hollywood Hills home. Starring Justin Long, Kate Bosworth, and Mila Harris, the 92-minute film, written by Tad Daggerhart and Nick Simon, blends survival with dark humor. Produced by Nathan Klingher, it features CGI and practical coyote effects.
It hits limited theaters on October 3, 2025, after Fantastic Fest on September 20. Minihan’s editing and Bradley Stuckel’s cinematography create a tense urban-wild clash. The film’s mix of chaos and wit, driven by strong performances, makes it a thrilling Halloween-season pick exploring family dynamics.
‘Bone Lake’ (2025)
Mercedes Bryce Morgan directs this horror thriller about a couple’s lakeside getaway turning deadly with a mysterious pair. Starring Maddie Hasson, Alex Roe, and Marco Pigossi, the 96-minute film, written by Joshua Friedlander, draws from erotic thrillers. Nick Matthews’ cinematography and Roque Baños’ score amplify suspense.
It opens in limited theaters on October 3, 2025, after FrightFest on August 24. Premiering at Fantastic Fest on September 21, it explores betrayal and survival with bold visuals. Produced by Benjamin Anderson, its seductive and bloody narrative fits perfectly into October’s spooky lineup.
‘Viva Verdi!’ (2025)
Yvonne Russo’s documentary explores Milan’s Casa Verdi, a retirement home for opera stars mentoring young musicians. Featuring Claudio Giombi and Tina Aliprandi, the 90-minute film, co-written by Christine La Monte, captures intergenerational bonds. Jacek Laskus’ cinematography highlights the home’s elegance.
It arrives in limited theaters on October 3, 2025, after Woodstock and Santa Barbara festivals. Produced by Ron Simons, it celebrates Verdi’s legacy through performances and stories. The film’s focus on artistic mentorship offers a warm, inspiring look at creativity’s lasting impact.
‘Soul of a Nation’ (2025)
Jonathan Jakubowicz’s documentary dives into Israel’s post-October 7, 2023, struggles via candid interviews. The 90-minute film, produced by Claudine Jakubowicz, addresses political unrest and solidarity, avoiding overt bias. Jakubowicz draws parallels to global divides for a hopeful narrative.
It opens in limited theaters on October 3, 2025, after Miami Jewish Film Festival. Intimate visuals highlight voices on peace and unity, exploring resilience amid crisis. The film’s thoughtful storytelling makes it a compelling reflection for October audiences.
‘Fairyland’ (2025)
Andrew Durham’s drama, produced by Sofia Coppola, adapts Alysia Abbott’s memoir about her San Francisco childhood with her gay father. Starring Emilia Jones, Scoot McNairy, and Geena Davis, the 116-minute film, written by Durham, is R-rated for drug use themes.
It starts in limited release on October 3, 2025, going wide on October 10 after Sundance 2023. WILLA’s impact campaign ties it to social issues, with vibrant visuals capturing cultural shifts. The story’s focus on family bonds offers a moving narrative of acceptance.
‘The Smashing Machine’ (2025)
Benny Safdie’s biographical drama follows MMA fighter Mark Kerr’s 1990s career and addiction battles. Starring Dwayne Johnson, Emily Blunt, and Oleksandr Usyk, the 135-minute film, written by Safdie, uses prosthetics for authenticity. Nala Sinephro’s score adds intensity.
It opens wide on October 3, 2025, after Venice’s Silver Lion on September 1. Produced by Eli Bush, its gritty visuals highlight Kerr’s strength and struggles. The film’s festival acclaim underscores its deep dive into personal turmoil.
‘Scared Shitless’ (2025)
Vivieno Caldinelli’s comedy horror follows a plumber and son battling a plumbing monster. Starring Steven Ogg and Daniel Doheny, the 92-minute film, written by Brandon Cohen, uses practical effects by Rudolf Blahacek. It’s R-rated for its wild tone.
It hits limited theaters on October 3, 2025, after BIFFF. Produced by Lewis Spring for Blue Fox, its quirky visuals and humor explore father-son bonds. The film’s chaotic energy makes it a fun October fright.
‘Good Boy’ (2025)
Ben Leonberg’s supernatural horror follows dog Indy protecting owner Todd from dark forces. Starring Shane Jensen and Larry Fessenden, the 77-minute film, co-written with Alex Cannon, uses POV shots. Indy’s trained performance anchors the R-rated story.
It opens in limited theaters on October 3, 2025, after SXSW and Overlook. Produced by Kari Fischer, its emotional and eerie tone earned Indy the Howl of Fame Award, perfect for October chills.
‘Counted Out’ (2025)
Vicki Abeles’ documentary pushes math education reform to tackle global issues via technology. The 90-minute film features experts advocating innovative teaching. Produced for a New York run October 3-9, 2025, it includes Q&As.
It highlights math’s role in addressing inequality, with festival screenings planned. Clear visuals and interviews emphasize education’s transformative power, offering a thought-provoking watch for October audiences.
‘Anemone’ (2025)
Ronan Day-Lewis’s debut, co-written with Daniel Day-Lewis, follows a man reconnecting with his hermit brother. Starring Sean Bean and Samantha Morton, the 121-minute film, scored by Bobby Krlic, is R-rated. Focus Features distributes.
It opens limited on October 3, 2025, expanding October 10 after New York Film Festival. Vivid visuals capture familial redemption, marking a strong directorial start with emotional depth for October viewers.
‘She Loved Blossoms More’ (2025)
Yannis Veslemes’ sci-fi comedy horror tracks brothers building a time machine to revive their mother. Starring Panos Papadopoulos and Dominique Pinon, the 90-minute film blends psychedelic visuals and grief. Produced by Fenia Costovista.
It hits limited theaters on October 3, 2025, after festival runs. Its dark humor and bold aesthetic, backed by producers like Ant Timpson, explore loss in a wild, October-friendly narrative.
‘Are We Good?’ (2025)
Steven Feinartz’s documentary follows Marc Maron navigating grief and career at 60. Featuring Maron, Nate Bargatze, and David Cross, the 97-minute film, written by Julie Seabaugh, blends humor and vulnerability. Produced by Sean Bradley.
It opens in limited theaters on October 3, 2025, after festivals. Intimate visuals capture Maron’s reflections, offering a poignant look at personal growth for October audiences.
‘Broken Mary: The Kevin Matthews Story’ (2025)
Jonathan Cipiti’s documentary traces radio star Kevin Matthews’ journey from fame to multiple sclerosis. Featuring Matthews and Mancow Muller, the 65-minute film, co-written with Katie Reidy, explores faith. Produced by Eric Groth for Fathom.
It hits limited theaters on October 7, 2025, with intimate visuals highlighting resilience. The story’s focus on transformation makes it a touching, inspiring watch for October viewers.
‘The Social Reckoning’ (2025)
Aaron Sorkin’s drama follows whistleblower Frances Haugen exposing Facebook’s secrets. Starring Mikey Madison and Jeremy Allen White, the 120-minute film complements ‘The Social Network’. Produced by Todd Black for Netflix.
It opens limited on October 9, 2025, with sharp dialogue and tense visuals. The film tackles misinformation and mental health, highlighting Haugen’s courage in a digital age.
‘Tron: Ares’ (2025)
Joachim Rønning’s sci-fi sequel follows Program Ares in the real world. Starring Jared Leto, Greta Lee, and Jeff Bridges, the 120-minute film, written by Jesse Wigutow, features a Nine Inch Nails score. Produced by Sean Bailey.
It opens wide on October 10, 2025, in RealD 3D and IMAX. Stunning visuals and AI themes drive this high-stakes adventure, expanding the Tron legacy for October audiences.
‘Beast of War’ (2025)
Kiah Roache-Turner’s WWII thriller follows soldiers on a raft facing a shark. Starring Mark Coles Smith and Joel Nankervis, the 87-minute film, written by Roache-Turner, uses practical effects. Shot by Mark Wareham.
It hits limited theaters on October 10, 2025, after MIFF. Its R-rated survival tale and gritty visuals amplify the soldiers’ fight, perfect for October’s intense vibe.
‘Soul on Fire’ (2025)
This indie drama follows a soul-searching journey through spiritual trials. The 100-minute film, directed by an emerging filmmaker, explores faith with a strong ensemble. Produced independently with intimate character studies.
It opens limited on October 10, 2025, with evocative cinematography highlighting resilience. The story’s emotional depth offers a reflective narrative for October’s thoughtful audiences.
‘Roofman’ (2025)
Derek Cianfrance’s crime comedy-drama follows Jeffrey Manchester’s McDonald’s heists. Starring Channing Tatum and Kirsten Dunst, the 126-minute film, written with Kirt Gunn, is R-rated. Produced by Dylan Sellers.
It opens wide on October 10, 2025, after TIFF on September 6. Quirky visuals and heartfelt performances capture Manchester’s audacious life, making it a fun October watch.
‘100 Meters’ (2025)
Kenji Iwaisawa’s animated sports drama follows runner Togashi mentoring Komiya. Voiced by Pressly James Crosby and Jun’ya Enoki, the 90-minute film uses rotoscope animation. Scored by Hiroaki Tsutsumi, based on manga.
It opens limited on October 10, 2025, going wide on October 12. Dynamic visuals highlight competition and growth, appealing to anime and sports fans this October.
‘Edgar Allan Poe’s The Oval Portrait’ (2025)
Adrian Langley’s gothic thriller adapts Poe’s tale of a haunted painting. Starring Simon Phillips and Louisa Capulet, the 106-minute film, written by Langley, blends horror and mystery. Produced independently.
It hits limited theaters on October 10, 2025, after H.P. Lovecraft Fest. Eerie visuals and a chilling narrative make it a spooky, art-driven story for October.
‘Kiss of the Spider Woman’ (2025)
Bill Condon’s musical adapts Manuel Puig’s novel, with cellmates bonding over films. Starring Diego Luna and Jennifer Lopez, the 120-minute film draws from Broadway. Produced by Barry Levinson.
It opens wide on October 10, 2025, after Sundance on January 26. Vibrant choreography and emotional performances highlight friendship, making it a standout October drama.
‘Urchin’ (2025)
Harris Dickinson’s debut directs a drama about rough sleeper Mike’s redemption. Starring Frank Dillane and Megan Northam, the 100-minute film explores hope. Produced independently in London.
It opens limited on October 10, 2025, after Cannes. Raw visuals and performances capture Mike’s journey, offering a poignant, resilient story for October audiences.
‘If I Had Legs I’d Kick You’ (2025)
Mary Bronstein’s comedy-drama follows Linda navigating motherhood and crisis. Starring Rose Byrne and Conan O’Brien, the 110-minute film, shot by Chris Messina, is R-rated. Produced by Fruit Tree.
It hits limited theaters on October 10, 2025, after Sundance and Berlin’s Silver Bear. Close-up visuals blend humor and heart, creating a unique October narrative.
‘After the Hunt’ (2025)
Luca Guadagnino’s thriller follows professor Alma facing a past secret. Starring Julia Roberts and Ayo Edebiri, the 120-minute film, written by Nora Garrett, features a Trent Reznor score. Produced by Brian Grazer.
It opens limited on October 10, 2025, going wide on October 17 after Venice. Intense visuals explore betrayal, gripping audiences with psychological depth this October.
‘It Was Just an Accident’ (2025)
Jafar Panahi’s thriller follows mechanic Vahid’s kidnapping of a suspected torturer. Starring Vahid Mobasseri and Mariam Afshari, the 105-minute film explores moral chaos. Produced independently in Iran.
It hits limited theaters on October 15, 2025, after Cannes’ Palme d’Or. Stark visuals and tense pacing highlight Vahid’s ethical spiral, perfect for October’s dramatic slate.
‘Good Fortune’ (2025)
Aziz Ansari’s debut follows angel Gabriel meddling in human lives. Starring Keanu Reeves and Seth Rogen, the 105-minute comedy blends wit and heart. Produced by Anthony Katagas.
It opens wide on October 17, 2025, after TIFF. Vibrant visuals and sharp dialogue drive this quirky tale, making it a fun, uplifting October watch.
‘Grow’ (2025)
John McPhail’s family comedy follows farmer Dinah and niece Charlie in a pumpkin contest. Starring Golda Rosheuvel and Nick Frost, the 107-minute film is PG-rated. Produced by Sigma Films.
It opens wide on October 17, 2025, after Edinburgh. Warm visuals and charming performances create a feel-good, family-friendly story for October audiences.
‘The Man Who Saves the World?’ (2025)
Gabe Polsky’s documentary follows activist Patrick McCollum uniting Amazon tribes. Featuring Jane Goodall, the 90-minute film explores environmental prophecy. Produced independently.
It hits limited theaters on October 17, 2025, with vivid footage highlighting McCollum’s mission. Its focus on conservation offers an inspiring story for October viewers.
‘Pets on A Train’ (2025)
Benoît Daffis and Jean-Christian Tassy’s animated comedy follows animal bandits on a train heist. Voiced by Damien Ferrette and Kaycie Chase, the 99-minute film is PG-rated. Produced by Nadasdy Film.
It opens wide on October 17, 2025, after Annecy. Colorful animation and action make it a fun, family-friendly adventure for October audiences.
‘Black Phone 2’ (2025)
Scott Derrickson’s horror sequel follows Finney and Gwen facing new terrors. Starring Ethan Hawke and Mason Thames, the 114-minute film, rated R, builds on the original. Produced by Blumhouse.
It opens wide on October 17, 2025, after Fantastic Fest. Chilling visuals and intense performances amplify supernatural stakes, ideal for Halloween thrills.
‘Truth & Treason’ (2025)
Matt Whitaker’s WWII drama follows teen Helmuth Hübener’s Nazi resistance. Starring Ewan Horrocks and Rupert Evans, the 120-minute film, rated PG-13, inspires courage. Produced independently.
It hits limited theaters on October 17, 2025, with period visuals highlighting bravery. The story’s focus on defiance makes it a compelling October drama.
‘Blue Moon’ (2025)
Richard Linklater’s biographical comedy-drama follows lyricist Lorenz Hart during ‘Oklahoma!’ Starring Ethan Hawke and Margaret Qualley, the 100-minute film, rated R, is scored by Graham Reynolds. Produced by Annapurna.
It opens limited on October 17, 2025, expanding October 24 after Berlin. Intimate visuals capture Hart’s struggles, offering a poignant October watch.
‘Thamma’ (2025)
Aditya Sarpotdar’s romantic comedy horror follows lovers battling supernatural forces. Starring Ayushmann Khurrana and Rashmika Mandanna, the 150-minute film includes Varun Dhawan cameos. Produced by Maddock Films.
It opens wide on October 21, 2025, after Diwali. Vibrant visuals and genre-blending fun make it a lively, spooky romance for October audiences.
‘Mistress Dispeller’ (2025)
Elizabeth Lo’s documentary follows a Chinese woman hiring a dispeller to end her husband’s affair. Featuring Wang Zhenxi, the 90-minute film explores love and betrayal. Produced by Emma D. Miller.
It opens limited on October 22, 2025, after Venice and TIFF. Intimate visuals capture raw emotions, offering a unique, compelling story for October.
‘Off School Property: Solving the Separation of Church and State’ (2025)
Nate Lundquist’s documentary examines Bible’s removal from U.S. schools. Featuring George Barna and Alisa Childers, the 90-minute film sparks debate. Produced for Fathom.
It hits limited theaters on October 23, 2025, with clear visuals and interviews highlighting societal shifts. The film’s educational focus makes it thought-provoking for October.
‘Where the Wind Blows’ (2025)
John Schimke’s western drama follows cowboy Chase aiding Elaine. Starring Lochlyn Munro and Michelle Hurd, the 100-minute film explores redemption. Produced independently.
It opens limited on October 24, 2025, with sweeping visuals capturing the West. The story’s emotional depth offers a heartfelt narrative for October audiences.
‘Bugonia’ (2025)
Yorgos Lanthimos’ sci-fi comedy remakes ‘Save the Green Planet!’. Starring Emma Stone and Jesse Plemons, the 120-minute film, rated R, is written by Will Tracy. Produced by Ari Aster.
It opens limited on October 24, 2025, expanding October 31 after Venice. Quirky visuals and dark humor make it a wild, thought-provoking October watch.
‘Dream Eater’ (2025)
Jay Drakulic and Mallory Drumm’s found-footage horror follows a filmmaker documenting sinister parasomnia. Starring Drumm and Alex Lee Williams, the 86-minute film is unrated. Produced independently.
It hits limited theaters on October 24, 2025, with raw visuals amplifying dread. The chilling narrative makes it a perfect Halloween-season scare for October.
‘This Too Shall Pass’ (2025)
Rob Grant’s coming-of-age adventure follows Mormon teen Simon’s rebellious trip. Starring Maxwell Jenkins and Ben Cockell, the 95-minute film explores freedom. Produced independently.
It opens limited on October 24, 2025, after Calgary. Vibrant visuals capture Simon’s journey, offering a heartfelt, youthful story for October audiences.
‘Regretting You’ (2025)
Josh Boone’s drama adapts Colleen Hoover’s novel on mother-daughter strife. Starring Allison Williams and Mckenna Grace, the 110-minute film is written by Susan McMartin. Produced by Sony.
It opens wide on October 24, 2025, after Atlanta shoots. Emotional visuals and performances highlight grief and healing, resonating with October viewers.
‘Last Days’ (2025)
Justin Lin’s drama follows missionary John Allen Chau’s Sentinelese mission. Starring Sky Yang and Radhika Apte, the 120-minute film, written by Ben Ripley, explores faith. Produced by Participant.
It hits limited theaters on October 24, 2025, after Sundance. Intimate visuals capture Chau’s conviction, offering a reflective story for October audiences.
‘Springsteen: Deliver Me from Nowhere’ (2025)
Scott Cooper’s biopic follows Bruce Springsteen’s ‘Nebraska’ creation. Starring Jeremy Allen White and Jeremy Strong, the 130-minute film is scored by Daniel Hart. Produced by Disney.
It opens limited on October 24, 2025, after Telluride. Evocative visuals highlight Springsteen’s struggles, making it a compelling music drama for October.
‘Depeche Mode: M’ (2025)
Fernando Frías’ documentary blends Depeche Mode’s Mexico City shows with mortality themes. Featuring Dave Gahan and Martin Gore, the 100-minute film explores legacy. Produced by Neon.
It opens wide on October 28, 2025, after Tribeca. Stunning concert visuals and cultural reflections make it a vibrant watch for October music fans.
‘Stitch Head’ (2025)
Steve Hudson and Toby Genkel’s animated horror comedy follows creature Stitch Head. Voiced by Asa Butterfield and Joel Fry, the 89-minute film, rated PG, is based on Guy Bass’ novel.
It opens wide on October 29, 2025, after Annecy. Whimsical visuals and spooky fun make it a family-friendly Halloween treat for October.
‘Chainsaw Man – The Movie: Reze Arc’ (2025)
Tatsuya Yoshihara’s anime adapts the Bomb Girl arc, with Denji facing Reze. Voiced by Kikunosuke Toya and Tomori Kusunoki, the 110-minute film features Kenshi Yonezu’s theme. Produced by MAPPA.
It opens wide on October 29, 2025, after Japan. Dynamic animation and intense action make it a thrilling watch for October anime fans.
‘Anniversary’ (2025)
Jan Komasa’s thriller follows a family torn by “The Change” movement. Starring Diane Lane and Zoey Deutch, the 112-minute film, rated R, is written by Lori Rosene-Gambino. Produced by Lionsgate.
It opens wide on October 29, 2025, with tense visuals amplifying conflict. The gripping narrative suits October’s thrilling vibe.
‘Libera nos: Il trionfo sul male’ (2025)
Valeria Baldan and Giovanni Ziberna’s documentary explores exorcisms with testimonies. Featuring Michela Cembran and Daniela Giorgini, the 90-minute film delves into evil. Produced independently.
It hits limited theaters on October 30, 2025, with stark visuals and reenactments. The thought-provoking narrative offers a chilling October watch.
‘Bāhubali: The Epic’ (2025)
S.S. Rajamouli’s re-edited saga combines the epic with new footage. Starring Prabhas and Rana Daggubati, the 230-minute film features remastered visuals. Produced by Arka Mediaworks.
It opens wide on October 31, 2025, with grand cinematography and action. The epic’s sweeping scope makes it a thrilling October finale.
‘Violent Ends’ (2025)
John-Michael Powell’s revenge thriller follows Lucas Frost escaping a crime family. Starring Billy Magnussen and Alexandra Shipp, the 110-minute film, rated R, explores love. Produced independently.
It hits limited theaters on October 31, 2025, with gritty visuals amplifying tension. The emotional stakes make it a gripping October watch.
‘Little Amélie or the Character of Rain’ (2025)
Maïlys Vallade and Liane-Cho Han’s animated film adapts Amélie Nothomb’s novel. Voiced by Loïse Charpentier and Yumi Fujimori, the 80-minute film is written by Han and Vallade. Produced by Sacrebleu.
It opens limited on October 31, 2025, after Cannes. Delicate visuals capture Amélie’s curiosity, offering a whimsical, heartfelt October story.
Which October 2025 movie are you most excited to see, and what draws you to it—share your thoughts in the comments!
