‘Game of Thrones’ Star Emilia Clarke Poses for Marie Claire UK and Reveals the Surprisingly Simple Goal for Her Next Decade

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Emilia Clarke has been a fixture of magazine covers for years, but her latest Marie Claire UK feature feels different. The cover star of the publication’s new autumn and winter issue is no longer selling a single blockbuster, and the conversation that accompanies the pictures is far more reflective than promotional. It is a portrait of an actor who seems to be recalibrating what she wants from her career and her life.

The timing also fits a busy stretch for her. Clarke has a major stage debut on the horizon, a new film already out in the world and a recent television series behind her. Together, they paint a picture of a performer deliberately changing lanes.

The new photoshoot was captured by photographer Juan KR for the magazine’s “Anti-Maxxing” issue, which centers on slow living, easy styling and bringing more fun into everyday life. The images show Clarke with a short, sleek blonde bob in a series of polished looks, from a black Prada top to a pink gown and a white embroidered dress with a chunky chain collar. One portrait features a sparkling statement necklace, and the overall mood is soft, bright and unfussy.

Credits for the shoot also include stylist Maria Barsoum, make-up artist Brooke Turnbull and hair stylist Shon Hyungsun Ju. The accompanying interview was written by Anna Smith and published on 9 October. The issue’s theme gives the whole package a deliberately relaxed tone, which suits the story Clarke tells.

The headline of the interview is also her stated goal for the next decade, which she describes as wanting “to take it lightly. But it requires strength,” Marie Claire UK reports. She explains that she is working on not basing her sense of worth on other people’s opinions and expectations, and she calls comparison especially damaging. In her words, “The key to complete misery is comparison.”

Clarke also opens up about resilience, recalling the two brain hemorrhages she survived in 2011 and 2013 and the death of her father in 2013. She says she felt frozen for about a decade afterward, and she now sees those experiences as a source of empathy. Humour, she adds, has become a coping tool and something she wants more of in the years ahead.

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The star is also candid about her relationship with social media. She avoids Instagram because it makes her unhappy, and she says she prefers real, in-person connection. Her own approach, as she puts it, is “I post and I ghost.”

She also criticizes the unrealistic beauty expectations placed on both men and women. Despite describing herself as conflict-averse, she says she will raise difficult issues in a room when it matters. It is a notably grounded set of answers for an actor who first became famous through one of the biggest shows on television.

Clarke says she now approaches her work with more intention, partly because she cannot control how a final cut turns out. That acceptance shows up in the projects she is choosing. One of the biggest is ‘Plenty’, a revival of David Hare’s play at the National Theatre in London, directed by Richard Eyre, which will mark her National Theatre debut.

‘Plenty’ first premiered at the National Theatre in 1978, and the drama follows a former Special Operations Executive agent in post-Second World War Britain who struggles with the gap between her wartime experiences and postwar society. The production is being staged ahead of the play’s anniversary, and Clarke is part of the initial cast. Performance dates and her character’s name had not been shared in the announcement.

On screen, Clarke recently led the spy series ‘Ponies’, set in Moscow in 1977, about two embassy secretaries who become CIA operatives after their husbands die under mysterious circumstances. The eight-episode first season arrived on Peacock in January and received mostly positive reviews, though Variety reported the series was later canceled after one season. No official reason was given.

She also stars in ‘Next Life’, a romantic drama directed and written by Drake Doremus that had its world premiere at the Tribeca Festival this year. Clarke plays Ivy, who follows two parallel paths after boarding a train to her goddaughter’s christening. In one, a spilled coffee leads to a romance with a jazz musician played by Édgar Ramírez, and in the other she reconnects with her ex-fiancé, played by Jack Farthing.

Taken together, the interview and the stage and screen projects suggest an actor who is far more interested in meaning than in momentum. The “Anti-Maxxing” theme is a good match for a star openly rejecting the pressure to do more, post more and compare more. Her message is easy to summarize and clearly hard-won.

Do you agree with Emilia Clarke’s goal of taking life lightly?

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