‘Obsession’ Is Closing In On $300 Million Worldwide and It Cost Less Than a Million Dollars to Make

Universal Pictures

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The horror movie that nobody saw coming is still refusing to slow down. ‘Obsession,’ the feature directorial debut of YouTube genre creator Curry Barker, has officially become the highest-grossing horror movie of 2026.

It is now eyeing a $22 million-plus weekend after pulling in $6.2 million on Friday alone, with its domestic total surpassing $175 million and its worldwide gross clearing $248 million. At this rate, the film will be closing in on $300 million by Sunday night.

The film stars Michael Johnston and Inde Navarrette and was released theatrically in the United States on May 15, 2026, by Focus Features. It follows a young music shop employee named Bear who wishes that his longtime crush Nikki would love him more than anyone else in the world, with dark and terrifying consequences following. The premise sounds simple enough, but audiences have clearly connected with it on a level few horror films ever achieve.

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What makes the run even more staggering is that the film was produced for just $750,000, entirely bankrolled by Christian Mercuri’s Capstone Pictures. Tea Shop’s James Harris and Mark Lane brought Mercuri the script, and he immediately recognized the potential in both the writing and in Barker, whose work he had been following on YouTube.

The retention numbers have been historic, with ‘Obsession’ becoming the first movie since 1982 to see its second and third weekends each earn more than the one before it, and setting the record for the smallest fourth-weekend drop in horror history, surpassing the legacy of 1999’s ‘The Blair Witch Project.’ Comscore’s head of marketplace trends Paul Dergarabedian, who has covered the box office for more than 30 years, told Variety he had never seen a movie make a jump like this in its second weekend, calling it “indicative of audiences embracing the film.”

The film has sparked genuine debate among couples of all ages as they leave the cinema, functioning almost as a battle-of-the-sexes conversation starter that has kept the word-of-mouth machine running without any significant marketing spend. Barker himself has spoken to the intentional emotional grounding behind the horror. Explaining his approach to DiscussingFilm, Barker said the film leans into the idea that once you accept the magic is real, what remains is a genuinely tragic story about a man and a woman, and that leaning into that realism was critically important to him.

When asked how the film managed to feel so polished on such a minimal budget, Barker has pointed to sound design as the secret weapon, noting that in a Dolby Atmos theater the film feels far larger than its price tag would suggest. That attention to craft has clearly paid off in ways no one on the production could have predicted.

With its worldwide total already climbing past $234 million before this weekend’s numbers roll in, ‘Obsession’ has even outpaced Avengers: Endgame on a day-by-day domestic basis, earning more on its 25th day in theaters than some of the biggest blockbusters in history managed on that same milestone. Barker already has his next horror film, ‘Anything but Ghosts,’ set up at Blumhouse and Focus Features, but right now all eyes are on just how high this one can go.

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