Spider-Man Is Seemingly Unstoppable, as ‘Brand New Day’ Finishes Yet Another Weekend on Top of the Box Office
The latest domestic box office weekend results demonstrate a competitive marketplace spanning fresh nationwide debuts, platform expansions, and enduring multi-week blockbusters.
Theatrical distributors experienced varying levels of audience engagement across different genres, ranging from family animation to high-concept thrillers and indie releases. Several long-running features continued to amass substantial cumulative totals, while newly launched titles sought to carve out their market share. Here is a detailed breakdown of the top theatrical performers for the weekend.
‘Idiots’ (2026)

Distributed by IFC Films, the comedy feature ‘Idiots’ opened its theatrical run across 1,110 locations nationwide. The release generated an opening weekend gross of $700,000, averaging $630 per venue. Serving as a new specialty title on the market, the project marks its first official week in domestic distribution. The cumulative domestic earnings for ‘Idiots’ currently match its debut frame at $700,000.
‘Teenage Sex and Death at Camp Miasma’ (2026)

MUBI theatrical release ‘Teenage Sex and Death at Camp Miasma’ brought in $707,863 during its fourth weekend on the big screen. The slasher feature experienced a 62.8% drop in revenue after reducing its footprint by 457 locations to 579 screens. Across its remaining venue count, the film maintained a weekend per-theater average of $1,222. With four weeks of commercial release completed, the title has raised its cumulative domestic total to $5,402,342.
‘It Ends’ (2026)

Neon expanded the platform release of ‘It Ends’ into 340 theaters following a significant screen boost of 335 locations. The dramatic film secured $724,304 over the frame, representing a substantial 1,081.8% increase compared to its limited debut. The expansion yielded a per-theater average of $2,130 across participating venues nationwide. Now finishing its second week in commercial circulation, ‘It Ends’ holds an overall domestic total of $813,849.
‘Spa Weekend’ (2026)

Black Bear distributor handled the sophomore session of ‘Spa Weekend’, which grossed $1,184,100 across 1,619 theaters. The comedy dropped 61.5% from its opening numbers while shedding 390 venues across North American markets. Screenings produced an average return of $731 per location over the three-day weekend. Across two weeks of theatrical availability, ‘Spa Weekend’ has accumulated a domestic running gross of $5,644,795.
‘Ghost: 2 Big to Rig’ (2026)

Event cinema distributor Trafalgar Releasing launched ‘Ghost: 2 Big to Rig’ across 781 domestic screens. The event feature captured $1,611,776 during its first week in theaters. The project delivered a solid weekend per-screen average of $2,063 throughout its targeted theatrical network. This initial revenue frame represents the complete cumulative domestic total of $1,611,776 for ‘Ghost: 2 Big to Rig’.
‘Tony’ (2026)

Distributed by A24, the drama ‘Tony’ added 255 screens to reach an active venue count of 1,907 theaters in its fourth frame. The release took in $2,220,448 over the weekend, reflecting a 55.2% decline from the previous period. The title recorded a theater average of $1,164 during this four-week benchmark. With consistent domestic distribution, ‘Tony’ pushed its overall theatrical gross past the milestone to $11,053,129.
‘Mutiny’ (2026)

Lionsgate presented the second frame of the action thriller ‘Mutiny’ across 2,703 domestic theaters. The film gathered $2,750,000 over the three-day weekend, experiencing a 64.3% decrease in ticket sales. Participating locations registered a per-screen average of $1,017 throughout the country. After two full weeks in theatrical circulation, ‘Mutiny’ has reached an overall domestic gross of $13,228,665.
‘PAW Patrol: The Dino Movie’ (2026)

Paramount Pictures International continued the rollout of ‘PAW Patrol: The Dino Movie’ across 3,110 locations. The animated feature earned $4,875,000 during its third weekend, dropping 46.8% while losing 499 screens. Family audiences drove a weekend per-theater average of $1,567 for the animated adventure. Through three weeks on the domestic market, ‘PAW Patrol: The Dino Movie’ has grossed a cumulative $43,311,049.
‘The End of Oak Street’ (2026)

Warner Bros. release ‘The End of Oak Street’ brought in $4,950,000 during its third domestic frame. The drama held well with a 43.4% decline across 2,923 venues, following a theater reduction of 555 locations. Screenings generated an average return of $1,693 per participating theater over the weekend. This latest performance advances the three-week cumulative total for ‘The End of Oak Street’ to $46,030,124.
‘Buddy’ (2026)

Roadside Attractions debuted the indie feature ‘Buddy’ across 1,258 theaters in North America. The new arrival collected $5,363,827 during its opening weekend frame. The title delivered a strong theater average of $4,263 per venue in its initial release wave. Marking its first week in theaters, the total domestic gross for ‘Buddy’ stands at $5,363,827.
‘Insidious: Out of the Further’ (2026)

Sony Pictures Releasing managed the second weekend for horror entry ‘Insidious: Out of the Further’ across 3,303 venues. The sequel earned $7,310,000, marking a 70.9% drop typical for major genre releases. Individual theaters posted a weekend per-screen average of $2,213 across the country. In two weeks of domestic box office play, ‘Insidious: Out of the Further’ has reached a cumulative total of $40,840,107.
‘The Dog Stars’ (2026)

Walt Disney Studios Motion Pictures launched the wide release of ‘The Dog Stars’ in 3,330 domestic locations. The science fiction adaptation generated an opening sum of $8,000,000 during its first three days. The production registered a nationwide per-theater average of $2,402 during its theatrical bow. Following its week one rollout, ‘The Dog Stars’ holds an initial cumulative gross of $8,000,000.
‘Coyote vs. Acme’ (2026)

Ketchup Entertainment released the live-action and animation hybrid ‘Coyote vs. Acme’ across 3,575 theaters nationwide. The highly discussed family feature earned $11,111,621 during its first weekend in broad commercial release. Screenings delivered a solid per-theater average of $3,108 across all participating cinemas. This initial frame establishes the domestic total for ‘Coyote vs. Acme’ at $11,111,621 after one week of availability.
‘The Odyssey’ (2026)

Universal Pictures continued the blockbuster theatrical run of ‘The Odyssey’ across 2,617 locations in its seventh week. The epic adventure collected $14,300,000 over the weekend, displaying a soft decline of only 27.4% despite losing 474 theaters. The production achieved the highest per-screen average in the top tier with $5,464 per venue. Seven weeks into its release, ‘The Odyssey’ has amassed a massive cumulative domestic gross of $563,821,605.
‘Spider-Man: Brand New Day’ (2026)

Sony Pictures Releasing retained the weekend lead with ‘Spider-Man: Brand New Day’, capturing $15,525,000 in its fifth week of release. The superhero sequel experienced a 60.2% decrease while screening in 3,678 theaters across North America. The comic book adaptation secured an impressive per-theater average of $4,221 during the frame. With five weeks of commercial play completed, ‘Spider-Man: Brand New Day’ has driven its total domestic earnings to $884,832,928.
Share your thoughts in the comments about which box office performances surprised you the most this weekend.

