The 15 Best Priyanka Chopra Roles

Priyanka Chopra has built a multilingual, cross-industry filmography that spans Hindi cinema, global streaming series, and major studio releases. Her roles range from real-life athletes and historical figures to undercover agents and morally complex protagonists across thrillers, dramas, and ensemble comedies. This list highlights key performances that show the scope of her work across formats and genres.

You’ll find lead turns, pivotal supporting characters, and franchise parts that expanded across sequels and series. Each entry notes the project context, core premise, principal collaborators, and what her character does within the story—so you can quickly place each role and explore the ones that match your interests.

‘Fashion’ (2008) – Meghna Mathur

Madhur Bhandarkar’s drama follows a small-town model’s rise through the high-stakes fashion business, tracking the industry’s workings from auditions and show circuits to brand contracts and media scrutiny. The production features an ensemble of designers, photographers, and models, with extensive runway sequences that anchor the narrative around career volatility.

Priyanka Chopra plays Meghna Mathur, whose trajectory covers training, agency representation, and the pressures of endorsements and public image. The performance earned major Indian awards recognition, including a National Film Award for Best Actress, and became a reference point for film depictions of modeling in Hindi cinema.

‘Aitraaz’ (2004) – Sonia Roy

This legal-thriller centers on workplace misconduct allegations that escalate into a courtroom battle, intercut with corporate negotiations and personal histories that complicate testimony and evidence. The film integrates procedural set-pieces with boardroom stakes and cross-examinations.

Chopra’s Sonia Roy is positioned as a high-ranking executive whose actions drive the case and determine strategic moves inside and outside the court. The role received significant awards attention, including honors for a negative role, and is frequently cited when discussing corporate power dynamics in mainstream Hindi thrillers.

‘Don 2’ (2011) – Roma

Set across international locations, this sequel follows a criminal mastermind executing a multi-stage heist that involves identity switches, bank systems, and law-enforcement interference. The production mounts large action units, including car chases, close-quarters combat, and high-security break-ins.

Chopra returns as Roma, now operating on the enforcement side, coordinating surveillance, infiltration, and arrest operations. Her track involves tactical decision-making and field action, continuing a character arc established earlier in the franchise and expanding the cop-versus-kingpin dynamic through direct confrontations.

‘Kaminey’ (2009) – Sweety Shekhar

Vishal Bhardwaj’s crime drama interweaves twin brothers with conflicting aims amid gang rivalries, a stolen consignment, and political interference. The film is structured around overlapping timelines and chase mechanics across Mumbai’s underworld and local power centers.

As Sweety, Chopra plays a pivotal link between the brothers’ personal stakes and the city’s violent factions, navigating family pressures and community politics. Her track intersects with key hand-offs, mistaken identities, and a climactic convergence that aligns the personal arc with the film’s crime plot.

‘7 Khoon Maaf’ (2011) – Susanna Anna-Marie Johannes

Adapted from a Ruskin Bond story, this dark drama traces a woman’s serial marriages and the mysterious ends that befall her spouses, moving through changing social circles, locations, and eras. The production uses shifting aesthetics and music cues to mark each relationship phase.

Chopra’s Susanna stands at the center of the narrative, anchoring the investigation structure as acquaintances, staff, and observers recount incidents around her. The role spans multiple emotional registers and physical looks, with the character’s household and confidants forming a recurring ensemble that connects the film’s episodic design.

‘Barfi!’ (2012) – Jhilmil Chatterjee

Set primarily in Darjeeling and Kolkata, this drama follows a deaf-mute young man and the people who orbit his life, blending romance, family complications, and a parallel police inquiry. The production emphasizes visual storytelling, practical gags, and location-based sequences.

Chopra portrays Jhilmil Chatterjee, a woman on the autism spectrum whose guardianship arrangements and inheritance issues shape major plot turns. Her interactions with the leads reframe the film’s central relationships, and the characterization remains a frequently discussed example of neurodivergent representation in Hindi cinema.

‘Agneepath’ (2012) – Kaali Gawde

This action-drama reboot revisits a son’s long path to avenge his father, moving between a coastal village and an urban crime hub controlled by a ruthless antagonist. Large-scale set-pieces include festival sequences, gang confrontations, and dockyard operations.

Chopra’s Kaali is part of the protagonist’s community network, appearing across key transitions that bridge the village and the city. The role situates personal rituals, cultural events, and local support systems within a narrative otherwise driven by vengeance, territorial control, and cartel economics.

‘Mary Kom’ (2014) – Mary Kom

A biographical sports drama, the film charts the training, competitive milestones, and family life of the Indian boxing champion across national camps, international tournaments, and federation politics. The production includes regimented gym work, ring choreography, and coaching sessions.

Chopra depicts Mary Kom through periods of early discovery, intensive preparation, and return to competition after personal milestones. The film’s release was accompanied by wide coverage of the athlete’s career and contributed to a surge of interest in women’s boxing and sports biopics in mainstream Hindi cinema.

‘Dil Dhadakne Do’ (2015) – Ayesha Mehra

Zoya Akhtar’s ensemble drama unfolds on a Mediterranean cruise organized by a wealthy family, using the voyage to explore business partners, marriages, and generational expectations. The setting facilitates interactions among relatives, friends, and associates across shipboard events and shore excursions.

Chopra’s Ayesha Mehra is an entrepreneur whose professional achievements and personal choices become central to family negotiations. Her business role, equity discussions, and decision-making arcs intersect with the film’s broader themes of succession planning, image management, and changing social norms in urban India.

‘Bajirao Mastani’ (2015) – Kashibai

This historical epic focuses on the Maratha Peshwa Bajirao I, his campaigns, and the relationships that reshape court alliances and domestic life. Grand sets, battlefield sequences, and court ceremonies frame the political and personal stakes.

As Kashibai, the Peshwa’s wife, Chopra navigates household authority, lineage concerns, and the social codes of the court. The portrayal is closely tied to costume design, music, and ritual depictions, and her track integrates legal-religious customs with the narrative’s changes in allegiance and inheritance.

‘Quantico’ (2015–2018) – Alex Parrish

This American network thriller follows recruits and agents at the FBI, toggling between academy training, field assignments, and investigations into terror incidents. The show employs non-linear reveals, undercover operations, and multi-country missions across its seasons.

Chopra leads as Alex Parrish, whose journey covers clearance hearings, inter-agency cooperation, and covert roles tied to domestic and international security. The series marked a significant milestone for a South Asian lead on U.S. broadcast television and expanded her profile in the global streaming and TV market.

‘The Sky Is Pink’ (2019) – Aditi Chaudhary

A family drama based on a real-life story, the film centers on parents managing their daughter’s severe illness alongside work, finances, and long-term treatment decisions in India and abroad. The narrative blends medical logistics with relationship timelines and relocations.

Chopra’s Aditi Chaudhary manages care pathways, support groups, and complex choices around travel and procedures. The production highlights hospital systems, fundraising dynamics, and the documentation that accompanied the family’s public storytelling, with Chopra also serving as a producer.

‘The White Tiger’ (2021) – Pinky

Adapted from Aravind Adiga’s Booker Prize-winning novel, this drama explores class mobility through a village driver employed by a wealthy Delhi family, framing events through letters and voiceover. The film contrasts rural origins with metropolitan business culture and political patronage.

Chopra plays Pinky, whose interactions with the driver and her husband set off pivotal incidents involving a late-night accident and its aftermath. She also served as an executive producer, supporting a global release that brought the novel’s themes to a wide streaming audience.

‘Citadel’ (2023– ) – Nadia Sinh

This global spy series revolves around a fallen independent intelligence agency and former agents who must recover lost memories and dismantle a powerful syndicate. The production spans multiple countries, languages, and spin-off plans within a shared universe.

Chopra’s Nadia Sinh is a high-level operative skilled in infiltration, surveillance tech, and cross-border extractions. Her storyline connects headquarters strategy with on-ground missions, featuring biometric devices, secure comms, and mission-specific cover identities that tie into the show’s memory-erasure premise.

‘Baywatch’ (2017) – Victoria Leeds

A theatrical reboot of the lifeguard action brand, this film blends beach-patrol procedures with a narcotics investigation that affects a coastal community. It combines patrol drills, rescue operations, and undercover work tied to port assets and real-estate fronts.

Chopra’s Victoria Leeds functions as the primary antagonist, coordinating distribution routes and using legitimate businesses as cover. The role positioned her in a major Hollywood ensemble and added a studio-backed villain part to her international filmography.

Share your favorite Priyanka Chopra role in the comments and tell us which project we should revisit next!