‘Predator: Badlands’ Takes the Top Spot at This Weekend’s Box Office: Here’s the Rest of Top 15
Here’s the full weekend snapshot—now reordered so the titles climb from the lower earners to the top spot—and each entry folds in its box office stats alongside a brief, nuts-and-bolts description of what the film is about and who it’s for.
‘Good Fortune’ (2025)
This supernatural comedy weaves wish-and-consequence chaos around an everyman who gets an ill-advised assist from on high. It earned $605,000 this weekend, down 58.2% from last frame, playing in 746 theaters for an $810 per-theater average. After 4 weeks, its domestic total stands at $16,140,566. The film is released by Lionsgate.
‘Stitch Head’ (2025)
An animated family adventure adapted from Guy Bass’s books, it follows a stitched-together first experiment who steps out of the lab to protect friends and find courage. The film grossed $825,000 this weekend, off 59.1%, across 1,605 theaters for a $514 per-theater average. After 2 weeks in release, it has reached $3,868,935. Distribution is handled by Briarcliff Entertainment.
‘One Battle After Another’ (2025)
Positioned as an event-scale feature with large-format appeal, this new release emphasizes immersive visuals and precision craft in its presentation. It drew $870,000 for the weekend, down 27%, from a relatively selective 403 theaters, landing a strong $2,158 per-theater average. After 7 weeks, the cumulative total is $69,350,289. The title is playing via IMAX.
‘Back to the Future’ (1985)
The classic time-travel crowd-pleaser returned in a limited anniversary engagement, sending Marty McFly back to 1955 to fix his family timeline. The re-release posted $950,000 this weekend, tumbling 80.6% from last weekend, in 1,356 theaters for a $700 per-theater average. Its 2-week anniversary total sits at $7,336,905. This engagement is from Universal Pictures International (UPI).
‘Christy’ (2025)
A biographical sports drama, the film charts a trailblazing boxer’s rise alongside harrowing personal battles tied to her inner circle. It debuted to $1,305,000 this weekend from 2,011 theaters, translating to a $648 per-theater average. As a new release, its total matches the weekend gross at $1,305,000 after 1 week. The distributor is Black Bear.
‘Tron: Ares’ (2025)
A sci-fi action chapter set between the digital grid and the real world, it follows a powerful program on a high-stakes mission with human consequences. The film earned $1,800,000 this weekend, down 41%, across 1,970 theaters for a $913 per-theater average. After 5 weeks, it has amassed $71,260,727. Distribution is through Walt Disney Studios Motion Pictures.
‘Springsteen: Deliver Me from Nowhere’ (2025)
A music-drama biopic centered on the stark creation of ‘Nebraska,’ it focuses on solitary artistry, tape-deck experimentation, and a defining creative pivot. The film took in $2,200,000 this weekend, a 41.5% slide, from 2,200 theaters, averaging $1,000 per location. After 3 weeks, the total is $20,396,290. It’s released by Walt Disney Studios Motion Pictures.
‘Die My Love’ (2025)
A psychological drama adapted from Ariana Harwicz’s novel, it traces a young mother’s unraveling after a move to the countryside strains love, sanity, and safety. It opened to $2,830,924 from 1,983 theaters, for a $1,427 per-theater average. As a first-week title, its total also stands at $2,830,924. The distributor is MUBI.
‘Bugonia’ (2025)
A darkly comic thriller inspired by a cult favorite, it follows conspiracists who kidnap a high-profile executive they’re convinced isn’t human. The film earned $3,500,000 this weekend, down 30.4%, from 2,043 theaters with a $1,713 per-theater average. After 3 weeks, it has reached $12,310,470. Focus Features is handling distribution.
‘Chainsaw Man – The Movie: Reze Arc’ (2025)
Continuing the hit manga/anime saga, this arc draws Denji into a head-spinning romance that collides with deadly devil-world politics. The film grossed $3,600,000 this weekend, falling 42.1%, from 2,285 theaters with a $1,575 per-theater average. Its running total after 3 weeks is $38,031,234. Distribution is via Sony Pictures Releasing.
‘Nuremberg’ (2025)
A historical courtroom-adjacent drama, it follows the Allied effort to assess and try top Nazi leadership, focusing on tense interviews and the ethics of justice. The film opened to $4,147,411 from 1,802 theaters, translating to a $2,301 per-theater average. As a week-one release, its total matches the debut at $4,147,411. Sony Pictures Classics is the distributor.
‘Sarah’s Oil’ (2025)
A biographical period drama, it recounts the extraordinary rise of Sarah Rector in early-20th-century Oklahoma after oil is discovered on her allotted land. The picture bowed to $4,458,000 from 2,410 theaters, earning a $1,849 per-theater average. With 1 week on the books, the total stands at $4,458,000. The film is released by Amazon MGM Studios.
‘Black Phone 2’ (2025)
This horror sequel revisits survivors of a prior ordeal as new disturbances suggest unfinished business with a notorious kidnapper’s legacy. It scared up $5,300,000 this weekend, off 36.3%, from 2,943 theaters for a $1,800 per-theater average. After 4 weeks, the cumulative gross is $70,108,550. Universal Pictures is distributing.
‘Regretting You’ (2025)
A contemporary drama adapted from Colleen Hoover’s novel, it explores the fault lines between a mother and daughter after a sudden tragedy forces long-kept secrets to the surface. The film made $7,125,000 this weekend, down 8.9%, in 3,196 theaters with a $2,229 per-theater average. After 3 weeks, its total has reached $38,596,498. The release comes from Paramount Pictures International.
‘Predator: Badlands’ (2025)
The latest entry in the sci-fi action franchise pits humans and Yautja in a harsh frontier where survival and honor collide. It led the chart with a $40,000,000 debut from 3,725 theaters, scoring a $10,738 per-theater average. As a first-week release, its weekend and total are the same at $40,000,000. Walt Disney Studios Motion Pictures is the distributor.
Tell us which results surprised you most—and which film you’re seeing next—in the comments!
